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Like the same, I know a lot of you guys have the same problem. It’s how to create a letter concept. That is a lot harder quotations than other letters and the alphabet. So when I think the hardest letter for me – or at least I get the majority, the majority of people always say to yourselves, how do you make a letter concept for something like the simplest letters in the alphabet? The simplest, you know shaped letters in the alphabet.
Like, for example, ELLs the Y’s, the S is in the HS, so basically the lighter is that crit. You can’t really do much with, because you’re going to change the shape. So much that I won’t actually look at the letter or maybe you you kind of read, cheetah shape, but it’s so hard and make it original. Because you know you really focus a lot on making sure that the actual letter is the most original part of the logo.
So basically my answer to that is kind of using shapes line. Uh, you know lining to actually kind of you know, manipulate the letter concepts, but not really manipulate the actual letter that makes seasons as you can see here. Okay, let me just hit my examples really quick. So in my example, this is oh. This is a why right so, as you can see, this is this is a Y for sure you can see that a hundred percent.
So if I look at this, you can set yourself. This is a pretty basic y on the inside of this. You know crazy fun, little Y concept, logo. So what I did it was, I kind of just figured myself out and kind of, like you know, kind of use, of course, outlines and circles, and you know rectangles to give myself a more original logo concept. Look so at when I look at this. I think you know it’s. It’s a really dope logo for letter y, but the craziest thing is: I don’t really use or really manipulate the actual Y in the actual logo.
So maybe that is your answer guys if you’re struggling with actually using a or making or creating a letter concept for yourself or for clients that are like more harder letters for you to do. Maybe you should try to focus on what you do on the outside. Rather than always focusing on the letter itself now, okay, that kind of gives me my segue into the after tutorial, because I can’t explain that man.
So if you guys want to guess, I do have logos or excuse me sketches for my logos that I have here really quick. This entire page 50/50 mentions really quick little sketches. So, of course, this is my y con. So that’s right here actually is a lot better than my actual sketch. So you know applause for me, um, the actual L concept. The same exact idea lies right here. This is an s console that I had over here, and this is the H concept right here.
So what I want to do, for you guys actually show you guys the actual way I created my Y concept and my H concept. That way, you guys get the same exactly at least use or you know, manipulate your shapes and your logos and your letters. The same way, the same techniques that I use that way can help you guys how long your you know, your role, your hard journey into logo design, so uh yeah. So let’s get this thing in this could start it.
Let’s just get started: okay, huh, okay! So basically, if you guys not know the way I like to start is using a shape right, so I like to use a rectangle and I like to use a rectangle tool to make my little rectangle on the outside of the actual canvas. That way, I can just kind of manipulate or scuse me duplicate my little shape here and then bring it into my main canvas. And then you know, keep you know, making sure that I can use the same exact shape because I don’t want to.
You know make this shape right and I want to keep like how do you say I want to keep trying to make a new rectangle to try to keep the same exact or, like you know, be like this. Like you know, I want to make sure it’s. The same exact width and whatnot: that’s what this is over here for so you don’t actually worry about creating a or you know taking your time to like kind of making sure it’s the same.
Exact width just use the same exact shape over and over again, it’s the easiest thing to do, for you guys so also really quickly. If you guys not know, of course, is the fill. This is the actual stroke path. So I’m just going to change this to like pink or something like that. You can see that the actual fill fills the shape in and you can always turn them off by just clicking on this none here. It turns it off for you guys the same thing for the stroke turns it off if you want to, of course, to actually make the stroke bigger.
You have your stroke table right here, which I believe it’s in windows stroke. If you don’t have this up already and of course you just put it up here and you can see now the stroke is going up and if you don’t want a stroke anymore, you take it off simple kind of stuff here and you’ll I’ll show. You guys also more with the shape with the two and stuff like that, so yeah, let’s go ahead and get this thing started.
So, okay, alright! So, just going to shrink this down a little bit more and I’m just I’m going to try to make that same exact Y that I have so I’m going to go ahead and start off with this. I’m going to do this one over here again, I’m going to go ahead and kind of make sure I rotate this thing is that good, I see a little bit more just a little bit more, and this way I’m going to actually just hold alt select the Actual shaper here that way, it selects all the different points, and I can just select one point and move it over to our want over here, because I want it to be locked, you can feel a little snap right here that way.
It says these two points on the exact same point here, and that way you know it’s exactly perfect. The way you want it so I’m going to do is I’m going to click and drag alt over here duplicate this shape again transform and reflect, and okay and right now, of course, I’m making the letter Y. So I’m going to try to make the standard letter Y and really quickly, if you guys want to you know what I’m going to do, is I’m trying what I want to make sure I line this shape up with this point over here.
So I’m going to just click on the shape. Go to my opacity turn down the opacity for now, then I can go back to the shape and be like you know. Where is the point that I want it on boom? It’s right there now. I know that these two things are symmetrical and it’s also both on the same exact. You know orientation or the same exact point on opposite side, so I can click by here, make it back to 100, and now I have this now to get the same exact.
Let me get the actual sketch out, so I know what the heck I was doing all right. So let’s say we want to get this little this little extent. So I have basically the Y here, like a little extension, going outwards a little bit. So that’s how to do really quickly I’ll make a nice little horizontal line and we’re going to go ahead and line this just right here. So is that pretty good? I think that’s okay! I mean I might even just do like this.
I can do that right. So I’m just going to put a line through everything I must select. I can select multiple shapes on and initially in Illustrator, if I just hold shift just like so and if I hold shift tab. This is the shape of the tool that I use before my other previous logo design, tutorials and basically, if you guys can see already you see this little mouse, it has a little butter on it. If I hold alt and actually chooses the plus button to a minus or excuse me, it was a plus button and if I hold alt H is one minus button.
So what you guys can see is different kind of selections of the actual letters or the actual shapes that you selected. So basically, you see like this is actual shape. If you know these lines cross paths, so basically I can hold alt while this is meaning. This is the section and is basically deleted, just like so now. What, if you, if you click on actual shape, and while I was a plus, if you just click on it, you can see it if I just tap out really quickly or just gives me press a and click on the outside.
