Online Marketing

Blasting News – How to write an article

First choose the right category for your article. Secondly, write the title and the subtitle of your article then write the body of your article following these three tips divide your article into at least two paragraphs and start each of them with a sub headline. Did you so highlight the sentence you want to make a sub headline and click on the h2 button sold two to three important sentences or keywords per paragraph inserted leads to links to other blessing.

These articles highlight the sentence you on the link and click on the insert a link button. Here we will automatically suggest you some links wherever possible, if not make a quick search on blocking news using the main keyword of your article once you have found the perfect related article to link copy and paste the address of the article and click OK, this is A mandatory step that will help you gain more views from other blasting news pages and make your article more informative.

To make your article more engaging embed Facebook, post, tweet or YouTube articles, your readers will appreciate it and there will be more likely to read other articles of yours in the future insert at least one tag for your article. You should tag your main keyword of your article insert the source of your article. It can be yourself where you click the button I in the source, or it can be the address of another website.

Now the last step upload a picture once you click on the upload, a picture button, you will automatically find pictures suggested by classic news. You can choose one of them or you can upload your own picture from your laptop once you have chosen your picture. Add a caption for it and credit. The author of the piece remember to follow this data when you are satisfied. Click on the I’m done button on the right bar of your screen to give the possibility to ask for a piece to our social media influencers or to automatically share your article on social.

Remember to follow the golden rules you find at the top of your screen and now you’re done, then your article for approval and wait for feedback from the clean, your glass routine, depending on the day and time. This can take anywhere from a few minutes to an hour. You’ll receive an email with the editors feedback as soon as it’s being reviewed to know the status of any article. You can check your article list, just click on list of news and audio news and on the filters change the status to under review, publish or even all articles then press send leaving your mouse over.

The icon will show the description of each status.

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Online Marketing

Blogging in Shopify : Basics

Today, I will be talking about blogging in Shopify, and you know specifically why blogging is important as a store owner and then the fundamentals or the the the standard practices that you can do to set up your blog, so that you know you can set yourself up For success in the future, so on to the first question, why blogging is important I’ll tell you why blocking is important is essentially, there are two audience types that you are appealing to with your content, right, your blogs, etc.

One are humans and two are robots right now for the few. If you think about that at all times, when you’re managing your content, then you’ll do fine. Looking at the first group, if you are humans now there are lots of competition. There’s lots of competition out in the internet in e-commerce, a lot of people selling the same products at you know, roughly the same price or even at the slightly different price differentiation.

So what makes you stand out? What makes you different to the person next to you? Essentially, it’s your story, your brand identity that will get you over the line of a competitor with the same price and blogging enables you to project to that audience. Your story, and you know to base basically strengthen your brand identity, provide subject matter, expertise and you know a few of authority which in turn creates trust and trust is something our buyers want from us.

So having blogs for people is a very, very good idea. Now the other portion of the audience are search engines right now, search engines like blogs and the not because they enjoy reading them, but because the content all adds into the algorithm that determines where you fit in search engine rankings for specific keywords, right and so by Creating blogs you, you effectively extend your content, because if you create a product and that product a has, you know X amount of in it of words in its description, images and so forth.

That’s the end of it. You’ve created that product. Now, how do you extend that? How do you extend your authoritative Nisour, your your keyword density without just creating longer descriptions? Well, you would create you know you could build blogs associated to that subject. You know to provide that so search engines when they look at you on the number of keyword, density and content type, and I know it’ll enhance your actual stores, weight or gravitas, so investing in content right now in the start here, investing in content is an investment In long term, traffic creation and retention, so by creating content, you gather more traffic via search engines, because you know the weight of it adds to your overall SEO and by doing that, you draw more people to your store to your site and then that content, assuming It’s of a you know, good quality will also then ensure, there’s longer term retention and ultimately, loyalty which should, in turn, lead to greater revenue down the track.

So content is king. There’s no doubt about it. So let’s go over and have a look at what a blog looks like in Shopify. So here’s my demo store now to find blogs. You would look into the online store here and you’ll see it’s aptly named blog posts, which is a bit of an anomaly to some degree right, because in some of Shopify you have blogs which are, in essence a collection of articles. That’s how it’s defined on the back end, but you know they turn them posts here now what you want to do before you do anything so I’ve got a number of you can see a number of blog post, slash articles here is: if you go to manage Blogs, this is where you will see your your actual collection of articles for, at the name of it.

Now all new stores get one called news, which is a bit again a bit generic a bit. Nothing. What you want to do is go into this managed blog. So you want to click on it right and you probably want it. The first thing you want to do is change the title now. Why would you do that? Well, let’s go back to the store here, the demo store and scroll down to one of these articles. The health benefits of pineapples and what you’re going to see in the URL is you’re going to see a store and then you’re going to see blogs and then you’re going to see this now having this is news that doesn’t really add much to your to your Seo at all right, so you can get a little gain there straight away by actually having something that’s relative to what you’re trying to to sell or project within that path.

Right, it’ll add weight to it. So having news there is that so it’s a it’s a bit too generic. I would change it to something. That’s more relative now, when you do change it besides changing the title here. What you also need to do is also click on this button. Here you go edit SEO. The page title will come default from the bolt, the blog name, but you should also update this meta description, because this is what it’s going to show in in the search engines.

If people are actually your blog comes up in that list and you’re kind of isn’t also another area where you can add a little bit of weighting into your into your content by making sure you project the right number of keywords or phrases, etc. Right and there’s plenty of articles around SEO on that, so I’ve just added her. You know the fact that it’s a definitive guide to fresh best, fresh fruit and a review of the best fruit, tropical fruit, organic fruit and seasonal fruits right so you’ve got 160 character limit.

You shouldn’t really extend it. You should just try to keep this short and poignant, but you know so that it people understand what they’re looking at to the right here is how you handle comments. Now this is VA Shopify’s native comment system. If you are using an alternative, you know like a third party, then you wouldn’t really care about how this is done. In this case, you know you need pens. I actually think it’s it’s worthwhile, having commentary enabled, because you do want people to interact with you.

If you put interact with your content, they’re more engaged and there’s no doubt about it right so having comments are disabled. Fine! That’s! If you know you won’t get any trolling or anything like that, but you’re limiting that interactional for people to ask questions which a good blog should actually ask a question. But you may want to not go for the all. Just allow anyone to comment and publish because you’ll probably end up alert of spam, so pinning moderation is a good call.

So let’s go back right. Let’s go back now we’re going to have a look at our articles within this blog. Oh there we go go back. One more now we’re going to look at that one. I was just looking at all right, so these are the key elements within your article. You’ve got your title again. You want to include something: that’s relative to the content and, overall, your store to a degree. So in this case, I put health benefits of pineapples, because you know people may be interested in that specifically when searching so it’s a direct keyword like a long keyword string and we’ve got visibility.

If it’s hidden, it’s not going to be visible to any of your readers, and what we’ve got here is some basic content. I’ve put an image in here now when you put images into your your blogs. What you want to do is you want to put generally it reasonably, how high-rez have them sized and then you want to set the image size here and there’s a good reason for this. The reason is that when you upload an image into Shopify, CDN it’ll save it off into a number of different sizes so that it can call them back as and they are required in the size that is required.

So you can put a high-res image there and then you can downsize it or choose whatever size. You want right, but it won’t overburden and the payload, in other words, what make a page slower by if you set the size incorrectly, because it’ll pull back the wrote the right one, alt text is also important again from if you’re not use it. In my case here I’m using it to display image captions, but if you think about it from the rear, the robot audience, then it’s relative, because alt text, while hidden to the human, is not hidden to the robot.

So your search engines will be crawling that and be looking at text drinks. Now, there’s whole bunch of articles on SEO for text for alt text rings. So I’m not going to go into that and but in this case I’m using it as an informative portion for the human audience as well. So I’m just kind of cancel the editing that now it’s just another quick pointer. Is that your images when you upload them should also include, but for the robot audience some descriptive text in this case? Probably you know, store name article and then you know something relative to the image itself, so that again it adds more to the robot view.

So I got a couple of images in here now. You always want to put a featured image on your articles unless that’s not fitting in with your your theme, because, ultimately humans are visual creatures and we are drawn to imagery probably more than text to a large degree, because we, you know, tell upgrade, as I say, A picture tells a story of a thousand words, as opposed to the other way now featured image.

You also want to do the same piece. You definitely want to add an image alt text text to your to your featured image and because then again, it’s good for the robotic audience which is good for search engines. Here we have author and this is the blogging, so we can change all these things now. What’s also quite key is little side piece here tags. Now I’ve got it, you can see. I’ve got a number of tags in here.

Tags are a way of categorizing your article content, so that if you display tags on your store, someone who’s interested in you know, it’s just read an article sees the tag or vitamin C click on the CC and then all other articles related to vitamin C will Be displayed in their search and likewise, if you’re, using any sort of app or product that displays related articles in that uses, tags then having this filled in makes sense that there’s no real downside to having a lot of tags, obviously just been sure they are meaningful.

To the content, I think that’s that’s really. The key at all times now SEO edit the web SEO you’re not going to really have to do too much here. It’ll take unless you don’t like what the content is. It’ll take the top end of the the article like lots of the title and the handle you can modify a little bit, but you can only modify from the article name down. So the rest of the URL remains the same right, and that is the sort of core portion to your your image or you have another.

