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Keith Dorsey: Managing Over 20 Social Media Influencers And Artists | Brand Or Die Ep #1

What’s up Matt man appreciate it appreciate everything good, a man like you have you have managed, but at this point he said about 20. Influencers connected with you know, 40-plus influencers. Of course the Rabi whirls lit twins and now you’ve even moved into management. You have in a very social world right, a very social media landscape. You have one of those unique perspectives where we hear so much on the front end from I want to be an influencer, I’m going to be an artist but you’re one of those guys behind the scenes that have been able to help get an impact from not Just the views but make money right and obviously you’re needed, because so many people don’t know how to make that connection.

So I’m interested to hear first and foremost what what made you get into it. Knowing that I Robbie world was a friend of yours, but what made you truly pursue it and say I see this as a true business. Well, I guess the budgets got, the promos got bigger and more starts to come and it was a guy. It came, it started to be more just like a little. Oh can you shot me out type of thing, like Brian started, to reach out okay and what really shifted like everybody knows.

My story see my other articles of how, like Robbie world is my best friend and how he began to blow up on vine and the rest is history, but like it really started to hit. When I got my first budget from Atlantic Records the biggest bucket from a budget from Atlantic Records, so we actually met Jordan and Justin overhead. We met them at rolling loud in Miami. That’s why I will forever go to every rolling out in Miami for the rest of my life because we met them there, and then we got a big budget for Sherlock mafia and I was like wow and they say how much is it going to cost for The main ones – and I sent them this this budget – that was at this time, a big budget and they approved it, and I was like wow.

This is for real. No, this is for real, say y’all. We need to tighten up and we need to really start doing more of this and start and and and then it’s like. That’s it’s a business now yeah! You know if you promos that come to the DM for, like smaller music artists, that just wanted to put the song in the skip, but that really hate all that once I was like. I can continue to do this all over and over again, and I was just just what I thought for myself, but they actually needed it.

I had one email, one of my influences. You know they creators artists. Did they don’t like to do certain things? I don’t like to check the email, so I just went email. So, let’s go through this email see we get. It was a contact from journey’s journey’s yeah, one of my influences that work with Brandon got fans and I responded to the lady and they say yeah. We want to give him out, I think it’s, they flew him out to Philadelphia, really nice check with other Creators, and he was in the winter 2017.

I believe campaign for journeys. He was on all the banners in all the stores, all the magazines that they sent out all over the United States, and that was a big deal and I was like man. We have to go higher. We have to go bigger when it comes to this. Okay, before I get tonight’s, the next question I want to say is not me, I’m it’s not you as me. Okay, can you project a little bit just for the mics? Okay? Absolutely! No! No! I want to make sure they good, okay production, I’m sure you’re.

Alright, you mentioned something that was extremely important to me. You said this isn’t just like posting paying for promo there’s a real business. How do you know that it’s that transition, or can anybody who’s already getting a certain amount of hey? Can you pay for my arm for a shoutout type thing and those people just transition into the business? How do you make that transition happen? Well, I truly believe that anybody can do it.

It’s how you go about it, but you can get a promo and it’s like. Oh, I just draw it up, but let’s really sitting and think about how I could make this promo very creative and how I can get put my thought into it and how you handle like oh yeah. Let’s just do just send me any money, I’ll cash out know y’all. Send you an invoice, you know. So it’s just how you handle the situation, yeah, how you carry yourself, because you can always just throw something up and then, when you don’t live that way, and you look at it as a real business, even like just not with the promo, just overall being a Creator is a business because there’s so many opportunities that can come if your portfolio, like your Instagram, like your social media platforms, those are portfolios.

You know, if you look at it that way, you’ll start to attract the bigger the bigger things. Okay, so you have to take the quality in mind: you have to start building the portfolio and then handle those back hand, systems like invoice, and things like that right. So you can can look legit exactly look that other side of this right. Let’s see that, okay, even for myself tuna, add this in I like to look for a while and it worked.

You know I was using a Gmail, but now I got a business, that’s in like it’s influencers at Keith, Dorsey calm and I realized like Wally’s. Bigger agencies won’t even accept emails from a gmail account over spine. And now, since I have my business, email, everything’s, look like okay, these people running a business and it makes me as a manager. So what I’m trying to negotiate things for them. It makes me look professional like we know what we’re doing.

So. That’s that small stuff is very strong important. It could be a deck, a media kit, all that it just it changes everything it’s important here, because at that right, people who already have a certain level of business things like that like getting your own email. It’s not that expensive right, but when you’re we’re coming from mentality, I’m just trying to make money and I’m trying to save money at the same time.

You really want to know. Is that really worth it? Cuz they’ll get an email, but that stuff like that? Yeah! Okay, I mean – I even makes me think about some of the emails that I use on cyber parties yeah. So what for you, especially alright? What well actually can kind of touched on this, but it brings me back to the idea of the brand for the fans. All right and look at summer side of things and the brand in terms of dealing with business, the professional brand right, how different are each of those things now? What’s the polished? Look like it on each side, um? Well, it’s! It is a it’s a big difference.

Now always learned by trial and error. When I first started to submit to labels like I used to like just send the links, copy and paste, but then they will come back. These people didn’t know a shout-out to max at 380. When I first actually started to do this, they would respond and say: could you put it together in like a PDF for me, so I had to polish it up and say actually create a deck that had all their pictures.

I spend like hours on this thing on publisher on my Mac and put their analytics together, put this together and put their best in and not just that, but not doing pictures they took on the phone with professional photos hit shots, you know, taking the Getty image Photos that they’ve gotten over the over the past year and putting those things in there and polishing it up it changed it. Just it makes the presentation like everything’s about presentation.

You know, even when we come into a when I bring them to certain places like the presentation of how you walk into the room, how you guys work together, even if, when it comes on the phone going on a plane, because people realize that what I mean, What does that look like look, I like the fact that I mean shows that you, actually you know you do this right, because you have such small details that you think about.

I notice. What does that mean how we well, I make them. Look like the stars that they are so when we come in we’re just not doing anything. It looks like okay they’re on a mission there, so they’re they’re booked to be here. You know they’re already famous people know them, but it’s how we move about like I make sure that we’re all together and we’re there’s different activations in the room I’ll make sure that they’re doing the activations they’re taking the pictures I’ll see who the photographers are.

Even when it comes to music, see who the DJ’s are and get the people who just read different things and how I know, because I get feedback even when it comes to as small as it became like some subliminal now, because on the plane we travel together. Like we always travel together – and I had this – it was kind of weird, but there is this girl that sat next to me on the plane in like the Dayton next day, I got a DM for her.

I was like who is this she’s like? Oh, she sent just long messages. I don’t know who you guys are, but I saw how you work with with your with your group and how much how you took care of them, how you made sure that they had their seats first? How do you make sure that it was just a small sounds like wow? It was creepy at first, but I was like how does she found my butt that happens all the time and people see they see me not necessarily demanding them to do things, but how I’m working with them like pulling them to this back up I’ll.

Do this all the time like this is what we’re going to do. I prepped them before we. This is what we’re going to do. You’re going to walk into the room, there’s going to be interviews, there’s a red carpet. This is how you do your red car, because a lot of the first time doing this stuff is new for them. Like I had two girls that I worked with their mom famous ocean and kongfu, they have a hit song called savage out.

Car active get active and we were able to get activated through fresh Empire for the BT Hip, Hop Awards in Atlanta. They booked them to come there and then walk through a cup. They had never done anything anything before on that scale, so I say hey. This is what I want to do when you’re doing interviews. You need to make sure that you’re listening. So it’s like a development in a way you know, and people really kind of know this debt.

So I want to switch gears a little bit because obviously there’s all that that goes into management. But when we get into the things that people see on the front end that people get so curious about influences from and that’s these platforms from an artist standpoint from an influencer standpoint, we’re how do you look at Instagram, first and foremost, because we hear everybody knows That most people are on there, but then you hear people like Gary Vee saying if the graph is going down and then we start talking about other platforms, how do you look at Instagram and what’s the actual impact you’ve seen it had have on your business and Moves well, Instagram is definitely how sold name and just like wake up in the morning.