So that way you know, I’m all my senses are gone. I can click here now. It’s basically one shape that I actually had when I was in my shape for the two and I when I can see all these different shapes right. So that way, if I’m do it that way, and then presently in a keyboard, you could also do it like that. So, basically now I can just go ahead and select these and just move them in. However, further or far I want – and I believe for my exact example here – I kind of have one longer on this side and one shorter on this side, so this would pretty much I’m going to do exactly the same um.
So what I can do is, I can take this here just like bring them in a little bit another not exactly the same, but it’s going to change it a little bit anyway. So I’m not going to really worry about it too much and I’m just going to go ahead and take these two points, move them in a little bit and move this add a little bit now. Maybe this is what you’re saying okay, this is my Y concept. It doesn’t look as cool and it realistically obviously does not not so much not at all um, so you can set yourself okay at this point.
What I want to do like how do I actually make it look more original, and this is talking about not always focusing on making your actual letter concept. Look like you know the only thing about the Y. The only thing about the wild letter concert so I’m going to do or local concepts. Q’s me don’t go ahead, make a duplicate of this again, I’m going to shrink this down a little bit, something a little more skinnier than the actual main kind of stroke that you got going on.
So I’m go ahead and hold alt shift it over here and I’m going to go ahead and design like an outside almost like an outside little accents to the actual letter design. So I’m going to go ahead and just kind of like you know, freehand a little bit have a little fun with it. Now, of course, I already have a general direction. I want to go to it’s the basically the same exact letter concert that I had before that I showed you guys an example, but this is pretty much what I course started doing this I was just like.
I was just making the outline of the actual Y. So that’s I’m going to do right now. It’s kind of the same exact thought process. Still, I’m also trying to keep the same exact spacing here. I can check spacing in the later on I’ll show. You guys had a check of spacing just in case. It’s not perfect, you can fix it really pretty me pretty easily and I’m going to go ahead and here – and I must say all right at this moment in time when I had my actual example here I said to myself: I want to do something a little More cool than just making another line here now.
What I ended up doing was, of course, doing a little rounded shape here, which looks actually pretty cool and I’m sure cuz how to do that really quickly by using the actual ellipse tool. So, basically, it’s of course the circle of the actual rectangle thing here so yeah, but just get rid of this really quickly. I’m just going to show you guys how to do this part right here, okay, so what I’m going to do is I’m going to first off start off with the actual little ellipse here.
So I want to get the same exact kind of a angle I had so I’m going to turn on my fill put on my stroke. Put my stroke up if you hold shift that goes up by 10 points, I’m going to make sure my line. Stroke is at the inside here and I figure out kind of how I want it I’ll bring this in for now, and I say to myself that looks pretty good now to check your width. I’m going to do. Is I’m a take. My little rectangle excuse me.
My circle here I’m going to kind of go near this outside edge of this other rectangle. That was my original stroke size and this need to move over one pixel, just like so, and I’m basically test or actually kind of measure out the stroke. This should be easier way. What I like to do is kind of put them together and then just simply move my stroke up until you can’t see – or until you see that this is no longer intercepted with this.
So that way, you know that this ellipse is the same exact width or thickness of the actual stroke. That’s going around the actual Y concept. That way you don’t really fall victim into getting really really oddly displaced, you know actual shapes. So that’s what I want to have here looks pretty cool, and now I’m going to go ahead and do is to actually create your shape cuz if you try to do the shape tool right now.
Right, if you have to say I want to delete this from this, you guys could do that. However, if you ever wanted to actually make a shape going down, like, though you can’t see it anymore like this, though, make it going down, you have to make sure that your ellipse tool that you’re using is um actually kind of like in a way Rash right. That makes any sense if you’re like really a fan of photoshop, if not you’re, just want to make that you make sure your shape is no longer a stroke.
You want to make sure your shape is a fill, so you actually change a stroke Pappy into actual fill, which I mean by changing this right here and to a fill path that will actually make it. Selecting actually, probably you know, see it like this right. So it’s a solid shape and not just a stroke so because, if you try to do this and you kind of want to delete the circle here, you’re not going to do that because it’s no longer it’s not an actual shape.
It’s a complete actual, just stroke. Actual shape, I don’t know why it’s an actual twice, but others did so I’m going to continue to well, not with it so actually change this stroke into a shape. All you have to go to object, expand, appearance right here, and that way I must shift click and make sure I select too little. Excuse me two shapes here alt to actually delete just like so I’m going to delete all this, and I’m also going to do.
Is I’m going to take this kinda? Do this right here and I’m a shift on this and I might delete and delete, and I bring this up a little bit and I have something like this now: the pretty cool part is, if you want to say to yourself, I want to make sure that This is completely perfect or kind of aligned. The way you would kind of want it right now you can see this is a curve. This is a straight line just really quickly if you find that shape, which is right here for me, it’s right here, so you can see it always in your group.
So if you go to your groups, whatever shape is selected, is what’s the one that’s going to actually be targeted. So if I click here, this is the shape that’s targeted. So this is the shape that I want to actually lock or not right. Now I’m going to duplicate it really quickly by either just going to here, dragging it into this little shape or excuse me into this little new page drag it there drop it.
As you see, it turns it to a new layer. That’s just an alternative between just doing alt and dragging just so. You know, I’m a lot the original layer and on this new copied layer, I’m going to turn off by fill turn on my stroke, go to my stroke. Width here change my line stroke to the outside, just like so, and I’m going to select and pull this up that way all the way until it gets to my shape that I’m trying to cut out right here.
So I must say, that’s pretty good. So I’m going to do the same exact technique that I did to actually turn change. The actual original ellipse to an actual film. So I’m going to the same thing, object, expand appearance and, as you can see, this is actually one shape now and not just the actual path, a path or excuse me a stroke that way I can select this actual shape here. Control or shift em bring up the ship mark.