You image your article set up, there’s a number of little formatting options here, for when you put the actual content in and if you need to see what the actual HTML looks like you can. Click on this and I’ll show you because that’s all it is really. It’s just an HTML blob of or string. If you will, that then is reconstituted and displayed as as your as your blog article. So let’s have a look. What you know if you’re appealing to the whole the human side right so we’ve talked a little bit about the robot side here.

Is that very much that article as you can see the nice little high-res featured image here, which is quite catching and we’ve got? You know it’s nicely set up: we’ve got image captions the ones I was displaying here. We have a social social network, sharing options on the images of Pinterest, so they could pin that to Pinterest. Likewise, you could do yourself. We have some sharing options here where we can share to Facebook to Twitter.

We have a product offering in which is related to the content itself, and you know we scroll down a little bit of author detail here and an opportunity to then you know jump from this article into another article of relevant content. So this is quite a well put together if I was reading it. It’s engaging and you know see outside of the text content itself, but it looks good and that’s when you’re doing things for humans.

Aesthetically should be pleasing right so that you should try to do the styling, etc, robots, don’t care about the aesthetics they care about the text and that’s the the real way to put it. So if you you focus on delivering to both audiences within within the articles you create, then you can’t go wrong and you know going back to why content is an investment and why you should make sure you do, but blog articles is, while you can pay to Do AdWords to do promotions, etc for your store that those are one-time like there’s a one-time events, creating content that is then indexed and added to and grows and cetera over time is what will bring you down to the you will get you to that point of The holy grail of organic traffic, which means non paid for traffic, which is what what all store owners should be aiming for, ultimately, is to have a loyal base of organic traffic, and that’s that’s blogging in Shopify hope you found that useful and any questions etc.

Please reach out to us either via the youtube blog or our article or support options on our website, and thank you very much for reading.

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Online Marketing

How my song hit 100k plays on SoundCloud!! (Vlog)

Your boy lay back look welcome back to my blog make sure you hit that subscribe button. Oh I said I went going flog but um. I got ta close out this year with this type of vlog man. My song hit a hundred thousand plays on soundcloud today, which is December 26. 2017. The first time one of my songs, everyone SoundCloud, hit a hundred thousand plays, and I just wanted to share that with y’all.

I know we still building this blog and stuff like that, but let’s go ahead and get into this man. So this is my soundcloud. That’s me, Laidback, dear far, you can search me. Follow me all that good stuff, but this song right here see this song right here here a hundred thousand plays man boom. You can see it right there, a hundred thousand of loaded. Five months ago, the first song ever on my page, a hundred thousand plays – and you see, only got a hundred and nineteen way followers.

So for me to get a hundred thousand plays those people were sharing it and possibly SoundCloud looked out for me with the algorithm. I was probably one of the first people to upload a remix to that scissor record broken clocks. You know what I mean so, like I said I wasn’t going to flow. I was going to close out the year with that one vlog, but this is a monumental moment in my career, my music career.

You know I’m saying I’m going to tell you a little quick story behind it too. So I uploaded this freestyle to um the weekend by scissor and don’t it was doing numbers it was doing got like 11,000 plays and less than a month. My page never seen that much activity before saddle cloud got on me boom, snatched it down. So I was late. Ah I’m going to make another freestyle the same artist and it’s going to do more plays so what happened? I did it to the broken clocks, joint and next thing.

I know I started seeing the numbers go crazy, but I was not expecting 100,000 plays on this song, but I appreciate everybody that listened to the song and I’m going to leave the song link in the description below. So if you want to check out the song you wan na follow me, you know I’m saying go ahead and do that and at this point in time I was dropping a freestyle every week on soundcloud, so it was building up traffic with people.

Just you know listening and different songs. I was trying different songs to do better than others, but it was just a thing that I did so just make sure. If you want to check out the song, the song is going to be linked down below make sure you hit that subscribe button, like I said before, I wanted to end with just one vlog, but this is too much of a monumental moment in my career. In my music career – and I appreciate the people that listen – and I appreciate the people – that’s going to actually go.

Listen to it now hit that subscribe button. It should boy lay back. You already know what it is. A


Online Marketing

Live Production: In depth look at hardware & software of ATEM Mini & Pocket Cameras

In my studio and I interview them live so then in that case I only use the ATM mini just to be able to switch between the cameras, but but otherwise all the idea of stuff was actually done on a completely separate device. So right now everything is actually being done here through the ATM mini, including the audio. So I have my rode ntg-2 and it’s being fed through my camera. In this case, is the Blackmagic Ursa mini Pro, and the idea basically goes through like camera, including you know, and then the audio, including the the the article, obviously goes here to my ATM mini, which in this case it’s on blog 3 you’ll notice.

Here I have the the you know, the blog three or number three years as a red, which means that I’m basically right now showing this this defeat now here also, you guys will notice. I have a sort of my other two devices that are music, so in this case I’m using the ninja Inferno from Atomos and that’s simply you know you could use any monitor if you wanted to – or you don’t even need a monitor. But in this case I’m using this monitor because it’s kind of nice for me when I’m talking to my main camera, I can just click the glance and make sure that you know I’m actually looking at the right camera, for example, because I can see whatever eighth And Minnie is outputting in and I can see it here, so I can see what angle I’m in like, for example, of our you know, switch someone well, some of these go stand again.

I can see that let’s see right now with some close-up of there of my eight and mini here, plus I’m actually using the an inferno to record onto this. Basically all my whole article output. So whatever I’m doing during my live streaming setup, I’m using this Ashley to record it and that’s kind of like that, I would say the biggest difference between the 18 million and the latest, one that came out, which is the ATM mini Pro 8 and mini Pro.

I mean there’s a few other differences, but the biggest one is that it allows you to record directly to like a USB Drive with the 80 mini. You can’t the rock directly record within it, but you have to HDMI out so you can plug it into an external recorder like you know whether it’s a black magic article system. This case I’m using the atomos inferno and you can record there now the laptop kind of comes in handy when you want to do sort of some of the other advanced features, or you know a lot of other little settings you wan na.

Just that you can’t really do directly on the ATM mini, simply because there’s just not enough space for all the buttons. So in here you have just a lot more control, and so, if let me kind of just show you quickly sort of the layout, so you comes with the software. Well, you go you’re going to install the software when you get to 8 and Minnie and Satyam’s software control. It also comes with the ATM setup and in this case you basically would you click in here.

You have your IP address things like that. You can change. You have your you’re, basically panel preferences, so you have switching mode, you can have it to program preview or cat pass and program. Preview. Basically, just means that when you press on the button one of the buttons, it doesn’t directly switch, it’s kind of just arms and I arm is basically one of the cameras on one of the article feeds and then only once you press, cut or ro water would Be for your transition, then it would cut to it in the i/o usually use the cut path, simply because I’m give the operating in myself.

So I don’t wan na have to press once and then fumble and look for something else. So I just kind of have my fingers here on these four buttons for the four different article inputs and I can just switch the. Could you switch between all of them by just you know, tapping it right. So I just I don’t have to basically do this and then do that now. If I wanted to, I can also do it with transitions, because I can just put my auto here button and now, when I click you’ll notice, it does the the transitions nicely.

So, in this case, it’s set up just to do a fade. Some of the other things you can do up here is like I said you have fade to black, meaning just cuts to black. You also have for the actual transitions. You can change the duration of it right now. It’s half a second. You can do one second, for example, or you can do, let’s see two seconds so you’re going to be very slow, dissolve from one angle, to the other, and and again you can do all that stuff and actually a lot more in the eighth and mini software.

Basically, so it gives you basically more control over all those things here we have some of the other effects that you can do again. I’ll show you more once we’re in the eighth and menu, because I just prefer to do these things there. You have a key because you can actually do a chroma key like if I had a green screen set up behind me. You can in real time basically key it out and you can put whatever article or still photo image as a background behind you.

You also have a picture basically picture-in-picture effect. What that does is, if I click on it, you’ll notice, right now. I have it set up to my camera, one which is a close-up of you, know this camera here over my shoulder and then here. If I switch here – and I again turn on the picture of the picture – and in this case again you can see – I have my other angle but overlaid now over the part where I’m talking so in case you have another angle, you can do that and and Again, this is all fully customizable, but to adjust for some for, like the size of it exact position or stuff.

You would have to do that in the ATM mini, because, if I were to switch now, if I were to press any of these buttons right now, like basically here on the on the actual keyboard, the only difference really is that, like, if you look at it, I have these four buttons and I can I can do picture-in-picture, but the second I press and DC will just default, it’s basically to its standard setting or its standard size and and the location of of the picture-in-picture.

So right now I usually like to have it a bit bigger like you guys, can see right now, but I mean maybe switch to another angle and now, let’s say I press here, let’s say to be on the bottom left corner you’ll notice. Now it gets much smaller, and so it just doesn’t look as good. I don’t think it’s as visible, but you know I can switch to the bottom right corner bottom, the top right and left – and that’s pretty much all you have up here.

So, that’s why I find that a lot of these things I prefer to do in the 8m mini software and some of the other things do you have up here. You have a still image that you can cut to so in this case I actually have a lower thirds graphic, so it doesn’t make sense for me to cut there so I’ll show you guys that in a bit you have a black. Basically, we just want to cut to black, for whatever reason you can do that, and then you have here buttons.

Basically, for you know, I said the four different article inputs and in this case I only have three cameras, and then you also have above it is basically the audio follows article buttons I meaning. If you want to use the audio from one of these cameras, you would click that and it would always basically, whenever you switch to that article source, it would use the audio from that camera. Whatever camera is, are you using you can have you know we set button for resetting all the settings and you have little arrows up and down so you can adjust the volume on each of these.