Is it’s just automatically in that thing like you want to go brush your teeth, you’re, going to check your Instagram, your Instagram lose to be take your tech messages, Facebook and Instagram. You know, but the thing is it’s been big for us: oh it’s, it has its own ups and downs like the algorithm. You know, but if you study it and you create make it a business and you make it a lifestyle and you keep up with it, then you’ll you’ll go with the flow.

Just like one of things. Oh, we were moving views and likes everybody else going crazy. My team we’re studying it when we look at it was like well, it’s going to be like story. I was going to hurt our brain. No, it won’t because guess what you still get story, promos and all the company’s going to do is see the analytics. Now you know it’s nothing’s going to change, so we’re really had to be. On top of you have to study it.

You got to be ahead of the curve because it’s in it for me for business like I, I can make sure it also helps me connect with other Creators too, like I usually can connect so easily, like I have so many DMS, especially from artists now, who Want to work with me, I have our build relationship with other micro influencers in I saw artists who small, but they have really good potential, so I don’t necessarily work with them like IQ the relationship I’ll give them some tips and ideas.

This is what you need to do, I’m looking at your page. You know so I’ll. Do some free consult, you know, but it helps me to connect to help me to actually stay relevant okay as well and for me knowing, what’s going on like it’s my business, to go down the timeline and see what’s going on, see what’s going viral, so I Can filter that back to my group into my life as well? It also helps me with business, because I don’t when other companies hit me up say: hey wan na do this campaign.

Alright, this thing is going viral. So, let’s use this when, when it’s time to create to help blow whatever product or brand that they have do you think there will be any point where it starts to fall in terms of almost like a bubble right. We know if launchers become more and more expensive on a platform like Instagram over time as they start to learn the game. They were super under price, and now they learn you know, then it start to charge more as they get bigger more money comes in, but then, when Instagram starts to mess with its algorithm and of course, if you’re like you write, y’all are learning it, which anybody Should be doing that artist or whoever, if you’re serious about it, you should take that approach, but just a general macro perspective of it is: let’s go to other platforms.

So do you think the price that y’all or a lot of influencers will have to charge will go down? I think it’s very competitive now, because, especially with a lot of labels like they, some of them are like tight budgets, but my group. Well, I tell them to adjust to who it is like. We like Warner, contacted us through TIG. Now you think it’s a game through Lucchese label and for our artists name poster, and they told me that we only have a thousand like we have more, of course, but we want to start with a thousand, because I want to test it out.

So I said usually roughly a lot of the bigger ones. They only got like maybe three hundred dollars for the post and uses a no less than 700 750 to 1000 and 2500. But I said you know just work with me: they’re going to test it out. They’re going to come back with more, they did and guess what they did. They came back with more so my group knows how to adjust and not just oh, if it’s not 5,000 for the post, I’m not doing it.

You know depend on who it is. You know now, if it’s somebody, that’s like small and like didn’t, of course, take it hard to just kind of wait, but they even if they are small, they still work with lemonade. Sometimes they they’ll just do it because they like the song, you know or they like the product, but it’s just like. I hate it because there are some influences who are just like a hose and they just won’t do anything if it’s not like you don’t have to do that.

You never know. What’s going to happen, you never know this person can blow up in their name artists and then now you like, damn I missed out on opportunity. I could’ve just posted it for him, like you’re, going to make content anyway. So just take the money you know. I know you’re not going to undermined yourself like Oh $ 50, for it now you know, but sometimes you just have to kind of work with people, because it is, it is super competitive, there’s, a lot of influences that are there are getting paid and there are Figuring it out so my group, why we create long term, like we’ve, been working with these labels in these brands for years, because they know how to just when it comes to price.

So that makes a huge difference, I’m here, because I definitely like doing influencer marketing and things like that. I’ve definitely ran into people with or been working on, something for an artist and seen them hit a certain number or or the people say hey. You got this and if you don’t have that for that budget they don’t even respond or I or now this is it this is it and you know some people will do like test campaigns and things like that.

But what you said made me really think about is the fact that that long-term relationship over time yeah, of course, oh, you can’t do it with everybody, because even when people reach out to me for certain um for certain things, you can’t do with everybody. You know diem get flooded, you got to still take care of yourself and what’s going on, but you never know what’s going to happen with somebody you know and where they’re going to be, and also you never know which you’re going to need.

Sometimes you’ll have a tighter budget, sometimes you’ll have a greater budget for you as a manager. Is that kind of one of your did? You feel like you ever had to Train influencers to think that way? Yes, okay, because they don’t know like a lot of them. Just blow up out of nowhere, they had no business skill, they will not respond to stuff they’ll. Just do things very sloppy, like a lot of my time, I’m like really are cuz they’re, especially younger ones.

They don’t know, but I mean well and they know that and I’m you be going at it consistently, but is the ending we’ll get to this later, but like a lot of them, they’re like my brothers and sisters. So it’s like, we have a relationship, so I can do that, like I like what y’all doing like I had so few craters over here. They release a song, but they say here dance until another song said what the heck are ya doing: y’all released a song y’all you’ve made not one trill on your own song, you what’s this dog, it’s all I get to it like.

So it’s just like. I stay on them and I did this jacket available. You have artist development, that’s influenced your development and that’s something that we focus on too, because exactly even when it comes to creating the content like make sure that you created like cuz, it’s like they’ll do a lot of things and they’ll just put it up, and Then the people will come back and they’re like sometimes three or four times, and they didn’t like it.

I’m sorry we’ll put effort into it, don’t just just because, even if it’s I don’t care, if it’s, even if it’s three hundred, if you’re 300, our project should look just the same as your your your ten thousand dollar project always give quality, no matter what it Is and because people it’s about your image, you know they can’t even decipher keep it consistent like one who answer he poses something, and I said he they always saw some of them.

They had to send for approval. I say you know you know you didn’t want to do that, whose are you right you right, I’m going to redo it. I’m like come on just do it right the first time I get it out of the way yeah cuz. They they a lot of them. They so spoiled that they say, oh even when it comes to YouTube articles like oh, it’s just like a job time like what you don’t do, nothing you get up from your room.

Now I would say it is work, but you rather go work at Taco Bell or you will. Wake up out of your bed, create a dope article and post it and get paid to your PayPal, cash shop or whatever or a wire transfer. And you move on about your day: you’d make a decision, oh god, so as you found success personally, how how? How have you changed right and your approach to the game and how you see the industry, as you start, to work more and more with them? Music, as you way before this, I was, I started as a like network marketer.

Okay, like I sold like all the super juices, all the weight loss stuff. Yes, I had that skill, so there that’s the basis of my last interview. I did that that’s the basis of my life. I did that since I was 18 for like 10 years, so all the personal development, like I mean I so well, I got BMWs from companies like I built and I was able to qualify several people on my team. So that’s where the the personal development came to be able to work with people and be a to cross-cultural communication, because the companies were so big we would go like if so many different international law different nationalities.

A part of the company like I had to learn like all these people from Japan, these people from here, so I had to learn very to communicate. So that’s where the communication – it’s straight-up – transferable they’re, not yet. I can see that already then yeah. How have you adjusted as just a business person in general? Have you thought, hey there’s this greater level that you want to do with the music like? Is there still or entertainment? Is there a higher ceiling that you have there, or are you trying to immediately start to flip into outside other industries um? Well, I have other things going on which helps me focus on what I really love like.

I have never been B business like being different. Real estate things so I have other stuff, that’s operational and I still receive residuals from companies that I’ve done network marketing, but when it comes to influencers and the music, like my goal, like I’m shifting into the next level things I’m learning like at a 3 C, I was really learning like I’m learning from these. I have several mentors in the industry that I look up to like you know, QC, like Coach, K and P.

I really look up to them to have several other ones that I am super close to like footy over. He owns any a, never eat alone studios. They have artists, 24 heavy cash, talk and Mari, so lil. They know that mentor me because they hey. I listen when I talking I’m really listening and that’s the thing is, I don’t know nothing about music, I’m really listening. Even boo, a country like he works with the girls that I work with as well, and I’m really learning I’m literally listening.