Excuse me shape builder tool, hold faults select on the outside right there. That way. Now, if I go to this – and you can see this, this is actually perfectly aligned with the outside curve. That’s over here and that’s how you can kind of keep the keep the the real nice just look to it right. So there we go that looks pretty dang good, pretty much a similar same exact thing. I have gone on in the actual example here right.
You can say that it’s kind of the same exact thing, but actually I put mine together, I don’t mind putting it together again. Let’s do that. Just pretty much take my two points here. Shift click shift, click shift, click, three points drag them on over and there we go it’s together now. So yes, that’s what I did for that and now pretty much I’m going to do really quickly. To kind of give you that little cut that I have before.
As well, I use the pen tool here, kind of cut it just like so just make a simple little triangle: just want to cut it just right down this middle right here, just like so so shift em shape low tool, delete there we go, and now we Got a nice little, you know cut down going here now. Last but not least, I use the other circle. I using the circle. That’s L for my keyboard for the shortcut for the ellipse tool.
I’m just going to throw this circle. I believe I had at something like this right: let’s see uh yeah pretty much on the outside, okay cool. So what I’m going to do for this? Of course, it’s one off my fill put on my stroke, go to the inner and bring it up, and I would say this is pretty out. I want to have this. What if I put on the outside? Okay, the outside is ten times better. Okay, that’ll work.
Alright, so I’m going to do right now, right now is on, of course, change. My actual stroke into actual fill so expand appearance. Now it’s an actual fill now I’m going to do is I’m a shift-click on all these shapes here that might have some of the shape below I got. Ta unlock this layer boom and pretty much I’m going to do is on, as you remember before I said, if you hold alt, it turns to a, but that’s how you delete it, but I also said if you press plot, what’s Y was the actual mouse.
Cursor has a plus on it. It’ll actually make your your one solid shape into two different types of shapes or two different shapes. So if I click this will actually create another shape, you actually use a manipulate. So that’s what I do for that, but for the outsides here I want to make sure I cut the shape out on the insides of here, because I don’t want it to. You know bleed through, like that. I don’t want that here and then for the rest of the outside.
I want to make one shape just like so now I have two different shapes just like that, and we’re going to do is on make this shape a little bit bigger right. I’m going to make this shape a little smaller that way you get something like this right, so it’s pretty much the same exact cos that I have before now. As you can see. I believe this is not rounded with this right here. So all you have to do is do the same exact techniques before so find that shape, which is right here, click it make a duplicate of it all by the way.
Another alternative, besides dragging to the plus button its holding alt, and bring it right above the actual layer. So this is actually duplicate of this layer right here, so I’m a lock this layer change this layers filled to a stroke, make sure I’m I align my chalk on the outside. Bring this stroke out just like so that’s, okay, we’ll say like 70 is good and then change stroke into a path or fill and then shift click shift.
Click shift, em click here and then get rid of this. I can delete it and then I’m like this layer now this actual curve here matches with this curve. You do the same thing on the outside here I would realistically um just you know, because you want to make sure it’s all perfectly fine. So I’m going to take that shape very quickly, drag it up, lock this layer change this into a fill or show a stroke.
I believe I had it at 70 on the outside and I’m going to change this object to expand appearance. Click here delete that there and that way I can drag this down here, delete it and there we go now, they’re the same width from each other and all that cool stuff and there, as you can see. This is the Y console I have for my example, but just you know I just did it a little bit. You know differently a little fast, but it still works.
It looks really good and realistically, if you want to actually combine shapes together. So if you want to say this shaper here, this shape right here and this shape all want to be one solid shapes you don’t have to actually select multiple things. All you have to do in this shape right here or not this one. This is actually the surf on the outside. Don’t need that so this shape this shape, this shape this shape, and this shape I want all together that would have a claim, selecting them one by one.
So if you want to all you have to do is go to the Pathfinder tool and you can find that with the windows, Pathfinder and basically the first one that says right here, it says unite. So, of course, you can think if you click on it, while all those shapes are selected with your shift tool, as you can see now, it’s all one shape that I have to select one by one kind of thing going on here and there’s that right.
So it’s like 10 times better, I’m going to delete that, and this looks a lot better. So there you go so then you can send yourself actually want to make sure that this is all connected as well with a Y right unite just like so now. This is one entire shape, and these are two other different entire shapes. So I can do now is click on this. I can say to myself what color do I want the inside? Maybe I want like a nice blue, you know whatever the blue.
I have before cuz. It was really pretty this one right there, something like that and after the outsides I want to make it. I don’t know purple pink whatever you know kind of have fun with it and, of course, the cool thing about. Of course, you know using your logos or making your logos and inside illustrator is that your logos are full vectored that way, it’s actually not pixels, so you can kind of shrink it as small as you want and then make it as big as these as big As you want, it’ll still be the exact same quality, the same exact resolution that you’ve been created it if you were to do it inside Photoshop, if you do that in Photoshop rip your quality, but this is a vector.
So it’s all good. So there you go. There’s the Y constant actually did now, I kind of said I was going to be H, but you know it’s it’s a really long tour like if you want me to do you actually want me to do it, I’m just going to quickly fix this kind of Stuff here and there you go the same exact shape or the same exact letter khaa. So that’s basically right here right, just a little more tighter, a little more, you know cleaner, but same exact, literally the same exact concept.
I’m just going to shrink that down to size, so you can see it there right. I just face it a little differently right. This has way more spacing. This is really really skinny, but take your time honor, of course, stuff like that. You still want to take your time on it and I yeah there’s that Y concept now I’d set up, go to the H bro. It’s not that hard. Why not really quickly? Okay, so of course, I’m going to start off again with the whole shape thing right.
So make a shape on the outsides and I’m going to set off with that H. So, basically, I’m going to start off we’re just doing this. Okay boom boom right shape builder tool, there’s our age right! That’s a little bit exited off with for this right here now I’m going to do next is: let’s just say: we take this right here, rotate this, like this. Have that on the outside here take this tool duplicate with holding alt reflect it I’m going a little faster.