Basically thing article input, so these buttons here above each of these article inputs are basically just for the audio and then this here for our for the two mic inputs that you can do so. The 18 million has a three-and-a-half millimeter input, jacks that you can input. Let’s say a lav microphone or something like that, and then you can also adjust the volume of it and then turn it on and off pretty straightforward other than that.

You have four HDMI inputs here on the back of the ATM mini and then you have one HDMI output which in this case again like I said it goes to my atomos here and Ferno or ninja, and for now to record it. And then you have a USBC cable and that’s for sending the the live-streaming or basically the article signal out and so that’s plugged into my laptop so that I can now stream this. You know whether, basically I can connect to YouTube or Facebook, and I can just directly stream it there or usually the way I do it is.

I actually have it here, basically, switching here to my camera or actually my keys. I usually end up using the OBS software because I prefer it and I can do some other cool things with it. So when I’m streaming, I kind of use that and then through that software, I send out my article signal and then the the one more thing they have appears. You have a Ethernet connection here on the back, which is again kind of allows you to do a loop.

It’s pretty much the same thing as a USB see allows you to do and and that’s pretty much it there’s nothing else there so like. I said it’s a cool little device state and mini because it’s so small light easy to travel with, and you can use it to do some really cool stuffs but, like I said, you’re, probably always going to have it paired with at least a laptop. But if you want to have, I think that even better kind of you know capability, I would say, get an external monitor, slash recorder, so that you can actually record your whole output.

So, let’s see if you’re a live streaming and you’re, you know you lose your internet connection. For whatever reason and and something happens, you you’re at least always recording your whole session. That you’re doing is that worst case scenario you can later on upload it to YouTube or whatever it is so people can still see that how the whole life stream want anyways here now going back to software so and the Athan mini setup.

That’s like a little software that lets you kind of change, some of the settings for me when it comes to the like the basic things, which is to switch camera angles. I usually do that by switching there. You know basically pressing the buttons, because it’s easy for me to do whether I’m doing your podcast with somebody you’re doing a article like this. I can very easily except cut to my hands now have to here my main camera, and then you know cut to my little side angle that I have so it’s easy for me to do that.

Just by you know, the kind of I can just have my fingers on there and I can remember where everything is now. If you want to do some of the advanced things, then that’s when the a-10 mini software is really going to come in handy. So, for example, what can you do here? Well, we obviously you switched the different views, so you have again your for a different article input, so you’ll notice right now, I’m on one article input 3.

So it says here, camera 3. If I go to switch to camera 1 you’ll see what it does does their it’s, which is there now you’ll notice that this thing also moves. That’s because I have my transition now turned on so you’ll notice here, there’s a transition style, so I can do a mix and I can actually, if it’s on poor I can are me now like. I can go to preview and let’s say I want to go from camera one to camera.

Let’s say to or came out it’s a 3, which is my my view, kind of my or actually yeah. Let’s go to my side camera here now. What I can do is, since I have a mix bit, which is basically a like a dissolve. If I slide this slider you’ll notice what’s happening here, is it’s basically kind of like right now right in the middle of I leave it, then it’s kind of 50 % showing them. You know camera 1 and 50 % showing camera 2 or like in C up here, but I can just we manually literally pull this and do like a like a dissolve.

So that’s pretty kind of cool. I think that you have you, have that kind of control and then, like I said I can keep on going back and forth and I can even you know, play around with it. Then I’m not DJ with it. So that’s one one of the cool things that you can do with this, that you can’t do directly on the 8 and mini you can do dip. For example, you can change the transition style, so you have mix which is like I dissolve dip is, if I were to ear right now, do Auto button you’ll notice, it kind of dips to a color right.

So in this case it’s a white color and then, for example, I can go and change it to the tail wipe. So again, if I click on it, you’ll see. Does this wipe transition and then I can also do hero. Is this dve? I forgot exactly what that stands for, but basically, as you can see, kind of slides in the other article source. Now you can change these settings. Like example, for the dip you can change the color of the light right or or that salt color.

You can change the drink, the white, what kind of a wipe it does like? You can change all these things by going further and here and adjusting all these settings. If here I’m just kind of quickly going back, preview is like, I said, just your arming sort of your next blog there you’re going to be your article, just basically signal you’re going to be cutting to or dissolving to. You also have the black right that you can, you can switch to.

You, have a dump also at the color one and two, which are the basically solid colors that you can put in here into the ATM software, and then you have also your media player one. So you can have one media player and I’ll explain kind of how that works in a second then here you also have your kind of a it’s called know as the next transition, and you can have basically different things, so you can have example.

Like your background, you can do your key in chroma keying, all that stuff. You know this if I click on right now, the arrow and it says now it’s on air and there was a transition here. That said, it’s one, second! Well, basically, what I did is now, if I switch even to my angle here and by the way right now, I, instead of cutting, I did to add on the transition, but I’m I’m I basically put you know I put it in there to the dve transition.

So because of that did that cheesy slight but anyways right now, you’ll notice, I can switched my different angles and I have my lower third graphic in there and now again by clicking here the arrow. I can basically dissolve that out and everything it takes about. A second for it to do because it’s here’s the the set in the duration, so you can adjust this, make it faster or slower. If I wanted to, I can just simply cut and actually like just make it.

You know basically to make that lower third graphic up here like this and disappear, but just by turning it on and off and Ty just simply means that you can tie it to one of the angles. Basically, one of your camera program outputs. Now, how can you change, for example, these graphics, so let’s say I’ll switch right now and you’ll notice. Here again, I have my little lower third graphic. Well, you can actually change that by going into the media, so in the media you can actually change the different graphics.

So you can see right now my media player and you can only have one media player. That’s why, if isn’t, but you get some of the more professional eight and many switchers from Blackmagic, then you’ll be able to have more of these things and you can load them. But with this one you were limited to only one, so you can resentful lower than one, but you can have a whole bunch of other ones, sort of ready.

So, let’s see, if I don’t want to have this or let’s see if you have like a guest and – and you want to have like a graphic prepared for your guests right so their name and their whatever website, and things like that. You can have all of these prepared. You can load in up to 20 into the 8 and mini basically software control, and then I can just grab it here. Quickly, drag it and you’ll notice. Now my lower third graphic automatically updated time.

Our free support can be. You know, like a graphic that covers the whole screen like in this case this one you see, and so that’s how you can easily kind of drag and drop it and change it now. Usually you’re not going to be just kind of switching them life like that you’re going to go again, turn it off right. So, for example it in this case I have it to dissolve out and then you can go quickly. You know, or or let’s see, if you have somebody actually operating this wall – let’s see a live stream is going on.

You could have another person doing this and then they can basically switch quickly out the graphic go back here to the switcher and then click Auto, and then you basically now nicely fade into your other graphic that you want to fade in and out. So that’s basically how this works going back to the transition styles. Here is also how you can also change the like. I said I can right now arm, let’s say camera one when I go: click auto you’ll notice.

It changes to that right. Now it’s sent to the dve so I’ll change it to just dissolve second dissolve and then in here I can change the speed of it. So, like I said on the ATM mini, you have presets for half a second one, second two seconds and when I click that you’ll notice, it changes here too. So right you know one and a half seconds once they can have a second, but you can also manually go in here and you can put whatever number you want.

So you can, you know, kind of further again adjust it. You have more control than you. You you ever have like directly on the 8 and mini, and that’s basically how this whole page works right. Now, here’s some of these other kind of settings. I have palettes, so you have your color generator. So those are the things that basically like, like. I said you can cut here to your four different camera input or you can cut to fit some poor black.

Just a black screen. You can cut actually to color bars and then you can also cut to your media player, one, which is your graphic. So, let’s see, if I go to my media player one and then now quickly, let’s say I want to you know loading this little graphic I can go in here and I can press media player 1 and you’ll notice. That’s actually now outputting here on the basically on my main output or basically that that’s what I would be streaming right now and now I can again change those graphics by going to my media upper here, tab and just drag and dropping whatever.

You know graphic that I want, so that’s that’s one of the things that you can do and you can also switch by the way to the pictures right here. Basically, by if I go and I go to see if I cut here to this angle of the 8 – a mini and you’ll notice, here of example – I can go and I have a still – and I have the black buttons here. So still is basically the media player one that the grad of a graphic you you, you load him there, so they clicked that you’ll notice again it cuts cuts to that now.

I can also dissolve to that so, and I can do my transitions right. So this basically acts like another article source kind of GP. You can think of it in those terms and that’s basically what this is and the colors. I said you have color 1 and color 2. You can adjust those here, so you have color one color two and you can make it man whatever it is that you want to make it so you can adjust these and let’s say I make this kind of turquoise color, and so, if I wanted to, I Could cut to this now? Why would you want to do that? Well, sometimes I don’t know, maybe you’re going to have a lower third graphic displayed over this or or something else that’s up to you or maybe, let’s see if you’re doing a chroma key and then maybe you want to just have like a solid color to know Behind you, you can, you can use it for all kinds of things so that that’s up to you and then the same thing is, for example, if you go, if you want to do, for example, like some of the other transitions example, switching from mix to dip, Like I said you can dip into the different colors and you can actually change the color of those of the dip.

So, for example, if I go here to transitions so over here on my palettes and I go to dip you’ll notice that I can also adjust the rate at which is, this is happening that did and I can change the dip source. So I can basically say color one color two or I could even go and sheep a example dip to media player one. So now, if I go and do auto you’ll notice, it will switch to my my little graphic that I love and very quickly there.