Like I’m quiet like I’m nothing about music, nothing that I like, I do so they’re actually mentor me. They don’t really know it. So it helps me to go to the next level and I ask questions even though even working with Jason over at stream cut like I’m literally learning and I like women. Maybe they don’t know that when I asked a question, I’m listening, you know and I’m going to apply that. So it helps polish me because I’m going higher like my goal for 2020 is to get at least three of them.

Sign to a deal are three of the artist influences. A lot of everyone that I work with are influences. They just started you you music, now in it. Yes, some of your music in it really talented, yeah, really dreams of going like eat. Clams ocean come cool, like their song. Savage has over a million streams on Apple music in like a 900k on Spotify. They released this stuff and they wanted articles. Has four million views on these articles for music views on YouTube, so they release stuff, it’s good and they put the same quality of work in as like these bigger artists in and how the industry is a lot of the artists.

Big artists are trying to do the social media trying to get the social media, but they already got it. So a lot of labels are signing them just because of that and they’re getting bigger deals and the best deals that makes sense they bring value. Yes. So for me, what changed me like, I’m shifting from just all just doing this, to trading a solid management company in a solid label, so we’re the ones who are managing I’ll, be able to shift them to the label and hidden.

You know how all those different layers of things work, however, that works, I’m still learning it’s going to happen. Trust me because a lot of them are already being contacted by the law and I’m facilitating a lot of a lot of the label stuff when it comes today. Philosophy because it sounds like it’s what you’re doing or how you think. Primarily you work within the influencer market with translating that into music right and it sounds like that’s the business that takes most of your day-to-day attention.

Yes and but then you mentioned other things that you’re doing Airbnb business, the residual income from network marketing, and maybe any other thing it sounds like you have put energy into other things, but the other thing where you put your money elsewhere, it doesn’t require your attention. Is that correct right? So it’s like you always want to have unlimited, like streams, income, multiple streams of income, so I for the first part of my life, I focus on one thing and then is what it begins: typical my base and every now and then I’ll.

Just kind of like go in and do small things to kind of keep it going. They’re going to be businesslike is just automatic for me, like it’s really easy to do long, as I make sure that I’m managing it. But this is like my main focus because things go up and down. Excuse me, even when it comes to the influencers, there’s different phases of different markets that sometimes it’s high market, like like first of the year spring summer summer, like movement and then like right, now, is kind of like it’s like it’s not super slow.

It’s like not as much because they’re who reached out to me, you got any promos, no I’m working on them nobody’s, especially when how the music industry flows like when it comes to the end of the year, nobody’s really kind of dropping campaigns. Could I want to wait to the first of the year to do that run so I’ll. Make sure that, like my businesses are because once one business here, the other business skin here and keep it going, you know and then in a best world all I’m doing! Well, with the you’ll be all over the place, but do you have to put people in place to kind of run different things, so I put my every business.

I have cleaners that I can hire to come in here and do all these things. You know so. Yeah, it is, it’s super important to make sure you have all that, but that helps me focus on cuz. I’m super passionate about the management, business and the social media, influence and management artists, because, like everyone, I work with this. I’ve been knowing them for like five years, it’s four or five years, and because what Robbie has I’ve been knowing the longest, but I’m it’s a passion when it comes to it like, I really want to see them win because they’re connecting me.

That’s like somebody who I just met not like some people. Some people actually go out to find people to manage my oh. Let me go here, I’m with our managers person. No, they all came to me or or we all knew each other and we figure this thing out. Let’s, how do we make this work? You know and because there’s a different approach, a different passion and it hits different way. Your family with who you work with yeah, so you it’s almost like building from a lifestyle, stand yeah a philosophy.

It’s like I’ve built my life, so I can focus on the area, I’m most passionate about yep and unfortunately, they area that you’re passionate about it’s. Also, a good business yep good, all right. So what do you we’ve talked about these these platforms and obviously you know tik-tok and trailer. We had that conversation which one do you have a favorite one o the other and then, if so, why? In terms of just your personal use, not necessarily saying that other platform is bad um when it comes to like, I just started to really use.

I like tik-tok, because you can really get kind of creative Triller. I like, because it’s for the it’s like more like for the culture like a lot of the artists or using Triller and not just to be biased, but like the trailer fam messes with us, like they work together. So, like I kind of like truly really took us to the office there, and we, you know, told us about you know and it’s simple a lot cuz the platform is very simple and anybody can use it even like an older person can use it.

I think that’s why all the artists, even though the the veteran artists are jumping on and they can just use it or click this you get the song boom, unlike tik-tok, is like all these different things you got. Ta put all these. It’s just it’s crazy that you really have to learn it, but once you learn it you’ll do it. So I mean I would go with trilha first, because it’s it’s a lot simple and it’s like more for the culture and more really what we do.

You know. I work with a lot of the dancers. You know when it comes to social media, and this is a way to go, but they’re, jumping on shoe tick-tock now and they’re, getting a million for holism my mom and going it one of them create as soon as she created. She was at 10,000 followers in an hour. She just started. Posting announced a once on her story and boom. It just started to explode yeah, but tick tock is, is the next wave I like it, because it really can take you to that next level of content, but results.

Oh yeah, each one is just different. It’s going to do something different, I believe, definitely YouTube. You, like YouTube, will change your life and its total is like 9 day, though, because, like ideal is 90 day cuz, I deal with a lot of these real life youtubers in real life instagramers, and sometimes the youtubers looked down on creators like instagram creators like because It’s one of my bros just shake frost and like Robbie that we’re all frenzy to shake shout out to the shake hill.

Why are you doing this like you? Just they don’t they don’t like there’s too much work on Instagram. They believe for a little of nothing because they see it differently but like if you are creator, you were created a lot of the Instagram. I must look at the youtubers, like oh they’re, little douchebags, who do nothing and have no creativity. You know so it’s like night and day like and they battle each other.

Then it’s like clicks like. Oh, this is a youtube click Instagram Cleo. We don’t click together. Like it’s so we’re, like you see this blog, I can go to LA you’ll notice it but they’re all still friends, but it’s like there’s a like dial. We had the YouTube exactly so it’s like it’s it’s night day, but YouTube. Would I’ve seen it bro instagram has changed lines, but I’ve seen a lot of the creator’s get on YouTube and I mean they’re, making twenty thirty thousand a month like we’ve died, read the shade like.

I saw all this do this, but I read the shade, like literally go for nothing to jump on buying a new g-wagen moving his family from one part of the LA to it in the best part of LA and we’re all the parties, because we like we’re Seeing this and I’m like bro, I’m so proud of you just out of nowhere just start to blow up even lana the –, i’m running a lot of the the two girls famous ocean and kungfu.

The two sisters like they have literally they did nothing like – went that they had like almost 300,000 subscribers on youtube and they didn’t even create, but they just started to create these dope articles and like one hit, and we did a prank actually, if this our last Week came from a prank, she did like this prank on her boyfriend. He got really mad. He was like he’s like. I tried to get him down, and this happened, but that article is about to hit a million yeah about the hit of million views.

Is that six hundred, maybe several hundred K now in like a few days and that one article has made, is making like thousands of dollars and I’m like y’all, you see if you create creating, can’t keep pumping and she pumped the next article. It went like a hundred thousand like two hours like if using I keep pumping I’ll keep pumping, keep pumping cuz, that’s money in time. We all have these goals yeah, I want to buy g-wagen.

I want to move your family here. Y’All want to live in these condos, it’s so easy to do because YouTube and came to become like that residual base of your life, where you know you’re going to get 5,000 to 10,000 a month, and then you can go and create yeah just off that article. In doing those articles, that’s going to make you go viral they’re already going viral just to copy. You know it’s so easy to do it.

You sit here and put a ring light up and do whatever it is, and just pranks challenges vlogs like because people wanted their fans can see another perspective of their life. They see the inside. They really want to read that you know and that’s why YouTube is it’s hard though it doesn’t convert, don’t think you’re going to go on Instagram and didn’t blow up your YouTube. No, it’s a whole other different algorithm.