You do exactly what I did already, because the actual uh, the other counts that I did. I want to make this a little more tighter. There we go now. I want to have these go down like this. I know this is not the exact same. You know you want to make sure you line that up perfectly, but I want to you know, keep it really quickly and just how fast you can actually manipulate this so um the example here.
Okay, so we need a AO all right. We need a a circle, so I’m going to take a circle, L for our actual quick little shortcut for the circle and there we go something like that. Now, let’s make this a path. Now, I’m going to put the inside we’re going to put it to like. I don’t know holding shift again. These are totally not the same, and it’s blowing my mind. Okay, I’m just going to I’m going to take both of these and just drag it down just a little bit just so it’s even with the actual outside there.
Okay, that’s fine! Also this messed up, and this needs to be there cool – is that that the same anymore? No, but definitely is not. I think I move this entire thing there we go perfect, alright, cool now as exactly same thing, I have four there. So what I can do now is, I can just say to myself: you know. Click on me outside the circle here also quickly make this to an actual film click here here, and here take the outsides and get rid of them.
There we go now. It’s just one little thing right there, so I’m going to do is I’m of course, like I said before, duplicate this mix in a smaller rectangle or a smaller shape or smaller width. There we go that’s pretty much. My stats kind of like my way of making sure that you don’t really get confused with um. You know the main letter concept and then just like so to go around it so right now, I’m going to go to here right, I’m kind of fixing what my actual circles going to be manipulated to some like that right.
Also this one I’m just going to duplicate this and reflect it horizontal. So, as you can see, I’m just basically making sure that’s on point, basically making kind of a shape right here right. The reason for this is I’m going to move this out of just a little bit I’ll say pretty: it’s really good here. I think I may unite these, so this is one entire shape, so I just want to make my shape, and this is going to be bit like my cutout shape.
You, like think, like stencils in a way, so what I can do here set the shape, select the circle on the outside shift em and then pretty much delete and I’m just going to go ahead and quickly make sure I delete the app sides as well. This outside this outside, and then they get some like this, and I can do the same exact thing by either. Just taking this, I just I’m going to do good of it just in case, because I knew I was going to use it again, reflect it vertically and of course I don’t actually know the exact width on the outside over here.
But let’s just say you can cut it out kind of guess. The width or you know, make sure you have the same exact width or what you can do is shift-click on everything unite this and, as is one entire one entire. Like circle, you already know, this is still the middle of the actual circle and we have one side a different side than together. So I want to make sure this side is matched with this side. So I’m going to do.
Is I’m going to go ahead and just kind of make sure that this is all made just make sure this is all one shape as well, so this entire one shape I’m going to lock this down. That way, I can’t actually select it right. I can always select the actual circle here, so I’m going to do. Is I’m going to use a rectangle tool again, I’m going to figure out where half is I’m going to make a new layer because you have to make a new layer when you want to use rulers which are located right over guidelines? Are the guidelines control our works right, pretty much control our am I figure out where the middle is so I believe it’s like right there, so click and there we go so yes, it depends on what layer is selected, so I put it on, I believe, which Later I put it on oh no right here, guy right here, so this is a one layer.
It actually has that ruler on it. So I’m going to do. Is I’m going to go ahead and use my my up? Where does that boom? My rectangle tool make sure this follows the exact path line, and so basically, what I do now is, I can get rid of this rule. I don’t need anymore. I must click on this little ruler. Excuse me this rectangle, that’s half of this circle right here shift M shape, builder tool. Right click here, delete this delete.
This leave this and then pretty much all drag it over right. Click transform reflect vertical and then put this thing together. Right here make sure it’s on the point. Select these two different shapes here: unite them, and now it’s one entire shape perfectly horizontal are perfectly symmetrical with everything and then pretty much all wrecks. Really next is kind of, like you know, figuring out the top part.
How I did that was pretty simple. All I did was do something like here. I find that middle again, we’re using the guideline here. Put it on that middle right click transform vertical, bring that over here, put it on the same point, control or shift click on these unite them and then select the outside here and then delete that delete. This leave that and there we go now. I got the little cool little top part there, and what I did for here is what I did is I’m unlock this really quickly.
I don’t need this anymore, but I’ll just keep it hidden shift-click on both of these two different objects, then I can click here, of course, with my plus bound for the shape builder tool. Right click right here made it one single shape. I was going to make this smaller with alt and then holding shift and then draw holding alt as well or excuse me: ctrl bring up the actual free transform box, holding shift, make sure it’s, I don’t change the actual proportion and then holding alt keeping the same Orientation – and that way I can do that – and I can do then, is take this shape here drag this down.
I made a duplicate of it by holding alt while dragging it, and then you know sugar. This downs a little bit more. Something went wrong here. It’s not completely symmetrical, but I would fix it if I knew word, I fix it, but that’s perfectly fine for now um yep pretty much. That’s the exact same way. I made the actual age concept. So there we go my lock or I won’t lock this I’ll get rid of this actual guidelines.
Oh give it to that guideline I’ll bring up the actual example I have here as well, and this example here and I’m pretty much as you can see. This is pretty much the same, exact concept that I had for this right and I just change this shift-click on these. Combine them change this color that right there right so there you guys go as you can see. I know it was like a long story. I know there’s a lot in it, but I know it would have helped you so much.
I wanted to at least show you guys the way I actually created these really cool shapes with the outsides of the actual concept now um, when it like, like literally, you, still have to sort of think in a way, but I really started off with something really Simple like this is my really simple H: what if you had something that was a little cooler than this, or maybe you had more parts to kind of edit for your surroundings? That’s you still got a thing.
Of course, you don’t have to really try as hard an app that makes any sense or challenges over really get frustrated, because you can also work around the app side with your logo design, to create something very, very simple, very awesome, very original, and you won’t get A headache in like we probably still get a headache, but it won’t be as bad as your other. You know really trying to focus on your actual only the letter, but that’s how I want to show you guys Purdue today, um yeah, that’s pretty much it.