So you that’s how you can kind of thing or let’s see if I wanted to dip to that turquoise colors and I would go a color too and then again I’ll go here and dip me see. That’s that’s the kind of stuff that you can do. If you go, for example, to wipe, see wipe, you also have the all the different settings for what kind of a wife you can do. As you can see, you can do all kinds of wipes so go, go, let’s say top and bottom that kind of stuff.

So now, if I say cut to camera one you’ll notice here, I can do that little wipe like that from top and bottom there you can see. I can reverse it. So now it’s going the other direction. I can also again change the duration of it. So that’s very easy, so I’ll change it to two seconds, so you can see Goods going slowly now. I can also go if I want to – and in this case I’m going to go – maybe you’re the softness.

So I can change the softness. Alright, you could see it’s kind of a soft the border, but I can make it too. We set it to zero, and now it’s going to be this kind of a hard line right as its switching from one angle to the other, the width you can have like a border with so and then again you can choose the color. So let’s say I wanted to have that turquoise color, so color too, and then now, if I go and do my transition you’ll notice, it just has this kind of a color line there and I cannot even softened up too.

If I wanted to so you can do all kinds of things again. You can really sit in here and tweak a lot of these settings, but that’s basically what that does and then you know you can easily switch to another would see going from one corner to another, or you know doing this kind of what I would say kind Of more cheesy transitions, but if you wanted to whatever, for whatever reason you have this and then your DVD settings you can, as you can see, you can have it again going from different directions.

So let’s say I wanted to go. Let’s say again from top to bottom, so I’m going to go from my main camera here to close-up of the ATM mini. So if I do the switch you can see. Basically, it just slides that out like that right and you can again adjust the rate of it. You can change the like the direction of it here and like this, so you can play around with all these things. Now, some of the other cool things you can do is you can enable here the effects and in effects you can, for example, go to Mia player1 again as your fill source or you can be any of the other things with the one or the other cameras Or colors or the solid colors that you have, let’s see right now, I’m going to drag and drop my big sort of talentless films here, graphic.

If I use that and that’s basically saying that the fill source is going to give me media player one, the key the key for it is also media player. One and now, if I do this, you’ll notice what’s happening. So it’s kind of like that graphic goes by right. For me, it’s kind of a corny thing, but you could have like. Let’s see, I don’t know some kind of a graphic that you do and then it kind of dissolves one one shot to the other.

So you have that capability, you can even do up here with a DVD. You can switch from not just doing a let’s say a push from the corner or things like that, but you can actually go and also do let’s say a squeeze, don’t say: squeeze it to the left side. So you can do all of these things. Basically, using the hardware right but, like I said, to access all these settings, you still need a laptop. So just just keep that in mind, but that’s kind of worry word.

This software basically kind of again opens up all these possibilities that, but the ATM mini. Has you know kind of lets you let you adjust all these settings going to fine-tune? There’s a fine tune, this all so anyways right now, I’m going to switch the transition back to just a dissolve, which is something that I use myself mostly now. What I’m going to do is I’m going to go also the downstream key, so the downstream key here I can for some poor neighbor again, let’s say the media player one and things like that and that’s for the basically dead here downstream key one like I showed You so that’s you know like right now.

I have that big graphic, so if I enable it you’ll notice it just kind of going to sit there and cover my face so most likely. I would want to go and probably load in my lower thirds kind of thing there, bumper and then in here those how you can change it. So you can have that you can have a caller, but you can use, for example, ugly. You can use, but my let’s say turquoise color, but you know I can use a different key right.

Like let’s say if I were to use this graphic and you see it would basically take the shape because it would use the Alpha or the key from daya graphic right. So that’s how you can kind of play around with these things. So again, I’m going to you know: go is back to media player one and I’m going to use that as my lower thirds you can mask its meaning. You can kind of like see, cut off the top and the bottom and things like that.

So, let’s see the right side see, I can like cut it off. Let’s say I don’t want it to be like that, so those are all kinds of things that you can do. You can also that add a pre multiply key in this case. This would look bad, but in case you had a graphic that was like a basically over black and this in and here I was actually loading a PNG files which are just have a transparency built in. So you don’t need a pre multiplied key in there, but those are kind of things you can invert the key.

Obviously, all kinds of things like that that you can do and then the last thing you have here is to fade to black, which again you can pretty much only adjust the rate or the speed at which is it’s. You know the fade to black is going to happen. So that’s basically what you have here in your palettes, the upstream key by the way is for your your chroma, like so, for example, you’re going to be doing chroma and you’re going to have let’s say like a like a blue or green green screen behind you.

That’s where you’re going to go in there and adjust these settings. I can’t show them to you right now, because I don’t have a green screen with me, but it’s pretty straightforward. So you pick your color, you some porn all that stuff and then you adjust it and it does a pretty good job for busy creating a real-time mask. So you can adjust together the the mask, the keys, all that kind of stuff. You can again further adjusted in there.

You can adjust you luma key. So let’s say if you wanted to, I don’t know key out like some of these really bright areas or the dark areas. Maybe in my shot you could do that too. So you can in that, do it and those kinds of things and then you have other also things you can do like patterns and stuff. So you know, there’s all kinds of here things that you can use, but I’m going to let that leave that, for you guys to play around cuz.

I guess there’s a lot of settings going back to media player, which is basically to just tap all these settings right that you had so in the media player, you can again change the different graphics right that you have so you can also in here quickly change Them now, the thing that you have to be aware of is that, with a ten minute, you cannot load in actual article. Let’s give files for your media player, it can only be still images, JPEGs PNG, those kind of files.

If you had some of the other eight many that have basically bigger you, know more professional features and they have more memory, then you could actually load in article files and then you could even basically trigger to trigger those. So, let’s see if you wanted to have a background, but there’s not a still background behind you, but I kept moving article. You can do that now. You can also do that with data mini.

If you actually got one of the Blackmagic hypertech’s. If you did that, then you will have the options here and you will actually see it, but right now, as you can see, it says it’s and there’s no Hypertech detected, but that’s where you have these these features and then that would act actually as your as Basically, another media player, so you would have more than one media player and then those could actually be again stole graphics or article that plays or loops over and over, and you can control that then using up here again I don’t have the hypertext, so I don’t Have that functionality and by the way, that’s also how you could enable to have for some poll like, let’s see an animated, lower thirds graphic right, because right now, I can only have these little bumpers in there, but they’re still images so by attaching a Hypertech and Then loading in, let’s see a little article, clip that’s looped with an alpha in it.

You could then put that over your article and it would be you know, actually moving in all that stuff. So anyways, that’s that’s one of the other things that you’ll be able to do. If you get the Hypertech and then when you have when you go to output here, you can do the thing you have the different options which are as you’ll notice. This one is, is basically not enabled, because you would have to example, install the Blackmagic Design desktop article.

Then you can actually record that or if you got the Blackmagic 18 Mini Pro the new one that has the recording capability than in here and the output. You would actually have a recording tab, you’re going to actually go in there. You could, you know, adjust your recording settings all that stuff and you could trigger the recording on and after and now another thing you’ll notice here is, for example, you have this thing called capture still.

What is this? Well, that’s actually, for you can capture, let’s see something that’s happening here, and we know that basically, that’s what you’re happening right there going as a article source 3 or a 10 mini. So, let’s see in this case, when I look at the camera, I’m going to give a big cheesy smile and I’m going to click their capture still now, when I go to my media you’ll notice in my ear capture, basically six or my you know my fourth.

Basically, your window, that’s what I have there. So if I put this now, I can be, for example, now talking, but I can always cut to a still, which is just going to be that still of me smiling as you cannotice. So so those are the kind of things that you can do so again. That’s that’s how we and one of the ways of loading kind of these extra images in there and that’s by by going to the output and capturing one of the stills and then time code generator.

That’s actually was something really cool that is enabled with the latest kind of the firmware, with a TM mini and also, if you upgrade your Blackmagic cameras now this camera I’m using as day or so many pearls, so that doesn’t work to with it bad. It’s simply because I you know this doesn’t accept USB and SD a connections. I actually have an adapter that changes the SDI out to HDMI, but if you have like in here, I have two of the Blackmagic pocket cameras.

I have a 6k and the 4k camera they’re connecting via the HDMI, so they’re, sending the HDMI signal to date and mini well, at the same time to eight in many sense, basic article signal back to the camera. So I can actually is a get the timecode gem both of these cameras, so they are servos. Let’s just shooting on these two Blackmagic pocket cameras. I could actually have identical timecode on both of them.

That’s perfectly synced and that’s really cool, because then I can be recording on both cameras and – and you know, let’s say doing my life switching here or just maybe just recording on them and then later on. I can then in my editing, software go in there and I can tweak it and I can basically, you know, do my edit all over again and I’ll. Actually, you know, let’s see, load in my RAW files, but I can also sync those two or three or four cameras, depending how many you have connected perfectly because again, they’re they’re all jammed to the same time code.

So that’s a really cool feature of the fact that it’s that time code generator is built in and now I said the next year page is the media page, which I kind of showed you guys you load in your graphics, and you can hear how do your Page, so this is where you’re going to be doing all of your kind of audio settings, so in here you’ll notice that I have again three cameras. So my a camera is there so many Pro and actually no.