It’s a whole nother different way of doing things and once you’ve figured it out, you can master. You could really do some big things with exactly yep, because they just did one for the first time famous ocean kung-fu, and they had to do what’s called lash BAE with these lashes and they want it like this 30-second 10-second clip in the front, and it was Like honey, that’s like well, it goes in the front, it’s like it was like.

How do I say it? How do I do it, so they got paid a couple thousand to do that. There’s a lot of artists right that have a perspective against doing what your influences are actually right. There’s this conversation where a lot of artists feel like you can’t translate over from an influencer to an artist. It’s my true! I don’t understand he still give themselves to believe that the proof is going to put him that hat.

But what do you? I don’t know? What do you say to this statement like? Well? It’s not true, like I know for a fact, because a lot of the because you could take in like you didn’t notice like a lot of the influences, there were artists they blow it like look. Narthex technically was an influencer troll. That’s why he does the things he does, because it is, you know, and you master and you put things out on certain platforms.

It’s going to blow up and they’re really take talents. It there’s. No, I mean, even if you are not talented, you can get a writer and you can go into the development phase and get a dope beat and it can go. You know it’s just because anything can be created nowadays, but then a lot of them were really passionate about music. So if you’re passionate about it, it’s nothing you can. They can do it, you know, and they got some good stuff in the streams in there I mean I have an influencer that I work with Lovato like he was waiting and freaking Philippines doing.

He was on a YouTube stage exposed to event in a in Asia. Like from a song like, it’s crazy, got verified and blowing up as an artist and with no label. None of that just management. Do you think so, obviously he’s moving a lot of people might not know him right, but do you think that maybe they might kill a lot of artists before they even get started by trying to see that type of popularity and for approval that you don’t really Have to have like, oh this art with the guy you talked about, but oh he’s, killing it and what he’s doing and he and there’s more growth to happen.

But another artist might say: oh well, this isn’t a little baby, alright and I’m trying to be a little baby, and I hear – and I want to have this – this traditional type of record label proper popularity that I’ve seen growing up well, it’s a world is so Big and if you leave that concept alone, you’ll make you’ll do well, you look at artists like Russ. Like live, people don’t even know who he is, but he has stadiums that are packed out and he’s making money and without being like this mainstream name, he has a mainstream name was like mainstreaming in certain niches like us.

We don’t. I never was like it’s weird, because the world is so big like a lot of artists who power like when it come from. They have a million followers and they do a show, and people show up like your fan base. As long as you focus on catering to your fan base and everything else will take off – and it’s good to be like that little baby name or like like that arm, whatever the big names, are it’s good to be that? But you know sometimes if you set your own goal and you said you get what you want like you may just your goal may just perform in front of 30,000 and make you know enough money to live like a superstar and you happy and it didn’t do That somehow, I don’t think some people want to be like, like super super stars, but if you tell us it, you really we’re at some point it’s going to come to that point.

You know whose talent will really take you to the next level. I think that’s important this whole idea that people are still in prison by their own, like local geography were in a world where you don’t have to do that. Yeah right and if you have the time when you said you got ta, find your family. And now you can monetize it without even going and overseas, if you don’t really want to, but of course then going overseas get touring checks or yeah.

Whatever kind of show you can do, give you’re just an influencer, but that’s it’s interesting that people are still confined to those ideas where the door is opening. You look in the other direction, yeah. Okay. My last question that I would like to get to it do: is I brand? What does that word mean to you and how do you protect it? Okay, so brand is super important. So it’s uh, it’s like a speaker spotlight that amplifies the perception of what you’re doing not necessary so a product but like how it’s perceived overall to people in this also like a culture in a way like the experience.

So the brand is like a culture experience. This is like a speaker, that’s speaking, that’s amplifying everything about you, what you’re doing or what you have to offer with a spotlight on it. Yes, because you’re kind of choosing that amplification area versus the other aspects of you myself, all right, just like Apple in a way Apple Bryn is not the iPhone or the iPod is the brand, is the coolness of the product.

The way it’s perceived like? Oh I’m going to getting the Apple, because this is the best for creativeness. It goes beyond the products, even the boxing. Oh, this phone looks cool or the camera like it goes beyond just what it is. How do you protect the brain? Well, you protect your brand by knowing well first doing what’s right in serving the way you should serve and providing a product or service to people the right way and things happen, handle it because all brands go through phase with this bad press, but you just handled It respond, you know or fix a lot of people take like different reviews and different things that they’re saying that’s wrong offensive.

No, it helps you to become a greater greater product, a greater brand, a greater person. So, like I mean you protect it by responding the right way in and adjusting and also being putting yourself in a position to where you could stay relevant. There’s a lot of these brands like go obsolete because they don’t adjust to what’s going on just like Blockbuster and Netflix. You know so you have to be ahead of the curve you have to understand, keep reading it, keep studying, what’s happening in the world and shift what your brand to roll with the flow.

Everybody is keep Dorsey once again, really dope social-media, influencer manager, but obviously an artist manager now, and I think he’s going to be somebody that is just going to be one read over the years and obviously the people connected with them because he’s already killing it already With your IG is young, young buzz doesn’t see you. I know I was going to forget a part of it, so I’m going to put all that.

You know I’m on the bottom of the screen, make sure y’all follow them, reach out to them. Hope they don’t flood you too hard. You know, look it’s all of that. Just do what you need. I can handle it. I can handle it, but this is the first of a series brand or a die again. We’ve talked to meaningful and individuals. Who’ve been a part of building, I’m a great brand or have great insights on branding themselves.

Thank you once again appreciate it. Everybody say too

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Online Marketing

BE CAREFUL! How To Scam $400,000 from Spotify & How You’re Being Used To Scam Artists

I want to say that this blog is going to do a lot of changes, and this article is one of the first of many of a series where I’m talking about the music industry and having practical advice for artists every single Monday. So when you’re looking for that just tune in every Monday, let’s get it Wow. What’s up, everybody wants to get his brand man Sean, and this article is brought to you by brand man network back home, because I saw myself now I got to talk about something.

That’s loud, this might be mind blowing to a lot of y’all artists, because I know y’all looking now to be scammed right, but you know sometimes when it comes to being kind. The con is so close to you. You don’t even realize it’s happening and in this particular case it’s the fact that there are instances where artists are actually scamming other artists, and I don’t even necessarily mean intentionally.

You might be an artist right now that has been used to scam, another artist and not even know it. What am I talking about? I’m going to explain really so and I’m going to mention the company, but first let’s look at it. This way all right. You might remember the article that I did about a week or two ago, but I was talking about the fact that there’s one point: five billion dollars projected to be lost in one year and just because people are paying influencers who have a perceived following and influence.

But they actually have fake influencers, they actually have fake bots and things like that, and then I even broke down and got more specific to music, how there’s 300 million dollars that is being lost in the streaming space just because people are getting caught in one way Or another right, so many artists are familiar with the ways of getting con like yo, you pay this playlist ur to get streams and they really don’t really have a true playlist right.

It’s fake listeners, fake files on their playlists people are, are they’re familiar with the pump-and-dump strategy right where people are paying for streams, and you see this huge influx of streams and the next thing you know BAM like a week after your pro campaign. There’s nothing else. One thing I slightly touched on in that article is the fact that there are people being scammed with real listeners.

How is that happening right, you’re, getting real listeners, you pay and you get real listeners but at the same time, you’re scam and he don’t get the following. You expect from these real listeners now outside of the song being trashed, because the real listeners heard it and they don’t like it, there’s actually situations where it could be a great song, real listeners and I’ll get into that, and you don’t actually get the result that You want to and a lot of times this is artists that are these real and it’s kind of fake listeners.

At the same time, let me explain so what really sparked this article and homie and an artist that I know who he’s really dope by the way. But he hit me up saying that oh I saw that article on a fake followings and all that kind of stuff and how much money is being lost, and it’s crazy. You say that a situation that happened to me with the company was I reached out because I wanted to get on the playlist right man I’m paying for the services and in paying for those services.