I’m just going to make sure you guys leave a like on the article, of course, if you like the logo, design tutorials, I know you guys already do I already know you guys are going to kill it, and I know you guys going to do your day Right you guys enjoy your day. It’s a set. It’s Friday, you’re reading some dates, upload it’s a Friday. So hopefully guys, like I said – please leave a like. Please follow me on Twitter access week.
You please subscribe if you guys have yet or please check out all the other tutorial that I have, of course, on my blog and of course, check out myself. I self I calm, / sets of HQ for any premium packs as those 3 bucks, which is a freaking awesome, brush pack, everything packed being one of my two most purchased ones over 600 for one of them, one of them more over 700 people have purchased it Already so it’s something really awesome, and so for you guys, maybe like think about.
If you guys want to go ahead and purchase them, you guys could and yeah all the links are the scripts down below. Please let me know in the comments in when you guys on what other tutorial to see me do, and I know this is long. I knew I really need to stop talking, but, like you know, just making sure you guys understand that it’s always not about the logo letter itself. It can also be about what is surrounding it.
Okay, that’s my little end quote there and I’m going to see you guys later so so HQ out. Peace, keep smiling stay positive and stay productive later.
So recently, if I take an interest to sort of like figuring out a different technique on how to create mask a logo designs, as there is millions and millions out there, I’m sure, and if your mascot designer that I’m sure you go, you also have your own Current style to it, so I usually always, I think, the past two articles on how we’re like Symetra designs – and you know pretty much how to sketch and stuff like that.
So, of course, today’s article cheat, I’m just you – have a sketch and pretty much illustrate your mascot designs in like three simple, easy shapes, and I believe this way of processing it or like understanding your like sort of introducing you to mask a design mask out low Designs, if you choose to you, know kind of forward yourself into that, you know kind of category of design. It’s really really crucial for you to really figure out all these different techniques, because it’ll really help you like settle with your spouse.
So i’ma teach you guys that today so of course have a song with a sketch and I’ll throw the sketch into illustrator and it’ll. Really quickly illustrate it and I have to be really fun very simple, so hope you guys enjoy and let’s get this frickin thing going so, of course, to like on the article because a secret down below which I’m not sure some be yet. But maybe a know me I’ll figure it out when it’s time so whole thing is, do enjoy and, of course, if you guys want more tutorials, please just let me know leave a like on the article and all that cool stuff and yeah.
Let’s just get it just just get this thing done, alright, guys so pretty much myself with this sketch right. So I have a lion like roaring on my screen right now. I do also have this pre sketched out. So yes can just like sort of relax and understand where the I guess the direction is going, but I really want to show you guys really quickly what I’m looking for when I actually sketch out my mascot design.
So if we were to look at this, let’s say this: one entire shape right here was like number one, and then the next shape would be number two and then our next shape on the outside actually be number three. When it comes to how many shapes are there to kind of create your base to like creating an actual mascot design so right here, I’m looking at a picture and I’m just going to basically make sure I believe the most crucial thing about this.
If you trying to use a sort of technique, or even like like trying to figure out how to do a mascot, a logo design, try to make your, I guess you’re number three or Susan you’re number one shape is like, is, I guess, direct as possible to Make sure that it’s the animal that you choose so for me, I think starting off with the actual hair and the outside sort of like the easiest way for me to actually say that or to do that for, like the whole lion thing now, if I won, I probably had like went a little further out or whatever I put them more so kind of like a little stroke, pins or wherever you want to call them um just going to go ahead and just like so sketch this out now.
I already know, like I said I already have it planned out sketched already, but pretty much. I want to show you guys what I mean by sketching out a shape that kind of like make sure wars or make sure that you kind of have this like. How do you say this animal shaped out the way that you believe that animal looks on the outside, like if you were just thinking of a shadow for a shape for an animal? That’s pretty much! What you’re doing here and we’re just going to go ahead and move that up like this, we’ll move this like so, let’s just make that go all the way that way for now and then I’m using I’m moving my favor a lot.
I know, but I just won’t show you guys so this like black outline, is stroke. This will be one entire thing. That’s filled in so this just imagine this as if it was filled in all the way. So if you can imagine that you just know that this is going to be that black part, that’s on the outside number. Two right here will be whatever for that primary call that you choose to use, so this her to be the primary color.
But for me I just want to pretty much make sure make sure guys also use negative space in my pre sketch. You can see this little triangle here and if you see my picture that I have above or ever I have it in, like the article y’all. Probably you’ll see it somewhere arm. You see little triangle here, I’m going to use it as like a negative space sort of. So in my example, I can probably have right – or this is me in my sketch I’ll – have this like something like this like over here.
Then going up this way, I’m going to pretty much trace this. What I have over here again, so I’m making sure I keep this little like these little spiky things going on here, because that’s kind of illustrate – or I guess I would say – you’re you’re, pretty much matching that it’s pretty much hair right. So this is what I want to make sure I do. This little part will be his little ear. It’s pretty smaller.
It can be mess around with just we’re going to keep on going with. It, though, go ahead, and do something like this. Something like that and let’s just say we do something like this this time I don’t know we’ll figure that out when the time comes, but there we go right. So I basically did my little site, like my little sketch on the inside so, like I said guys, make sure you guys understand that the like the best and most like focus shape you should be focused on, would be number number one right.
The one that’s on the back and then pretty much it’s going to completely either make or break what you want to have so for me. I also usually do basket designs when I sketch them out. I was just like symmetrical thing where I have like that. The I go in the hair going or whatever and then like the nose or whatever it’s going on. I usually have that symmetrical, but symmetrical logos are not like. I want to stop doing those.
I want to sort of branch myself out or like learn more and like I said I found this like really cool little technique. I’ve seen people do it, I’m, like you know what like, why not give it a try, so pretty much what you do on the inside for that one like number two shape here. You just want to figure out like negative space like this right here is going to be his mouth areas, or your teeth will be and stuff like that on.