This is a packet for key camera, and this is just a audio. That’s basically coming off of the camera, so it’s never a good idea, but if I wanted to, I could enable it so turn that on so I’m going to turn that audio and turn off here. My audio. Thank you for me. The good camera probably sound like a 6 K and again, probably or in this case, I’m going to enable the idea from my Ursa mini Pro, because it has that you know XLR microphone here connected.

But that’s how you can kind of do this and again I showed you before you can also do that here by switching their their. You know, turning on and off to different audio inputs now gifts would you can also adjust the volume. So let’s say right now: my camera 3 I’m going to be adjusting. Let’s say I want to adjust my the volume up here, so you can see right now. It’s set of 0 DB, but I can go up and I can do that by clicking here or I can go down by again by clicking it on the ATM mini.

And if you want to have really fine-tune kind of control, then you can do it by doing this slider here I can adjust the idea basically levels of up here. Oh yeah, you got, for example, you can do your panning and left and right, so you can go from one blog to the thing right now. You see that it’s, even though it’s one microphone. Obviously, it’s outputting to both left and right blogs, but just the left blog right now or the right blog, and this is basically how it sounds.

So I can do that all that painting all that kind of stuff. I can also go here. Actually, that’s actually some kind of something really cool you can you have like these things? There are also built in into the DaVinci Resolve article editing software, but you can enable up here, like I’d, see different bands and you can adjust. You know the EQ, you know and again it will do all these things and it will process your audio in real time.

You cannot be now load in here so right now actually, and we turn this off, you can load input dynamics. You can have a compressor, and things like that again, I’m not going to be playing around with this right now, because this is basically the same stuff that you would do in a day that makes you resolve so pretty much all the same settings, but the cool Thing is they can do it here in real time, while you’re streaming, you can adjust all of that and adjust all your different audios settings, and then obviously you have your main here here.

Basically, the volume and other stuff for the input, so those are kind of cool things, and I also like it because it’s like, I said it’s like an advanced kind of a thing you you can adjust a headphone level like all kinds of stuff like this, which In this case, you see it’s grayed out why? Because the 8m mini doesn’t have headphone output, so in my case, for example, I would be listening to my headphone out out of my monitor here, because that one does have the headphone out.

So if you wanted to monitor audio, you could do it that way and then the last tab here, which is really cool and again. This is something that now is enabled with because of the the latest update for the ATM mini, but also for the pocket. Cameras is that you can now control these cameras. So let’s say if I were to switch to, let’s see this camera. Is you notice right now it’s less. He focused on this, but if I wanted to and then you’ll notice that when I switch there, it actually shows me even like which camera do now, I’m in camera 2 going back to camera 1.

It shows me which camera that I’m on you know at that. Given moment – and it here gives me four different for the functionality so here on, the bottom is your focus control, so I could try some for even like. Let’s see if I wanted to focus on my hand, I can whatever is going to be in the center. If I click this, as you get out of focus, you know it’s going to do that really bad job of focusing. But if you let’s see if this camera was not life and somebody was operating, they could click that just to make sure that the camera is going to be in focus before you switch right.

But let’s see right now, it’s you know, focus here on my hand, but let’s say I want to focus back to the ATM mini here, so I can do that by actually rocking this thing. So I can pull the focus as you can see, and it’s very accurate. Actually, I can go as you can see here. Back to my hand, the focus and here back to the ATM, mini or Gow, maybe even here to the keyboards and then back to the ATM mini, and I’m doing this just by sliding here, the focusing you can also adjust here.

You can adjust your hair iris and see I’m stepping it down. You can also adjust your zoom if that sound University work. If you had a lens that has a power zoom. In this case I don’t have one, but if you had that, then you can zoom in and out. So it’s really cool because again, whoever is doing your live article. Switching and all that stuff can also control your cameras. At the same time, all for example, you can also have one person, let’s say doing a article switching while another person can operate all the different cameras just using the ATM software here.

So it’s really cool. Now, aside from doing obviously they’re like adjusting the exposure, you have here your DB, so that’s basically going to be your your your eyes. So basically, so you can adjust your eyes so so you can make it a lot brighter and all that stuff. So I can switch here, you’ll notice, that it’s going brighter darker here. If I go back down so I can adjust that I can adjust here my shutter speed or shutter yeah and this case started speed.

I don’t know why they didn’t do it shutter angle, because I prefer that one anyway shot her speech. I can adjust it all right. Now I’m going to go to one sixtieth and and then you can gently adjust your your temperature, you Calvin, but another thing you can do is you can actually adjust here if you pull this to just adjust your your iris and then your your here overall here Gamma, so I can kind of make it washed out a lot of stuff in this case I want to here I’m going to reset this we set out and then here you can adjust your overall color.

So, let’s see if I want to take that article source make it kind of bluish or at a green tint or whatever. I can do that just by moving this wheel and again I know I know what you’re thinking looks horrible, but again probably you wouldn’t be doing it’s. These crazy adjustments you’re going to go in there kind of tweak. Let’s see if you have different cameras and they also look slightly different, maybe or because of the lighting or something you can kind of match them just so easily using these tools, the cool thing is that you can also expand it.

So then, it kind of hides the other things and you all have here basically then more advanced controls, which is which these are basically controls that you would have again and DiMucci resolve. So I can adjust like if I wanted to do. I don’t know about teal and orange. Let’s see, look, I can quickly add a little bit of this kind of a teal kind of blue in the shadows, a little bit there in the gamma, which is the mid-tones.

Let’s say like that: an and the gain a de leave and a little bit of this yellow look and I’d say you know I like this kind of a look right I created and you can adjust the contrast, and you know things like that, the the hue, I can adjust it what else you know saturation, all that stuff, so I’d say want to make it very saturated. Oh maybe, let’s see like slightly less saturate, it see somewhere there.

So you can adjust all these things and now what you can do also is you can go in here. You can go copy and I can go now. Let’s say to one of my other camera. So let’s say I switch to this camera here to the side, which is the pocket 6k well you’ll notice, that if I go back to this angle you know the colors completely don’t match. But let’s say I like the color grid that I did there so now I can go and apply actually that same color grid from the other camera to here by again going here expanding this and I can go and paste and once I do that, you’ll notice That now my package 6k has the same.

Look as the packet 4k. So has that same kind of color treatment that I did with that one and then you know, if you wanted to, you, can still go in and tweak it further and all that stuff. So that’s the kind of cool thing and then again, even with the pocket six key. By the way I know some people were wondering online. Can you adjust the Canon lenses? It depends on the Canon lens right, obviously or the canon EF mount lens.

If you have a lens that that, let’s see doesn’t, have you know again, it doesn’t have power zoom but doesn’t have you know, let’s say out of focus capability, then you wouldn’t be able to adjust a lot of the things, but you can still adjust. For example, there the iris – I can open it up close it, you can resume the Calvin all that stuff and yes, you can also adjust the focus, so I can make you go in and out of focus so right now it’s a pretty wide angle so, and I think there should be good so I’ll, just kind of leave it there and yeah.

That’s some of the really cool stuff that I think again. I I thought it’s worthwhile, showing you guys yeah, basically what you get by just using the ATM mini, like you see up here over by actually using the ATM software control. You have all these other functionalities that you wouldn’t otherwise get with, with just eight and mini. So definitely sometimes it’s, I think it would convenient for you to hook up I’ll connect this to laptop, and I think most cases you probably are going to be doing this because you’re probably going to be using this for live streaming or maybe recording the life signal To your laptop and then you know and then like I said this way, you can do that, but you can also, while sending the article signal, you can also control the different things, including control, the different cameras that are connected at the two year, 18 minutes, which Is really really really cool now there are a few things that I found out after I did to update it with the cameras and the ATM, meaning that I’m not so happy about, and that’s basically the fact that now, because the cameras are recognized as kind of These life switching cameras, it basically takes the a two mini-dates control over them and it changes a lot of the settings in your cameras and you cannot change them basically, so you cannot record in some of the settings that you might want to record.

So, for example, the first thing is, you know, while you’re doing real life switching, you can be recording on your different cameras, but keep in mind that at that point all the cameras are only going to be able to record in RAW all the other functionalities. Basically, turn off, so that’s kind of one thing that sax next thing is that it switches to 60 frames per second, because that’s what I hate, em mini kind of operates, and so 16 frames or frames per second and the pocket.

4K is not so bad because you, you know the camera basically can still go and record in 60 frames per second in 4k, and I can record all these other formats and different resolutions on the packet 6k, though the second you switch to 4k or 60 frames Per second, basically you’re, you don’t have to keep ability to shoot in full or record the full 6k, because the camera is not able to record 6k at 60 frames per second.

So I don’t know why they did that, because I would still want to be able to, let’s say, record the the real six key signals of I want to do again. I want to maybe do some life switching but same time. Have the older original footage from the cameras, so I can do an alternate edit later on. It would be nice to have the full six key signal, not only that, but if it switches it to only twelve the other.

I think resolutions are just three action, including the anamorphic, but on otherwise only two other resolutions, which are 17 by 9 aspect ratio, and that’s why I know you guys saw, but when I was switching all the different angles or let’s save our to switch right now. You’ll notice that it’s the top and bottom has these little black bars and that’s because again it’s it’s said: 17 by 9, you know aspect ratio, that’s that really sucks, and I can’t change that.

Why? Because the camera, basically the only way you can shoot in and basically 1080 or raise a 16 by 9 aspect ratio is if I were to shoot in full 6k, basically resolution. I can’t switch to that and I can’t even switch to the 1080p like it. Just won’t, let me do it, so that’s the kind of things that I wish that that they had they are not limited, so they would still allow me to switch like let’s say if I wanted to you know, do I do a livestream or record to all These different cameras and even record to an external recorder, but do it on 24 frames per second.