They say: okay, cool we’re going to do this. You give us the money, but to make this situation happen, we need your account information. The basic account information, alright and there might be more sensitive than what you want to give off, but it’s not too far off base, because they’re asking for your Spotify account information. They want to get you Spotify views and listens right now with that being said, as a matter of fact, I’ll just resort back to the initial message.

Alright, so he said, one of the requirements was to have access to your Spotify account and when he went back into his account, he saw the day auto photo like 12 different playlists, twelve different playlists, and we checks these playlists. He sees that these playlists have like 500k followers, a lot of followers right and when you think about it, if I’m a playlist service right and I’m getting all of these artists to actually buy my service and in getting their service, I’m getting access to their account And now I can make these artists account start to stream the music that these other artists are asking me to get listened to now, I’m using artists to listen to other artists music, but it’s not even the actual artists that are listening to it.

It’s their accounts and I’m getting my playlists following to look bigger than it was before right. This is a huge thing. That’s happening that a lot of people are missing and really quickly, because I got a crazy other story to tell y’all when it comes to like scam, since it was actually kind of dope. I’m not going to even lie. But I want to make sure, I remember to say the name of that company and it was pop-filter that was the name of the company that took his account right and then they auto followed.

That was what he was using because in your world, as long as you get the strings, he might just be looking to get to look at the moment. It might not be a bad thing for you and you might want to go to them. Cuz. You can see they’re – probably good at that, but at the end of the day, just realized what’s happening and understand the account information that you are giving up, that sensitive information and it’s not necessarily outside of bounds for any marketing situation that you’re working with to have Access to certain accounts, but you do want to make sure that they’re not doing stuff that you didn’t request, because auto following other accounts is definitely not a part of that process.

Now, if you say I will do it, I will auto follow these accounts for you to do this service and that’s a whole nother thing, but keep that in mind and understand that this isn’t even a small thing and before I get into this story once again, I got ta say this from this perspective, because it’s really thing y’all know. As a matter of fact, let me get to screen share sha mode. What you have to understand is that there are a lot of celebrities, big names, artists, actors, all those type of people who have fake streams.

Some of them got got right, some of them are getting. You know done over just like a lot. A smaller artists are, and they don’t realize that they have fake followers, but there’s plenty of them. That know, or at least their agencies or teams, are aware that there’s a large portion of fake followers and they’re doing it for all other types of reasons that you know I’m not going to get into right now.

But we can even say if you know that you have a good amount of real followers, all right and real impact in the world, and you have all this business and and big deals to justify that. Then just boosting your following can give you some other incentives and deal wise as well, and it’s not completely. You know fake. So it’s not like you’re going to look like you were lying in some cases, but I’m not going to even get into all that right to make it clear think about the fact that Jay Cole, the line in the 21 savage song that went like this question.

I mean he faking these streams in a place from machines. I could see behind the smoking members niggas ain’t really because they sing. I want you to think about that line. Jake. Oh, you know he is down the earth right he’s not the most out of touch individual in the world, but at his level be clear that he’s not thinking about the small indie artist, who has fake dreams that nobody knows about, or he just just isn’t on His radar yet right, he is referring to people that you probably wouldn’t even believe, have fake streams, fake followers having these machines make them look bigger and better than they are that’s.

Why there’s been legitimate instances where major celebrities have lost millions of followers overnight? Just because Instagram might do a system up they clean up where they get rid of a lot of bytes? And now of a sudden, you see a lot of these bytes which were their followers disappear. You might go from 10 million followers to 2 million followers overnight right, it’s a very real thing, but last and certainly not least, I have to speak on this playlist scam.

That was actually ingenious. Man, I mean ingenious, and it’s not something that you guys have to look out for. I don’t even think it’s all going on anymore, but it wasn’t even really a threat to artists directly in this way. So what was happening was people in the industry right. People who pay attention to playlists were actually noticing that there was some big playlists getting mentioned on the top playlist on Spotify right and you’re like yo, who are these random playlists.

I have no idea where they’re coming from and what they noticed was. There was a lot of songs on these playlists. They were like 30 seconds long and the most interesting thing about it was they only had about 1,000 and 200 monthly listeners? They didn’t have even a lot of followers. None of that stuff at all right. You have 1200 monthly listeners. That means unique individuals. So what that means to be a top playlist performing those 1200 monthly listeners need to be listening a lot of right.

If you only have that many people in that many plays so the kind of cool, interesting dope part about this scam, if the fact that it was estimated that there was 1200 fake premium accounts which cost them roughly $ 12,000, they bought real premium accounts. They were listening to 30 seconds of each track because that’s how much it costs to be monetized right and they had this soulful music playlist on a loop all day every day and would end up earning four hundred and fifteen thousand dollars a month in revenue and The crazy part is people, don’t even know how long it was going on before he got caught, but it was only twelve thousand dollars to set this up right.

1200 fake premium accounts to make four hundred and fifteen thousand dollars a month and even Wow. The part is at this particular time, because this is like a 2018. I don’t know of Spotify changes yet, but the wildest part about it is they were technically not doing anything illegal since they purchased real accounts, real Spotify accounts, they spent twelve thousand dollars and they had their accounts, though controlled by by listening to the music on these Playlists again and again, it was a loophole and Spotify at the time.

I’m not sure what the current you know, rules allow or how they might have. You know fixed the situation like that, because, obviously I can’t imagine them allowing that to run, but that’s how complex and intricate these scams can get right. You really have one person spending twelve thousand dollars listening to all their own music, to make that much money back in a short period of time and not even able to get caught.

People are thinking through these online scams and honestly, alright. Some of them don’t involve artists, but a lot of them do screw artists over, like the one we mentioned earlier in here. So read out for things like that. Be clear that your account information is sensitive information and in a lot of cases you might need to get something signed. If you want somebody to have access to your account, so they can perform a particular service and the thing is right for a lot of these services, the most the most dangerous thing, or at least the things you should be, the most cautious about are likely going To be those instances where you don’t even see the people you’re doing email exchanges, you have no idea how these people look.

You have no idea what their real name is. That’s a completely different situation, so people complain enough about particular people who have services out there and call them scams and they know their faces right. There’s a there’s, a buttload of influencers online or people who are giving marketing advice and all that kind of stuff. But it varies least, you know what these people’s faces. You know what they look like.

You know what they sound like right and they date a lot of times traveling and show where they are best less likely. I’m not saying these people aren’t going to scam. Alright, there are some people, however, who do that, but that’s that’s far less likely to worry about, like people try to say stuff like that to me before and I’m thinking like look the reality in this day and age right, you can scam far easier with far Less risk without having to show your face right, it’s no point of putting your face out there heavily.

If your plan is to scam people, cuz, there’s a way smarter way to go about that. So keep that in mind anytime. You are dealing with these people that are just email exchange or just random companies. There. Their risk is very low to scam you, it doesn’t mean they would scam you or they’re planning to, but the risk they’re taking my scamming. You is far lower than somebody whose face is already out there and they’re openly promoting a brand trying to build a brand and a service that can be damaged by scamming people and can likely put them in jail with ease.

So that’s it for this article today. This article is brought to you by brain man. Network.Com. We help build artist, brands, develop their infrastructure, so they can take control their operation and build their own fan base an operation custom to them. If you like, this article go ahead like, but if you liked it, you might as well share it and if you’re not sub scribe, you know what to do hit that subscribe.

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My favorite musician as of right now.

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Online Marketing

Marketing Music Internationally

Now this article topic, pretty much came from a conversation that I was having with one of my clients. We’ve been running YouTube, ask for his music articles and, of course, I’ve been running one ad domestic, so I mean US and Canadian traffic and then one ad, that’s international, meaning countries that are outside the US and outside of Canada.

Now the question that he asked me or the problem that he kind of brought to my attention was: hey man. I see all these new fans coming in from Germany and Russia and Mexico and all of these places that I am NOT at. How does this benefit me as an artist, and is it something that we really need to be doing now? This is a question that I get from a lot of artists, mostly those who are not informed enough to realize the benefits of targeting your music to countries that are not u.