This is where his nose can be, if you even want to, would you put like a little triangle here as well, see like that’s where the nose is going to go, but this little negative space here is the nose is so space here, so the mouth and Teeth and so you just want to make sure you have that back shape and it really like generalizes, the actual animal that you choose right and then that’s for the eye. I’m going to go ahead and just say the generic sort of like circle shape whoa.
I’m sure you have this in Illustrator as well, but go some like this. Just something like that for now I’ll just say: that’s the eye. You can work with it for now. Let’s just let it go. Oh that’s the eye for now, but basically I want to let you guys know that is. It is almost. Is this easy right here to set yourself? Will you had a pre sketch like what did you do before that? I looked at the picture and I pretty much said exactly.
I pretty much is exactly the same thing. I didn’t take much time on the pre sketch at all. I started to make sure that I have a certain direction and also that you can see what I was talking about before. I even finished it so that right here this so just really really quickly like review it. This number one will be that one back shade. That’s going to be solid color, and it’s going to that. Your one base color shape that’s going to be on the outside right, and the number three like I said by the way, is basically that stroke is going to be on the outside.
Like so there’s going to be a stroke on the outside, it looks something like this right, something like that all right. Let’s just say this is the stroke and this stroke is that number that number three shapes or this stroke all the way around that number three shades that’ll, be that nice little gradient color, whatever the color you choose to be on the outside, and the number of Two here is that one shape, like I said I kind of defined like define.
Scuse me, the animal is well on the inside, so he was going to you. Don’t want have to fill the entire thing like, usually I would say to myself all right. I have to make sure I got to go outside here over here like trace all the way around, but if you just kind of focus on just the main parts, I guess to the actual mascot design itself, then you’re pretty much in there. So hopefully that makes you like it helps you understand just as much like I’m looking at the picture.
Right now is well. I probably like make this go out like this way more, but it’s all it’s all just like the sketch is not always going to be. What your outcomes going to be, obviously, like I myself, I’m a prime example of that, so this sketch it’s we’re going to change out. I’m probably going to make this like I’m going to actually put these in here, make those arrows come out more this way. I want this to come out more that way.
I want to actually, of course, fix this, of course fix my eye. We’re going to get smaller as well, probably small and push it up so use arrows. Use your sketch, however, just know that your sketch is not going to illustrate what your product is probably going to be. It can give you a generalized idea, because once you put everything in Illustrator and start going to smooth lines and sort of like what you’re looking for this will be totally easy.
And if I find this method, just really really cool. And this way of thinking about it just a lot easier. So hopefully I helped you guys out and like I guess, starting out you’re your mascot, because you might be like I feel like I can do this by. I just don’t know where to start. Hopefully, this will help you guys out, so I’m going to go ahead and take a picture of this, I’m going to email to myself and I’m going to throw it into illustrator and then we’re going to go from there.
So hope you guys enjoyed that and yeah see you in a second alright guys. So I went ahead and I threw in the sketch into illustrator. We are in illustrator CC 2017 and so pretty much I’m just going to go ahead and start this thing off. So, of course, we’re going to start off with a new layer and the first shape that we’re going to be focusing on is number one, the one that has little stripes through it, and I told you guys that was the back plate.
That was like the bones of the actual mascot, the bones. Really, I couldn’t think of any of the word. Okay, so just a quick little rundown, of course, I’m using the pen tool in order to create our nice paths. Now, if you guys don’t know, there’s a fill tap right and there is a stroke crown which is located right here. I have it turned off at the moment. Turn your stroke pack off. You only have to do.
Is choke pack stroke path off? Maybe just click on this little red line going through where it says, none that will turn it off and I’m going to also turn off my fill as well just for now, because I don’t need to see what’s in the inside eye thing like that, I see Well, I see which is just the stroke line right here right, so I’m going to go ahead like I said I focus on this number three or see me number one down here up here, no over here in this location, so I’m going to go ahead and Start pissing off right over here and we’re going to go ahead and is go for it.
So if you guys don’t know if click and drag will just give you guys neck so arch. So if I click once right, if I just click once it’s not going to give me any sort of twists or turns or shape like you know, I can’t actually turn the shape or curve the shape. So what I want to do is I want to click and I’m going to drag my mouse toward, like. I guess the bottle up to my mouse pad to give myself a nice curve that will curve me more to left hand side but also giving that nice sort of, like, I guess moon shapes kind of curve going on right.
So if you guys don’t know already, if you were to simply click on the anchor on your pen tool just like so it will create a new kind of anchor, which is basically, if I just want show you guys like wiggle. If I click over here, I’m trying to move this over here, this would have on a curb on this side, because this extended curve, this little anchor point here – is still a secondary sort of, I guess anchor, where it’s kind of showing you guys.
If I were to click over here, it would curve pretty much halfway through here as well right. So, as you can see, so I just click on the anchor. This will reset that, and I just click and drag again without the unnecessary curve on the outside or following these extended flights here. So I’m going to continue now going on and it’s going to continue doing the same exact thing. You know I have this there just like I’m sort of following my uh, my sketch a little bit, but I’m also following what I want to do as well.
Some like this, and I’m just going to make this one go in more because why not and I’ll make this come like that, and then I could do so break here and I believe this house is going to go like that. Yeah, okay and then we’ll do this one like this yep, okay and then this here, I’m going to bring it in like so, and also this curve right here is almost like a little S curve, so the others never s curves.
I was talking about that when I do like curves for like color correction stuff, like that so nigga s curve, i’ma click drag correct and if I just click right up here, this will give me a very, very simple S curve. That’s exactly what I want. So if you guys do not know already, if you extend this more over here, you would get more of a curve. So let’s say if my curve is like, oh like how like how you see it with a green line right now, I can extend that as well.