It would be nice to have that option to be able to switch that and if, unless you guys, finally figured out a way of to do it, because I have not found these settings anywhere and I looked everywhere then, but if you have found it, maybe I’m Missing something that let me know, but I’m guessing, because it’s like a just a few know the latest update they released, I’m guessing hopefully and they’ll, be listening to people like me.

Complaining about this and they’ll they’ll enable those kind of basically more control over that, because it would be nice for me to have these cameras. You know all connected to my 8m mini so that I can switch and I can like even sometimes, if I’m just doing like, let’s say a multicam recording and I’m not necessarily streaming or anything like that. But I just it’s nice to have the 8 a mini. Then, to kind of be able to like quickly switch – and I can see on the monitor here – how I look on one camera – the second camera another camera, but unfortunately I won’t be able to use that now, because the second I connected, like I said to the 8 and mini it’s going to go switcher to run only 60 frames per second and what stuff, and that really then limits that the cameras.

So so that’s that’s one thing that I’m kind of disappointed now. Another thing is, with the many pro you have the functionality to hit recording like I said record, you know there but records to another like it like a USB Drive or something, but you can also trigger all the cameras they have connected so that they, you know, You can basically start and stop them using this. Well, you can’t do that with ATM mini, basically the regular one, and I don’t know why, because they could have just added that functionality.

I know that differently. Reg is graded out, but I wish they would add that because I would be like a small little thing that you know like here in the switcher. If I could just go to the output and in there you know and like they actually added a little record. Setting basically menu that you get when you connect the ATM mini Pro. If it is, they actually did that then they’ll be great, because then I could actually go in here and you know basically trigger all my cameras and record all of my cameras.

At the same time, so that would be a nice functionality which again does not exist. So those are the sounds that my two little complaints or or wishes help the somebody Blackmagic listens, but otherwise have a lot of cool things coming with these new updates. Now you know again and just overall cool tools that black magic has created where there’s these are some different cameras, including the article switcher, and things like that.

So if you guys are looking for something like that, as always follow the links in the description you’ll help me out by by using those so when you’re, making any purchases and at the same time, if you guys want any other information or you want to see Some of my other posts and things like that, as always you’ll, find all of that and a lot more on my website at um at those films like um, and it’s also where you can subscribe to my newsletter.

So you can stay up to date, anyways once again my name is tama tulsa and i’ll. See you guys in the next one bye

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UV#06 Sound design for a logo animation

This is not a gaming blog today I’ll be showing you how I made the sound for the intro animation. Just so remember, okay, I do understand replay for you yeah. So now, let’s get back in time, so I can show you how I made this: let’s go alright, so I’m back from the future. Now, here’s an order 5 session and I’ve got imported the article using the session open article, and then I selected the article.

Now it is transcoded, so I don’t have to transcode it. If I selected, you see you get these options, import, transcode article. This is what you do when you first import your article to order and reference from current location previously transcoded. This is very easy, like self explainatory. So now it’s just going to reload the article because it was already there – and it looks like this when you’re doing sound design for animation.

To me, the key thing is to get the timing and to get the atmosphere, so I’m trying to figure out what sounds. Would fit this image? This move motion picture kinda, so there’s a lot of darkness. There’s some smoke, there’s some glittering lights or some noise happening in some bright flash at the end. There’s there’s a quick motion when the camera like zooms out or the or the letters fall in and then there’s lights, so this could be some tinkling tinkling and then it gets noisy, distorted and finally, there kind explodes.

So I can see some some clues to what the sound design might be. So what I’m going to do is actually add a bunch of units of effects instances. So I can just start synthesizing some sounds that will fit this and Xin is a pretty heavy plugin. So it takes a while to load into our door yeah we’re ready, I’m going to also use my external keyboard because it’s going to make the things easier. So, let’s see we have the first one, that’s already routed.

Some reason order was very smart and it already connected the MIDI ports, which is nice okay. So what what we have here, I imagine a swoosh like I could record this with a microphone, but first it would be very, very easy and I wouldn’t show anything interesting in the process and second, it would be difficult to make this really work because mouth sounds Are very organic and what we see here is very technic.

Very synthetic could of course, process the recorded sounds, but I’m going to try to stick to synthesis as much as I can like. I don’t have a strict plan of what I’m going to do, so this is kind of an exploration for me as it is for you. I have some tools. I have some experience of making this for clients, it’s good, that this is not for a client. So I can show you the process, because I wouldn’t do this with it this whip, if it works for a client, I want to make it swish.

So I’m going to going to record this, I’m going to press shift space which will activate there a record mode because the truck is armed and then it’s going to record them in notes. It doesn’t really the pitches, because I’m going to override this anyway, I’m going to press e to enter edit mode. So I can change the length of the notes. Now G go to the grab mode where I can edit the, and this is like yeah it.

The note is there, but it doesn’t draw it, there’s some stuff to report in the order, their tracker, let’s make this and noisy swoosh, I’m not sure how easy it’s going to be to fit everything on one screen, because I usually use two but well never know What do we have here? We have ad synth. Let’s try Adsense I’m going to go for white noise. We can use a keyboard to help us out. This is very, very bright.

It’s a little bit painful! I’m going to make this quieter and I’m going to want to make this yeah. This is the kind of tempo I think will fit this now. This is too short because the note is higher. I’m going to lower the note. I know it’s too long come on now, it’s a little bit short, but I’m going to change that with the with the envelope. Okay, let’s try it again. This could work. We can also later shape the fade out a bit with the automation, so it doesn’t have to be perfect from the start, because sometimes you know trying to get something perfect will block you for half an hour.

Doing just that. I want to make some motion with filters, so I’m trying to experiment with with the band pass and maybe make it a little bit sharper and start higher yeah. This is funny it’s a little bit too short kind of kind of sinking. I want to duplicate this voice, so I’m going to copy the clipboard switch to another one and paste it. So I can use a different filter or different settings for the filter, so I’m going to start off with a lower and make this higher and make this a little bit longer.

So we will have like, let’s, let’s here, second voice alone, I wan na make it a little bit sharper more resonance, yeah and the first one. The first one could be wider, yeah solely together form kind of a it’s it’s. There is brown noise and there is narrow noise, narrow, narrow narrow. So we have like complementary it’s. It has two characters at the same time, it has noisy character and has this more narrow we still like sound to it, which is very subtle? Actually it’s much more noisy than Swiss Li, but okay, let’s mmm, maybe try letting in some of the highs, because the low pass filter is by default kind of close from the top.

It doesn’t do any change an edible change in our mmm and this regular sound. Let’s see what we can do with effects here and I think some reverb could be good, but I’m going to not I’m not going to use as an internal reverb and I’m going to use a plugin for that, because I really like the sound of em a Verb so I’m going to leave this sound right now. Let’s call this. I need to disable the record disarmed for recording and then I can change the name.

Let’s call it swoosh and now, let’s insert some verb yeah, let’s hear it yeah. This actually could really work. I’m going to put it pre fader because actually doesn’t really matter for this kind of effect. It wouldn’t matter for a compressor or a distortion where the input level plays a big role in at what tone you get out of the processing, but for reverb it doesn’t really matter, but I prefer to have all plugins pre fader.

I want to try adding some. Maybe the chorus, maybe the cough multi chorus, let’s see and make a loop, so we can tweak the settings and hear what how they change the sound immediately. Can I disable the LFO completely? I think it the plugin isn’t made for like using this manually, but I could get away with some of the automation, let’s see and it’s modulation that let’s make it play so to play our automation, it kind of gives a little bit, I’m afraid it’s going to Drift a little bit because we still have some modulation, so we’re going to get different effects based on different time.

When we play this, we could bounce this to a track to a stereo audio track. Let’s insert just one right now for the input I’m not going to use this. The system hardware stuff would use this whoosh output. I’m going to record this I’m going to hit shift space. Let’s do one more yay. We have them swooshes. Now it’s mute. This original MIDI track control, app arrow, will shift the track up and this going to be our double click, swoosh kind of a misnomer, but anyway, okay, now we have the same effect just frozen in time.

So nothing changes, I’m going to mute, I mean muted. The second instance that I recorded, because I don’t really want to use it right now, so maybe yeah, maybe I’ll, do something with it later. Okay, let’s go over the next sound. Let’s do something for these bright, blue lights that appear on the edges. I want to do something electric, however, I’m not sure really what to do with it. So I will just experiment right now and we’ll see what happens.

The best sounds. I’ve ever made were just created out of experimenting, so good stuff might happen right now. Maybe I’ll try using a waveform like a square way, because I want something that will sound similar to a Maine’s hum this 50 or 60, depending on a burden you live, but that comes out of your power supply, yeah kind of this sick, oh yeah. However, the filter is affected by the velocity of the key hitting.

So if I hit it very slightly, we get a different tone. I don’t want that. I want this velocity sensing him out. Okay, now the the velocity of the key only affects is a loudness of the sound I want to do. I know what I want to do. I want to do some messed up ring modulation this, but I want to use external modulator, so I’m going to copy this voice over to be voice. Free yeah pace it here, because currently Zen some effects can can modulate different voices with different voices.