S. Or Canadian based. So I want to get into some of those things pretty much give you something to think about on international traffic versus domestic traffic, if you’re one of those artists that feels that way. Hopefully, you come out as article with a change perception and you start to push your music to people who are not just where you are, but before we’re getting out of that coming. Follow me on Instagram.

I make sure to put my hat name on the screen. Come talk to me. Come engagement. You can give me some article ideas, all of that good stuff. Now, with that being said, let’s get right into it now, keep in mind, as I go through this article, that when I say domestic traffic, I’m talking about traffic in the US and Canada, I tend to just lump those two together and when I say international traffic, I’m talking about traffic from countries that are outside the US and Canada.

So if you’re, an artist who does not live in the US, then unfortunately, this entire article may not apply to you same concepts of the plot. I would still recommend that you read it just in case. You live in another country to kind of fit some of these things as I’m talking about, but I am talking about US and Canadian traffic. When I say domestic and like I said everything else might say international, so the first reasoning that you as the artist should be looking at targeting yourself to international, is that it is exponentially cheaper and the reason I say this is because the US and Canada are Such hot beds for advertisements not just for music artists, but also from major corporations and businesses who are trying to sell products, and they are also using Facebook Ads, they are also using YouTube ads.

They are also using some of the similar things that you are using to put your music out there and if you know anything about marketing in general, you know that the more people that are in a space, the harder it is to occupy their space and the More expensive, it is to not only get into their space but to also push us up to the top of that space, and if I had to put this into something more practical, let’s look at like a YouTube ad, for example.

Right now, I can run as two countries that aren’t us-based and get on average about a half a penny. Two, a penny per view cost on a YouTube, if I’m not targeting, if I’m talking solely international countries, now that same ad running to the US and running to Canada, if it’s optimized right, we do on average, two to four cents of view, a sin of view. If it’s really good, but on average, two to four cents of view and that doesn’t sound like a lot but as you scale up, that literally becomes the difference between hundreds of dollars, thousands of dollars, tens of thousands of dollars and then hundreds of thousands of dollars.

Just that little fraction alone. So I say this to say if you’re an artist with a small budget and you’re in the phase of your career, where you’re more so data gathering right, you’re, trying to just see who likes it and collect as much data on the people that do like it. So you can make better decisions, then it doesn’t always make sense to go with domestic traffic, because you’re going to get less data at a more expensive cost and it’s going to have less of an impact than if you have ran into somewhere.

That was not the US or Canada base now keep in mind, as I go through this article that when I say domestic traffic, I’m talking about traffic in the US and Canada, I tend to just lump those two together and when I say international traffic, I’m talking About traffic from countries that are outside the US and Canada, so if you an artist who does not live in the US, then unfortunately, this entire article may not apply to you same concepts that apply.

I would still recommend you read it just in case you live in another to kind of fit some of these things I’m talking about, but I am talking about US and Canadian traffic. When I say domestic and, like I said everything else might say international. So the first reasoning that you as the artist should be looking at targeting yourself to international countries, is that it is exponentially cheaper and the reason I say this is because the US and Canada are such hot beds for advertisements not just for music artists, but also From major corporations and businesses who are trying to sell products – and they are also using Facebook Ads – they are also using YouTube ads.

That you’re also using some of the similar things that you are using to put your music out there. And if you know anything about marketing in general, you know that the more people that are in a space, the harder it is to occupy their space and the more expensive it is to not only get into that space, but to also push us up to the Top of that space and try to put this into something more practical, let’s look at like a YouTube ad, for example.

Right now I can run as two countries that aren’t us-based and get on average about a half a penny. Two, a penny per view cost on a YouTube ad, if I’m not targeting, if I’m targeting solely international countries, now that same ad running to the US and running to Canada, if it’s optimized right, we do on average, two to four cents of view. A cent of view, if it’s really good but on average, two to four cents of view and that doesn’t sound like a lot.

But as you scale up, that literally becomes the difference between hundreds of dollars. Thousands of dollars tens of thousands of dollars and then hundreds of thousands of dollars just that little fraction alone. So I say this to say if you’re an artist with a small budget and you’re in the phase of your career, where you’re more so data gathering right, you’re, trying to just see who likes it and collect as much data on the people that do like it.

So you can make better decisions, then it doesn’t always make sense to go with domestic traffic, because you’re going to get less data at a more expensive cost and it’s going to have less of an impact than if you have ran into somewhere. That was not the US or Canada base now. The second reason that I would say go out: the International traffic is one that I can’t like definitively prove like. I don’t have too much hard hard data to say like this is for sure, but I’ve seen it enough through the things I’ve done to like be able to run with it, and that is that, for the most part, seems like international fans tend to engage with The content and the music a lot more frequently now this may be because they’re not here they feel like.

Oh, this artist is in another country. I don’t really get to see them or you know they may never come here. So let me show them how much I love them so, hopefully, one day they will consider coming to this country on their tours. I try to make their way out here. I see all the time like my ass, that get ran to international countries. For the most part, on average tends to get higher engagements than the ads that I run to the US now.

I think a lot is also has to do with the music culture of the u.S. Like know, keep the 100, where our music snobs here we’re pretty particular with who we give our engagement in our comments and that likes to, especially on the music front right, like You’re, not just handing out, subscribes and likes to just any artist right like you have to really really love the artist where, on the other hand, when you hit some of these countries that are not you know, kind of so so over confident in their engagement ability.

As we are, they tend to just throw around likes and comments and be very opening underneath the content and let you know what they think I’ve seen a lot like, I said: there’s, no. I don’t have any like hard data or special reports to show you. It’s just something: I’ve noticed from the campaigns, I’ve run us-based and international base, and it’s even to the point where I tend to expect a higher conversion rate from my international ass on average.

Like I said on average, then from our US and Canadian based ass, it’s just like I said I can’t explain it, but I see it and it does happen now. The third reason that I think that you should talk in international traffic is that, at the end of the day, these are real people who spend real money. Going back to the story of the client that I was working on with the YouTube ass, who know made me think of this article.

That was one of the points he made. He was like Cory. If I have a fan in Mexico, how can I make money from that fan? If I can’t get to him, I’m like man, you got mercs right, you have a story, he or she can still buy a t-shirt and get it shipped to them, and you can still make money from that person now what I’ve noticed a lot from, like, I Said clients who are a US base that get into the whole thing of running after these different countries? It seems like they always look at it from a standpoint as if these people aren’t real, like they look at the numbers in there soon there, oh just because a hundred people from Mexico coming it, it must be fake, as if Mexico does not have a thriving Economic system, just like we have here in the US, it’s crazy above my mind, so when you’re looking at this data when you’re looking at these fans from these other countries, like I said at the end of the day, they have the same amount of buying power.

They have the same amount of you know: potential clout on the internet. They have the same amount of potential to spread your music as any fan that is sitting around you and, like I said, going back to point two about how much harder it seems like your international fans go for you. I would even argue that their buying power and their online cloud power is a little bit stronger than a US base. You know I can think of several artists who went out and they built themselves up in international markets thanks to the work that their teams put into building on these markets.

They took that money because, like I said just it’s all green at the end of the day, they took that money brought it back to the US and then used it to build themselves up domestically. I can think of, like I said, a lot of artists from 6-9 to earth gain to gid to baby rose lots of artists and their teams are taking that approach going international first, making some bread then coming back here and spending all of that money.

They’re going to have to spend some pop themselves off domestically now there are countries that you should stay away from in certain situations. For instance, if you’re running a Facebook ad, you want to stay away from India and Indonesia and Brazil, and even some African countries, because those places are notorious for having clique farms, which is a whole separate article in itself. Just know you don’t want to target those places with YouTube.