So if I click again right where I want to have that, I can even just hold alt ctrl click on this handle. Here I call the extended point: what it’s called handle shirt and I’m a click and just drag this back in toward the actual center path. Here or ZZ set our anchor here and I’ll. Give me my curve that I want back as well, so it’s very easy to make curves like that as well, so this curve right here, I’m going to simply actually I’ll do that what multiple just like! So I move this curve like that there we go and I give myself those nice little teeth now, I’m probably not going to be doing all the whole teeth thing anything like that, but I want to make sure you guys get the base.
I guess I guess the the basic of the thing shirt we’re going to go with that um we’re going to go ahead and just do something like this and then we’re going to go ahead and just come up here and I might actually start putting in some. Some little curves in because I don’t want to just have it very just bland like that on the top, so I’m going to go ahead, just add in my own little stuff. So I already told you guys the sketch is probably not going to be exactly how I want it to be, but this right here I’m going to go and just turn on my fill down and put this on a nice colored Levi how to color before right.
Here this nice little black here so I want to go in just add myself lay of nice little. You know two little spikes on top as well. Simplify you say imply hair there we go so right now at this very moment. The whole point of what I was saying before is number one, which is this first shape that we’re doing is to make sure you make this shape as memorable or Susie as memorable or as or as what is the word, I’m looking for as uh as accurate.
We’re just going to go accurate as the Amba you choose like me, like you, can see a line in here a little bit right. It’s not like a bunny, it isn’t like a bear. It kinda looks like a dragon’s the moment, but you add you get the the bare bones of what the shape course is with the animal you have with the shape so make sure this right here. The sketched out number one spot in the Sketchup. Excuse me number one shape.
This is the shape. This is the path that you want to make sure is perfect and great and good, because the inside can always be messed around with the outside. You want to make sure you have that sort of bear bone like base shape, so that’s that first part of the sketch. So if you want to down and put my sketch above this black path here sees me this black shape and there’s a low, my pasady on the sketch and there we go I’ll lock this back up just right again: okay, so now above my layer, three, which I’m going to call this number one.
This is the first shape line. It’s called a shape. Number one right, I’m going to make a new layer is going to be shape. Number two shape number two: that’s a dollar sign go boom, all right shape, number two. So the shape number two, like I said, is right here right. So this all this right here is shape number two. So I’m going to go ahead and start off rate here. I guess now we’re going to go for it so, like I said this is like a little ear now we can always go back and sort of mess around this and sort of fix things like I said this is just the sketch.
This is just your first attempt. You’ll have so many variations, and I got myself on my logo designs. I usually take maybe like three days on them – maybe a couple hours here, they’re on each day, just because I want to do it for like premium stuff like that. So I know it takes a long time to get that file perfect sort of like look that I’m looking for. Let’s see other one here and truthfully, it’s not like something that you can probably do in like one second, so understand that there is going to be a like a learning curve.
Scuse me, but it’s I swear to you. It’s not it’s not as hard as it might look and even like I’m saying this and I’m not the best myself. But I know in my heart that I’m going to get good as long as I keep trying right. So I’m going to go ahead and just I’m going to add another curve in there. Why the hell not something like that, or even oh, how about this after this curve? There is something like this and then almost straighten this thing out now we can just go straight into there.
I don’t know we’ll see. I can always measure out this more I’ll move that around for now, if you guys not know like, I just always hold control. We want to move a point. I think I want to move, you can click on by holding ctrl just so you guys know, and I’m going to do something like this, and this is the little nose part that I was talking about. Let’s just do that and then we’ll come in here, just like so all right and then we’ll do this last two little or Sunni, three, a little little spike to the top, which is indicates his hair right and do some like so and then connect it after This one right here, all right so very simple right this is the shape number two I’m going to just connect it now right so for shape.
Number two I’m going to have this color here, I’m going to turn off this as well, so now shape number two has something like this. So, as I said before, this cheat number two is pretty much the part where you want to get the onliest the essentials. Basically, inside of his his head, basically right, I’m also going to measure off this a little bit. I want to move this little further down. This way, try to feel some more space, um that’ll.
Do my something like that right. I think it looks a little bit better and I can mess around with that as much as I want, but I want to move this as well right. I already got some things coming in my mind that I want to do. I want to also move this little further back. It’s too close to that nice, not with the curve a little bit. I think it looks pretty good so right now else is I got talking about the negative spaces area so right here where this nose is supposed to be right.
I want to make sure I have that space looking very, very accurate to what you would suggest that there’s a nose also in here right. So if you zoom in backwards to me, if I zoom out you’ll, see it zoom in backwards. Hello, if I zoom out you’ll, see there’s like a nose shape there and there’s also empty space for the mouth here, um, which I might not be doing, because I have a lot of trouble with mouths, but I can get you some.
I like some. I like design something like that right, so let’s go ahead and just focus on the eye really quick. So actually this is number four places the first shape right. This is the second shape. Let me just do the third shape for now right, so the third shape is actually go on the bottom. However, so this is shape number three and shape number three after the number three I’m going to quickly do.
Is I’m going to go to shade number one again, I’m going to click on the actual shape with my actual directional tool right, I’m going to turn on a stroke for a second I’m going to put a gradient on, because I can, let’s just put on a Green, let’s just choose any colors for now. We just want to see what the colors are and I’m going to stroke here right here, let’s table and just put on my width up my height scuse me and we’re just going to go ahead and make sure we’re sensor on the outside correct and, I would Say to myself I think this size stroke is pretty good, so I’m going to take that into account I’ll hide everything else or lock everything else and go to shape.
Number three click and I’m going to go ahead and now to start off from here and I’m pretty much going to make sure I follow these basic love. It excuse me, let’s turn this off, make sure you follow this stroke on the outside. Just to make sure I have the same width but just understand it, you can do whatever the heck. You guys why I like realistically, should be here if you want to keep it completely like symmetrical to what’s going on the inside.
However, I want to put it there because I feel like it. What I always get the width and make sure I have like them with maintained around the entire actual logo, doesn’t look really weird, that the wicks are different with the strokes. But if you want to put different stroke widths in different areas, go for it like it does not matter. It’s your design right. So I’m going to go ahead and just quickly go on the route outside of this and make sure we got that.