I made the first ever article of UV, UV 0-1, modulation, zenus of effects. Modulation. Madness goes a little bit more in depth about this. So if you’re, if you’re new to this concept, go there and check it out, but the thing is I can use the previous voices on the list like if you have the list like free voice, free can be modulated by voice 2 or voice one voice. To can image the way the by can be modulated by voice one voice 8.

Can we merge it about 7 6? Both err all everything above it because they are being calculated in order, so the first is completely voice 1 to free. When the voice 1 is calculated, it knows nothing about the rest of the voices, so it can’t use that for modulation, and this can be worked around, but it’s an overhaul and well it’s not going to happen soon. So now I’m going to make it first voices that are not going to be used.

Yeah, I’m the first two voices, the first two voices are now mute, so we only hear the third voice can see. We have a sign here if we turn it up now. The interesting part is our square wave has a fixed pitch. It doesn’t respond. The number of the key I play, but what we’re going to use for modulation does, if I make this audible, you can see our modulation, our modulator a will respond to pitch. So we’ll get different modulation pitch by playing different notes while having the carrier, so the modulated wave waveform stay on the same pitch, which is going to be interesting.

Probably let’s use ring modulation select external modulator, so this is the voice. We can you hear in the ring modulation going up. I don’t want velocity sensing. This gives you more modulation when you hit the hit, no, it’s harder, but if you turn it all the way up, you have no sensitivity like you have no key sensing, no matter how hard you hit the key. It’s going to always do the same amount of modulation and high-frequency damping.

It’s something that lowers the amount of modulation when you go with higher pitches. Higher frequencies give much more modulation which gets very noisy and bad, but we might want that so I’m turning it up. Turning it yeah turning it up, so I’m disabling the feature, and I hear the low-pass filter really messing up with our sound, so I’m going to turn it up and unless you’re reading 270 P on youtube, you probably can hear a difference right now and how about We make a pitch slide of the modulator longer, not so high starting yeah 64 is the middle, so 64 is no change below it’s going to go higher and start lower and pitching them go up.

How about we just shifted a few octaves up, make it an investment, wah wah how about inverting this? This is very long really like. This is a very short animation and what happens if we add a few voices to our modulator sorry, our carrier get a stereo. I think I want to do something with this sound, so it’s going to be more interesting and I might try modulating it again what the voice one so I’m going to go all the way up.

No velocity sensing, no high frequency damping – and it just happened so that we left a square wave very low pitch square wave, also doesn’t responding to the key number. How about we make this fade in so in the beginning, the voice, one is silent, so it doesn’t modulate the voice too. Actually I can’t hear any difference. Okay, how are we detune this slightly? So it’s going to be a little bit yeah.

I won’t try and enable a band pass filter on this, just experiment, so our voice, one, is a square wave. It’s going to be band fast, its modulating with ring modulation, the voice two, which is a sine wave, slightly falling from the sky. I like going up and then falling down in pitch, which is then ring modulating our square wave that is somewhere in the base. We used register and if I make this narrower and atom filter envelope funny we heard some harmonic and maybe it was the fundamental.

Well. That’s a little bit scary, I’m going to make this a little bit wider, so it’s not so intense when it hits the harmonic content and how about we make this higher or lower. There’s some kickass sounds in here. Okay, let’s make the envelopes little shorter for everyone. I want to add an arch filler here just to see what happens when I play a lower note, it sounds it sounds interesting. I like a notes notes of e.

Make interesting sounds, I guess, that’s probably caused by a certain frequency relation frequency ratio, relationship between the fixed tone and the notes. Okay, I’m going to record the e note hmm, so this is going to be our buzz okay. It doesn’t very closely follow our animation right now. I’ve just noticed our swoosh is very, very silent, very quiet like it. You can see it on the waveform, but it’s just right now.

I realized how quiet it is. I’m going to add presser keep the input not up yeah. I want this note to end ride when this flash goes off, so I’m going to hit II to edit, then I’m going to just drag the notes and notes and left okay, let’s replay home, we get this little slight bleep at the end, which is very nice. It it actually gives me chiptune memories. Now this starts very abruptly, and we need to do this, something about it because it’s very like it doesn’t really fit the gentle glittering.

We have here. So, what’s what we can do about that like she starts a road here, so let’s see what can I all tomatoe not donate the part volume I can automate the filter cut off the FM gain, which is, it is actually the amount of modulation on everything like Not just frequency modulation, every every modulation I’m going to use that, and so what we can do, because we can alter the amount of ring modulation applied in every single moment of our sound.

So I’m going to try to like outline what happens on the screen flee to make this sound kind of a little bit rude itself and in the image I’m going to it’s brighter than it lashes. You I’m going to save this session by the way, because our door sometimes crashes. Now I’m going to make this track a little bit bigger, so I can see it better kind of fades away. Let’s give it a little bit more and cynically, I incidentally, clicked on another track, inserting a midi region, i’m going to shift right-click to delete it.

Let’s hear what it does right now might be: shitty doesn’t okay, because we have said manual. I have to change to play now: it’s going to actually read the automation. Alright, so like we have when we have no ring modulation, we actually have louder sound because our square wave is unaffected because ring modulation actually changes the volume of the waveform, the amplitude. In time, but it does it so quickly that it alters the pitches.

If you do ring modulation very slowly, you get a tremolo effect, okay, but we also need to change the volume. I guess, or maybe I know what, because we can automate the filter cutoff and this is going to affect only the main, the global filter in an ad synth look like if we automate the pic filter cutoff, it’s going to only change this one. So I could like changes in the middle move it here, because the filter cutoff starts in the middle, so we can like shift it up and shoot it down.

I’m going to start with it change it to play, so it does play the automation and begin with the filler domain of the filter, cutoff all the way up and somewhere else, maybe down, and maybe I will just kind of mimic the what we did here very Very slightly, and I’m going to make me make this a little bit go up till the end, so it kinda gain strength to blow up in the end. Let’s see what it does yeah.

This is better. This is more what it more mmm. It fits the animation more. I don’t like this part where it doesn’t do anything and it’s really steady and boring. I think it should better just cut off there, so I’m going to change the note, so it ends here and then instant. Another note – and it doesn’t end right in right, where it should right now and maybe I’ll change the automation, so it starts with the cutoff fully closed, so our low-pass filter will just be opening right after the note started yeah.

I think if we add some distortion on top of that, it’s going to make a cool effect. Maybe I will split this into two separate tracks. It might be easier that way. I also think that it might do some good if I change the hats and global filter type to maybe not the type but make it a little bit sharper with resonance now. That sounds very old-school, and it doesn’t really mean it not necessary cool yeah.

I think we can hear more of the ring modulation and I think we hear a little too little of it, so I want to actually and give this higher values over also get more of the distorted, sound and just a clean one. Maybe this automation clip is a little bit too cluttered. I’m going to press G select a bunch of points and move them up. Yeah, like this kind of dies very quickly, and we don’t really else aria-pressed something F shift, Z, F, maximizes, a track or tries to maximize it in the VG visible space right now.

It fits also the automation tracks. Shift Z is like control Z for view. So if you just zoom somewhere else, when you can’t find yourself, you should press shift Z and it should zoom you out one step at a time, unfortunately, or fortunately depends and press e make this not a little longer. Maybe leave the ring. Modulation on and a press D to enter the draw mode and like just let the cutoff fall, it doesn’t really follow the motion of our sparks here.

So I need to do something go to the automation. I think I’m going to just make it very very simple. Just delete all the points. Thank you now want to deselect this okay, so I don’t delete it and yeah. This actually sounds better and it could be longer again. How about we use a different note here. Maybe go down one octave, you yeah, let’s see kinda it’s a little bit quiet, though Velocity’s all the way up.

1:27. Okay, it starts to sound more synced. I want to try some distortion and I’m going to try see the amp VTS, which is a plugin. I think it’s reworked a bit by mod team and it’s a very nice processor for guitars, keep it above others. So I can see it all the times at all times and I think I’m going to automate the gain. Let’s just loop this so I can experiment. I think it makes it more character for I’d like to add some very subtle reverb to just define some feeling of space, because there it’s well that’s too much.

Let’s try it before the distortion. Actually, I like the amount of reverb before the final blip, because then it’s like it should just wow just crack explode and there’s nothing. Just silence like the darkness. We see so I’m going to automate the mix ratio. It’s maybe use the right mode, so I just can yeah record this now it’s in touch mode, so place back, that’s great Wow! My timing is almost perfect with this look at that.

That is perfect. All right, I think I want some noise in here like there is very little noise, maybe because I have this woosh and play it. No, it is here. Okay, I’m hearing it. Let’s just make this a little quieter. Okay, I’m going to just maybe minimize the automation tracks, so they don’t disturb me and I want to open up a new track and I want just some noise. I just really want some noise, really it can be a simple white noise or maybe I can try making something a little bit more interesting.

Let’s try to frequency modulation with noise noise. Why not and make it bandpass filtered resonate Li wave an envelope going from down to long, I’m just doing random stuff. I don’t know what it’s going to sound like, and you know it’s going to be too much. If I do this yeah and in the end, let’s go with a slight notch filter make it go from up to down, because why not? Let’s hear it? Okay guess I I have too much resonance just too long yeah, let’s give it more voices and more stereo.

More detune for each voice, nah this sounds crappy. Let’s do it in the mono and I’m just going to duplicate this voice, panned them harder, left and right and then change something about it like the waveform or the pitch, and maybe let’s try some big different bass. Wait for him that it’s modulated, maybe sure. Ah, this is painful how about making it start hiring a pitcher or lower. Actually, it doesn’t really matter.