It’s a little bit different um. There are places that you may want to stay away from, not necessarily because they’re doing like sketchy themes, but because you have to consider the buying power of the people that you’re targeting meaning, if you’re, targeting something like a third world country. Then, yes, you may get a lot of cheap views per you know whatever your cost is, but then you have to consider the quality of the people that you’re targeting are these people, people that are going to buy your music stream? Your music buy a hoodie buy tickets to your show, you have to think about all this stuff when targeting international countries.

Now, luckily, for you guys, I have a list of good introduce it to target and you can check it out in the link below for a dollar ninety-nine. Actually, now I’m just playing, I got you, I’m going to read the list off to you now these countries are high-quality countries, because they’re pretty much countries that are like the top music consumers out of every other country, so United Kingdom, Australia, New Zealand, Ireland, Norway, Sweden, Switzerland, Austria, Germany, Japan, France, Belgium, Netherlands, Italy, Brazil, South Korea and Canada, but kind of that goes back to domestic, don’t say: I’ve never done anything for you, so those are high-quality countries that you can target with your Facebook ads, which are YouTube ads and just in Your overall marketing strategy – you can go into it, knowing that you’re safely, targeting the space that, if you actually build up a substantial fan base there, you can actually do something with it.

You start to make a viable career out of everything. Now I would love to hear what you guys think in the comment section below have you ran certain ads or promotions to international countries? How did it work out for you? How has it worked out for you against 2007 promotions to here in the US or in Canada, like I said, drop that in the comment section below? Let everybody see what’s up, let them know I’m not shipping here right, like I’m, not I’m not losing my mind when I think this stuff outside of that, if you feel like you learned anything today, please like and share this article hit those post notifications as well As I wouldn’t want you guys to miss anything once again, my name is Corey and I see y’all next time.


My favorite musician as of right now.

https://soundcloud.com/myles-brown-321811388/laminar-flow

 

Categories
Online Marketing

Best Strategy For Artists With NO Budget

That could be platform that you personally like to use this on a daily basis that this platform that you feel like we really be beneficial for you to just like you know, learn how to master and then really dive in to study how those platforms work. Look at how they crunching out you don’t sound like how what different types of things triggered an algorithm on these platforms.

What type of content moves them up the best on these platform like as far as like natively level? What content do you make before the platform at booth 3? Well, and then look at things like whether other different factors that affect the way content spreads out right, like Instagram is half size. You see with keywords and thumbnails all this shit dive into all of that shape for the platform that you want to, go it and then just get into the game of like content creation for a consistent concentration, because that’s something that you should be figuring out anyway.

We always have the big thing with our comforting life, so we can spend like thousands of dollars on you and ad dollars, but if you’re not doing shit business, I’ve been there situation with someone that a shit ton of money spent on Adler when doing anything all Right all these people are coming back to you, but you have anything like the constant bodies so, like I’m really big on even before you start to put money into yourself, figure out that content foundation that we’re talking about anyway pick your two platforms that you’re going To go hard on the exhaust, you saw she from Tommy content for these exhaustion.

Monetarily be my little pig to now really good. I should learn a game and I should dive into it and then once she mastered the consistency part like once you go like okay cool. I know that I can comfortably put out X amount of articles a month, these entire solarium pieces of content, and I see what is reacting and not reacting even with the small audience. I feel. If you do all these things right, you will get an audience.

It’ll be slow, but you really start to get audience then, once you get that down, that’s the point when I think you should start going like who let me spend money on those a lot you’ve already laid a foundation at that point is easy. It’s just putting leniency should their brain from people into the funnel right. So that’s what I’ve been doing on too much YouTube right now, just like one article a week, every Sunday just you’re starting to build it up, I think is definitely slow right now, but no I’m definitely sure if these are going to pick up this time.

It’s triggered by the actions of audience. So when you have no audience you just really going on for like cold, whatever the fuck, you put a special youtubers one, that’s like you choose hard. Cracking YouTube, really takes a lot of a lot of like consistent person. I read something, whereas I, the algorithm, doesn’t really start to fuck with you. That means you get close to like 100 poker. So I don’t know how accurate that number is.

But I know like all these platforms, pretty much like categorize you and they look for certain things that you do to live in Miller. Okay, this is a person, that’s actively Chomp growing platform, or this is the president just like cat. So the more of the ways as we played a game on the platforms away today, once you play the more Suze, they start to do your account and then go like okay who this person wants to grow on Instagram, but this person wants to grow on YouTube.

Now, let’s see if their content measures up to whatever par – let’s put it in there put it in front of a certain Google people see how they react to it and posted with it, and I go I for the best. You push them more of their content out. So, like that’s the game, you have to get into playing. If you don’t have any money like I said, I think you should get into the game before you start spending mind yourself anyway, once you get it down, the spinning money part becomes easy, and then, by that point you own the platform’s long enough.

That you know are, who are the influences, that move shit into space on satellite word accounts that move shit into space for the people that move shit into space? What type of content works best for these? Probably because you’ve been in them so much. I, like you, you’ve, been in that shit, so my school, that’s a lot of shit. We do just as marketers in general a lot of the ideas that we give. This come from our reverse engineering shit that we saw in the platform that we like, like I’m like, oh shit.

You know I saw this. I found this artist because I saw a beam on just one account like shit. What happened if I make them leave this place on down to start my eyes, the decide to figure out how the game is played, and then I used to play it to feel what you make and then once you get it out stock, your bread or get Your budget gives it going


My favorite musician as of right now.

https://soundcloud.com/myles-brown-321811388/laminar-flow

 

Categories
Online Marketing

TikTok Music Promotion Results And Platform Comparisons | How To Use To For Music Marketing

I really don’t understand this thing. I decided to go ahead and do a free training using real campaigns and I’m going to go through some real results, but also explaining it in a way that if you get tick-tock in this way, it will be a game-changer for you with your music. I promise not only that, no matter what type of music you have and no matter what age and you’ll see why.

So, let’s start here Muse, seven hundred and thirty, four thousand nine hundred views on this particular campaign. Twenty seven thousand eight hundred and ninety nine likes two thousand six hundred and sixty one shares and eighty-seven articles have been generated from this campaign. Now, let’s look at the finer details, though, because this is where it becomes more important for those views than views came out at point: zero, zero, one, one, five cents per view: that’s a fraction of a penny, twenty seven that will the same thing for the likes Shares were thirty, one cents per share and articles came in at nine dollars and seventy seven cents per article now you might not have Rannoch tick tock campaign, so I want to ask you in general: do you feel like these are good results for anything they’re? Not the worst results in the world I’ll tell you that, but they are the worst results that I’ve ever gotten on tick tock.

This was a situation where the artist had some business issues in the back end where the campaign didn’t even come to fruition like it was supposed to it had to halt mid campaign. But we still got these results and I’m going to go through the rest of results before I talk about some more aspects of tic TOCs, so check this out right here that same campaign just market it on tick, tock got some streams.

They’ve got about 1700 streams and those streams came out at 49 cents per stream industry average, and you have a really good play on this broker: you’re, probably going to see around two to four cents per stream. This was at 49 cents, but remember this is over time we just marketed on tick-tock and it bled over to here same thing for YouTube about about 1800 views on the YouTube article 47 cents per view.

You can get lower. You can get better than on YouTube. If you are dangerous enough, you learn it well enough. It’s easy to get 1 to 5 cents per view on YouTube. Of course you got. You know, fractions of a penny views that you can get on YouTube as well. If you really know what you’re doing, but let’s stick stick with an average of what most people are going to get one to five cents, all right 47 cents per view higher than that? That’s what this campaign got.

But again this is overtime. This is extra now, with that being said, a campaign. That’s currently running right now, point to one six well, two point: one cents per view is what it’s getting per stream on: Spotify, that’s right in the pocket of an industry average, and this is about 50,000 views that this campaign is gotten. Probably you know it’s still going it’s still going on. I just talked about it talk to the people earlier today.

So that’s still going remember this one only got 1,700 streams. This one at point, zero to one one. A fraction of a penny is at fifty thousand streams and still going on Spotify just from being marketed on tik-tok. Now we look at the YouTube results. It’s about 15,000 views in on the YouTube article that came from tick tock now the average well get remember. We said went to five cents if you’re pretty solid.