Looking pretty okay, there we go so now when I just really quickly click on the stroke again and I’m going to head to put in that code that I want right here. This is a nice little gradient, I’m going to go to back to shape number one and then turn off the stroke here, because I have the stroke now in the back and there we go right. So this whole tutorial is all about making the mask out in three shapes.
Really this right here is the bear boat. It’s literally, you can see the line. You can see the Stroh’s you can see the inside of the actual. You know the different features that is going to have so realistic. I can stop here, but I wan na quickly show you guys what whole like the whole eye situation there, but just know that these three shapes is what’s going to really make the actual mascot correct.
So, of course, there’s eyes there’s different like I can do something like on the inside here. If I wanted to, let’s just do something right now. I want follow this angle here, make a nice little curve there right. If I want to have some more color on the inside, if I choose so do something like this and then just connect it like, so I can’t swim like that and then just use the stroke. This blue here come like that.
Going on to indicate you yet again, more hair going that way. So that’s just one of the little little thing I can do as well as like. Maybe like this. I don’t know, let’s just uh, my mouse is tripping. Oh God, there we go. I think I caught it. I think. Oh okay, we’re good! Alright, do something like that and then so. I’m like this right and that’ll indicate like a little nose right there right, okay, looking good so far, so really quickly! I’m not sure you guys this whole eye situation, um, not my best eye, but I’m going to go for it.
We’re going to call this with this. What is just add on right, I’ll, lock that really quickly now we’re going to make the eye so the way I usually make my eye was just basically like a honeycomb like a half circle right, I’m going to turn this off for a second, so nice little Half circles: just you know, click drag make a nice little simple, like little smiley face going on there and then just click and then drag towards.
So I want to have like a more fatter area towards the face right here. I guess the right size of face and pretty much that’s that I’m going to fill this in with a black right expose. It was black now what I’m going to do now is I’m going to go ahead and okay, we’ll go with it for analysis. It’s just the whole tour purposes thing, so I’m Prince Li keyboard. It gives me the ellipse tool right. That’s what I want the ellipse tool I’m going to make.
It basically make a perfect circle by holding alt and shift clicking images dragon right. So with this perfect circle, I’m going to take this perfect circle and just bring this like right around here where the eye is, I’m a should click on both of these actual shapes. Now I can basically I’m clicked on both of them. If I press shift M, which is the shortcut for the shape builder tool, I’m going to go ahead and click on the inside, where this little plus button is it’s going to be a plus button? If you held alt, this will actually get rid of different shapes, but what I want to do is I wan na make sure this is a shape.
That’s cut out of the two shapes that is made, which was the circle and now that’s a shapes. I’m a click just like so now that I basically have two different parts: I’m going to have this little like it’s going to be your eyelid or our Susan II, our iris, and this part right here, is going to be like that filled like white spot. What is that called oval or biology? Okay? So I’m going to go ahead and fill this.
Excuse me make this white I’m going to go ahead and make sure I put this white O shape below my black eye shape and I’m just going to go ahead and move this just like. So we can mess around this as much as we want, but I want to make sure you guys get the point uh something like round, there’s pretty good for now. So that’s that right there right – oh god, okay, let’s just uh, put on that angle and then we’ll do that for now.
Okay! So now for this part here, this looks I’m going to put this on the bottom. I make a new layer on the bottom of the pass here and I’ll. Take my pen tool, I’m going to go ahead and just like click drag click. I’m not going to follow this exactly like that, and this is going to be like another like piece around. His eye that just makes it look cool, ah like some like this, like that and then I’ll get rid of that and fix this like that, um, okay, that looks okay, I’m going to give her this little sketch thing now and I’m going to make this outside.
Actually going to make this outside black and this blue, there we go okay, so I’m going to shrink this down a bit first, this right and we’ll mess about this and shrink this all together. That way, it’s not ginormous and put it somewhere around there. I think that’s pretty good, so really I can go a lot further than this. I might even mess around since or like the whole final image thing, or sees me like to begin the article like what you’re going to be learning today in today’s tutorial, whatever what I want to at least show you guys and like really like, illustrate how easy It is to sort of start your mascot design, I’m not saying that kind of as it easy I’m not saying that I’m great at them or good at that, or anything like that.
I’m just saying I’m learning and I want to teach you guys everything that I learn, because I know you guys are going to teach me a lot of things as well. I go so look what I did. I’m like okay how’d, you do that and we become friends. So it’s one of those things. So hopefully you guys you did enjoy today’s tutorial. Hopefully it helps you guys out and starting your mascot designs and maybe even I guess, brightening your.
I guess your broad excuse me your knowledge on the whole, how to do them and yeah. I hope you guys enjoy. Of course, I leave like in the article, if you guys enjoy too like on the article, if you like it down below, which are most likely the Ilse to follow this article and of course it’s not forget to check out myself. I saw a COMSAT so h-cubed a pretty much. The tackle is three dollars and the energy pack being one a whole cost of one two purchase of $ 30 and you get everything in my store for free for the next forever.
Basically, it’s the everything pack forever. So everything packed for life is what it’s called so yeah, hey guys very much and of course it not subscribed already. Please go ahead and do so make sure you guys go ahead and comment down. Any of youse wants me to do as well, and also maybe I just wanted to know a little some of my life really quickly. My sister is in surgery. She got surgery. What perfectly successful it was really awesome onto here.
She had it like it like both of her legs broken because she has looked. It’s really odd, of cases like boldly guinness and they want to get like. They don’t want it to get crucial, so say what I had to break both of her legs. So she’s going to be like very, am ia for a while. I know you guys are like no no more personally, but I thought it was pretty much cool for you guys. Dolly’s know so she’s doing great.
So thanks very much and you guys later social HQ out peace. Not the kids would keep smiling stay positive and stay freakin, productive guys later.
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