The average, for that particular campaign is about that’s a zero five. Seven. You probably can’t even see that so it’s about five point, seven cents right per view on that campaign. So that’s on the top end. If you were running but remember this, is it ad on YouTube? This is come over from tick-tock. Lo and behold, it’s about 10 million views on tick-tock right now, thousands of articles being created to it so you’re talking about four.

What this artist has done. The first campaign, by the way, when we talk about it being the worst campaign, it hasn’t it’s not even a thousand dollars spent on that campaign. Isn’t it’s not that much money that’s been spent and it got the results it did. This is somewhere a little around neck, but it’s some very good results, so maybe double the money, but you have far more results because we were able to keep running it and run with the strategy that we planned for – and this is what I love about – tick Tock you run in one place and get all of these results that get pushed in all these other areas right where traditionally, you might run something on Instagram and it stays on Instagram or it might be a programmatic ad, where you’re running it on Instagram and you’re.

Pushing the Spotify, so you see the results there or you’re running on YouTube and you push it there or it’s just one platform. That’s really seeing prime results a lot of times and a lot of people’s campaigns, but this is one campaign. That’s having people go to all other aspects because of something on tik-tok that I like to call transfer ability that has to be kept in mind. Whenever we consider any type of campaign, people will discover your tick-tock and they will happily go find your music, because up until now, there had it even been other direct link to select on Tik Tok.

For a long time, people hadn’t even been able to put a link in their bio when it comes to tick tock, so people could go directly to the music. So this isn’t people even saying hey. You go check out the link in my bio with the call-to-action. This is people literally hearing a song and then going to find it. Google searching in YouTube, searching it so 50,000 streams based on that behavior. Not go.

I’m pushing you over here. This is oh. I hear it whoa. What’s that song and that’s what we’re seeing again and again and again on tick-tock. Can you look at Instagram? We already know those prices have gone up: you’re not going to pay $ 100 $ 100 per 10,000 followers for an influencer, because we know it’s not worth that anymore. Right $ 100 per 10,000 followers means you’re paying $ 1,000. Just someone who has a hundred thousand followers and stop and think and tell me if you think, that’s worth it on tick, tock, I’m not on Instagram today.

I don’t think it is. As a matter of fact, I know for a fact. Many of those influencers know that it’s not they’re trying to hold on as much as they can, but so many of them have come down since I’ve been working with them because they already know and understand that there’s more competition in these other spaces they’re trying to Maintain if they can, but a lot of them have come down because they know it’s not worth it.

Instagram is suppressing traffic. So, to really understand, though, here’s something to consider when we look at tick tock right. This is how the content flows through tick, tock. There’s four buckets that you can look at content always starts in bucket number one. It’s shown to a small audience. It gets stressed test for a period of time and I can go deeper into the algorithm in another article, but just understand that is here for about two hours and it starts to move throughout the platform and it stops on level three for about four days.

Actually, you understand that when you start to get into tick-tock and see how the content flows as well, but if you need to make it there once you make it to each level, it’s shown to more and more people, so these levels also coordinate with the size Of the box you’re being shown to a small bucket, let’s say maybe 2,000 people and then you’re being shown to maybe 20,000 people think you’re being shown to 200,000 people, think you’re being shown to two million people and beyond right.

That’s how the flow of the content works, but outside of the transferability, which is one of the most important factors of tick-tock. When it comes to an artist. People are looking for your music they’re hearing your music and then they’re actively going to look for it, because this platform works like promo daily. Every single article is promo, except people are giving you permission to show it to them.

That’s um, marketers dream. The other thing is viral loops, so because of how this works, the way the platform is built. If you drop a article right, then it’ll go through these levels and your article might make it to level 2. Somebody sees that article and they decide I’m going to create a article, and this person could be better. You then creating articles. In matter of fact, they might actually have a lot more followers and be a strong content creator, so they might do it and then it’ll take it to level 3.

Multiple people see their article and then they might do it. Let’s say 5 people see their article and one person stops on level 2. Two people stop on level three and then four four of them make it. No that’s wrong, math to people who make it to level four alright. So now you have people being planted as seeds on different levels, all coming from one article, all right, so you drop a article that article creates other articles and being dope that article inspires other people to make articles, and next thing you know you’re entering into this Viral loop right so now it’s marketing for itself.

In the same way, we think about passive income and people say I want my money to work for myself on tic-tock. Your content is working for itself. It’s a little soldier that gets other pieces of creators and content out there to create for it and then, when they create. That brings back more content that gets created and it continues this loop. While your article is working for you, you can continue to make strategic moves to boost that content as well.

So that’s one of the biggest beauties we have the transferability of content on tick, tock and then also the viral loops being built in and just to actually drive that point through. Let me pull this something right here, so that first campaign the worst campaign that I talked about 87 articles generated. We only created four articles for this campaign, so 83 of those articles all came because of that viral concept, that’s ingrained into tick-tock.

There were other people who saw those articles and said I want to create articles off of it, which allowed our cost per article to come down to nine dollars and 77 cents. As a matter of fact, remember I mentioned this is that worst campaign that I’ve ever had run on tik tok, that artist was actually extremely delighted from the results and what based on what they had to pay any results. They saw somewhere else and they wanted to do more and more work, hopefully after they finished figuring out all the back end business troubles that are going on right now.

We because we know what it could have been and it could have gotten closer to those other campaigns that we run. We were kind of sad about it. We were highly disappointed, especially with that song and another thing about that particular song. It had zero bass in it, zero, so the type of music that you think blows up on tick-tock, it’s not just high-end, energetic hip-hop. It’s not just super poppy songs that song.

I don’t even know what to call it. Honestly, it’s pretty slow. It’s not even our abhi song, it’s some kind of mid alternative, modern, whatever you want to call it right, but it’s it’s an interesting type of sound and it still is taking off in its own with those little pushes that we put behind it EDM. I see that blow up on Tik Tok, all the time country plenty of traction on tick-tock. It doesn’t matter your type of genre and it doesn’t really matter your age, because it’s about the music itself, if you run and understand how to push the campaigns in the proper way right, people are hearing the music and going to find the music before they even Think about who they see in it like who the actual artist is.

That’s after the fact, as a matter of fact, there’s there’s some I’ve seen some instances where people have been highly surprised to find out who the artist is, how they actually look and all that after they hear the music and become fans of the music is so, But that’s what you want right! You want followers based off the merit of your music. First, that’s what so many artists are looking for tick.

Tock of is that, in a way that a lot of these other platforms aren’t necessarily affording all right, it’s more Spotify. In many ways than it is Instagram because people are truly discovering music or in tik-tok that’s another conversation for another day, but just understand that this should be enough to give you an idea that you don’t have an excuse on age. You don’t have an excuse on your type of music, because all of that stuff is there.

Alright, Gary Vee is talking about it, a lot, because it’s a very real thing. You hear a lot of people talking about it, because it’s a very real thing from using results, and so much of the industry, I’m in meetings all the time. These people are coming right. These people are coming and the prices are going to triple at minimum. For a lot of these influencers and a lot of these other types of campaigns that you might be looking to run on tic toc, because they’re going to bring the money, you need to make sure that you get in before the prices rise.

Particularly if budget is a constraint for you, so if you want to make sure you understand tick-tock and you want to get onboard as quickly as possible on how you specifically can benefit as an artist, because there’s a lot of content and ideas for just creatives. In general, but how you can benefit for music then check out our free training. It’s at tic, toc, music, promo calm, and you will reap a lot of benefits from not having to go through figuring out tic toc.

It’s a completely different platform so get on there. Utilize the information and put it to work because tic toc is a game changer and I’ve yet to see a social media platform that impacts an artist music directly like this get on while it’s sweet, because it won’t always be this easy, tic, toc, music, promo dot-com. We have an entire free training and for those of you who want to share this article with your friends, you can check it out on the brand man page I’ll, make sure it gets posted on the brandman page on YouTube.

That’s it


My favorite musician as of right now.

https://soundcloud.com/myles-brown-321811388/laminar-flow