I like this. It sounds somewhere between a jet plane, an old synthesizer or tape, machine and Torm, okay, but it’s a little bit too long. It’s you shorten the shorten the envelopes cut, the envelopes cut them cut them down, yeah, let’s mmm, let’s give some fade in. Oh, that’s a really sick and give some fade-out. However, our global envelope is going to limit us right now, so I need to include a release there now it’ll be too long.

Let’s make the pitch fall once we release the key, maybe shorter. Okay, I wanted to do have two voices, so I’m going to copy this one pan it left, but not zero, because zero means random. I want this in the left. Blog now paste it here we still using the external modulate one. So nothing changes. We just change the padding and it sounds in mono, but now I can change the beach of one of them or the waveform, and it’s going to make a difference.

Let’s add some weird harmonics whoa, that’s very loud. I want to change the magnitude type to like something else, so we have more precision yeah. I want just a hint of that weird noise in the right blog and let’s do something else in the left, one. Let’s change the money to type the tango for higher, it actually kind of sounds the same but different, and it makes it stereo it makes it wider. Okay, I think I want to check the global filter.

How about this is fun. Alright, let’s I want to check what can I do with the pitch modulation pitch wheel? So I’m going to go to controllers in the global window, and here we have the pitch will Bend range in sense. 200 sense is 2 semitones, because 100 cents is a semitone. So if I want to go to an octave, I need 1,200 yeah. This is cool. If I can do this well, this is going to be great sound for the anticipation before the big explosion.

So I actually don’t remember if I tried before recording mud will in order 5. Let’s see what we can do with distortion. Also as it might do something cool might do something bad. Let’s turn out the gate gain so the drive it’s the pre gain and the post gain the level. Let’s keep it low. Well, that’s complete havoc what it will filter this before Distortion. I guess the gain the drive is way too much now we could add this.

Just a little bit to the original one, I think just a tiny bit of a strange reverb ation could help this. I’m not so big. Let’s go to random, make it very short. I want kind of room cellar, sound! Let’s try to give it some more high frequency, so I’m releasing the low pass. Let’s hear it all wet a room size. The initial delay welcome kind of could work. Let’s see if we shouldn’t eventually high pass a little bit of this because there’s a little ton of bass, I think search with a peak filter.

What is nice and what we wanted to remove yeah now it sounds a little bit less Bumi. Let’s try it. The weird thing is, I think, something’s different, I don’t know, okay, I need to hit the notes more gently, because there is a certain amount of modulation that is too much and it just destroys everything. It sounds better when I hit it slightly. Okay: let’s try to record this hmm okay! I guess I missed it.

I wanted to see if there is yeah the pitch wheel, you Gordon – and I guess it displayed back, but the note was too too hard. I like struck it very hard, so I’m going to use my mouse wheel to make it softer. I think we could also go with two octaves of pitch Bend. So let’s go to controllers. Ah, this is not this instance. Okay, send free controllers. We have 1200. Let’s go to 2400, the the big like the double arrows, go 100 cent, big jumps and the small go one which isn’t very useful to me.

I never use the small ones never, and you can see that it’s a bit jagged because we have very limited resolution. We have only 227 steps for the CC controls and the pitch wheel and the mod wheel pitch bender. The mod will apply. Also so you have you see, you see, we have a lot of a lysing, but we can actually draw our own automation, because this is very, very simple. Oh, we need to change the type of this mode, discrete linear.

Yes, this is what I want it. Ok, crap, I don’t know what what is the rest position. Ok, the first first samples. 8. 5. 7. 6. Ok, because I guess yeah, that’s the range of 700 1600. It’s a bit there yeah sounds awesome. I just need to cut it off in the right moment and I think I’m going to press the e key again. I think I’m going to cut it, I’m going to cut it short. Maybe let it sound longer, but I am going to use the fader automation.

Go for maybe touch, let’s you. If I can record it yeah, I’m just going to remove the last point and this one too. So it’s forever silent. Let’s see! Ok, I wasn’t so quick that it it’s as instantaneous because well, that’s not humanly possible. I’m going to add a little bit of a gain right in the end. Well, that’s too late, because this is the flesh, can’t you back this off, so we have zero decibels and can just and a little bit we have 6 decibels left.

So we can make a little bit of a click at the end. Oh it’s pretty difficult to select this okay got it um. There’s one shift right! Click delete stuff, let’s see actually yeah last a little bit longer. I think I’m going to fight you, okay, move them both. Oh, I can’t let’s hear this node again yeah. This is better and I wanted to start a little bit more silently. So I’m going to use the control two more points, so it will a little bit fade in ha.

Okay. Well can we call this I’ll call this screamer, because I can I can ass house borkus has internet burgers are now control-z. They don’t want to move. That point I want just to move this one I’ll remove it shift right, click, yeah, okay, what do we have and what do we miss? I think I want some more noise because I, like initially you know, remember: let’s try to frequency modulation. Let’s make some really.

No is this simply noise, just like that, just nothing extra, just noise! Okay, come on! You can do this. His stereo, I’m going to copy this voice, sit all the way to the right it steady annoys now. I think I want to use a band pass. Filter, Hey because the filter is tracking the keyboard. It responds to the pitch of the keys and P I’m hitting here. It is 60. Oh yeah middle is zero. Oh it shouldn’t be.

Ah I’m mistaken. It actually is the velocity sensing I’m going to disable the velocity sensing. I want frequency tracking. This sounds like tape. Stop, but it’s not. Let’s play C major. Okay, this the envelopes are cool, but a little bit too long. I’m going to make that I want to find the very base tone for the release and then make it a little taller. Okay, now, I would add a crap ton of reverb onto this, but it’s a very short make it big in a room size and make the dampening lower.

So we have more high-frequency Wow. How about we make this narrower, not a good idea. I’m going to make this wider, the plane noisiness might need some modulation, it might be so plain and uninteresting just add, a very, very subtle phaser and on to that a little chorus. Well, it’s very too fast and I think I need to get rid of the bass, because, after the reverb, the bass is very messy. Okay, let’s try to record some notes.

Okay, so we didn’t care we get away with it simple noise, all right, of course the decay is going to be cut off. I can do this right now like this. Ah sorry, this is too early. You, like the anticipation of the cutoff, so there’s a little bit of a gain. Okay, we’re not using this make it play. It sounds like it’s cut short, which might be a good thing or a bad thing. Let’s see what we can do, if I just let it decay, I think I won this DK, maybe not so loud yeah, just give it a few seconds up there yeah there’s no problem like this.

Can this? Can this can work? Okay, I think I’m going to be doing one less sound and this is going to be a hit for the explosion, and I want to try something like a broken glass. And how am I going to do this? Is I’m going to throw in a bunch of notes, are going to imitate different small particles of glass, have been smashed and are falling in all directions and the higher notes represents smaller particles, because smaller particles make higher pitch sounds.

This might be a little bit long. I’m going to see filter a edit mode. Maybe all these notes up, as you can see, it’s not very easy to end late now. Here are notes. They were unvisible. Let’s move this okay, you what happened? Okay looks like I can’t move this because it’s going to explode well well, but the timing seems to be right. So I’m going to open the broken glass, the simple sine wave and what I want to do is hmm actually like use an impulse.

I’m going to use a power wave and make it so that it it’s a snap. You can see that there is a lot of harmonics a lot of harmonic material, I’m going to make this down and use an amplitude envelope to make this. She has to want to click because it’s going to, of course, repeat yeah, but right now we have just one click. If I make this longer you, okay, yes, it’s this one, I’m not mistaken, and I’m going to change this to a bandpass filter, and you see if I made it very resonant, it simulates the fact that we have a piece of something that receives energy.

This is our impulse. The power wave, the simple impulse of the power wave is the energy, the blast the hit and the bandpass filter. Resonating is modeling the tiny shard of glass that is actually resonating this energy on a specific frequency band. Right now it responds to velocity so I’m going to disable velocity sensing and enable the frequency tracking I can play keep this very quiet, so I need to turn it up because you might not hear it actually right now.

Recording this isn’t in trouble yeah, and it’s going to sound better than this. So I’m going to remove this, I’m going to just record my broken glass part, not totally happy with it. Maybe I should make them sound, shorter or funny it’s kind of uh. Well, it would be nice if I could make the move the regions. I can’t yes a bit late – that I can handle this okay and record on time. Alright, this seems to be about right.

Let’s close this interfacing and I’m reopening it edit with generic controls, we’ll open a different interface and then I can reopen it and it will just pop in on the top. I want to make these a little bit, maybe shorter. You see the less resonance we get on the more of the impulse we have and the less of the tone. Let’s also make this pan ha randomly. So every note has different panning, so that kind of makes that cloud of the glass shards wider in stereo, and I think that actually this needs just a little bit of reverb and maybe some EQ more of the tail and less of the earlier reflections.

Maybe a little bit maybe shorter bit smaller yeah. I want to yes, it’s pretty hard and see what happens. I lower the threshold. Okay, it’s pretty loud and right now keep this above others I’m going to lower the makeup, gain and threshold and just think the attack and release very short. So it’s very closely following okay, it’s very loud right now and I wonder saying to quiter. Okay, let’s play the whole thing kind of interesting.

I missed some really something hard. So, let’s make it’s an explosion, I’m just going to dial in a single note right here and I’m going to do a very quick patch. Okay, we’re now like feeding the MIDI data right to the broken glass come show your face. You going to enable substance! Dialing, a little bit of harmonics make them really wide make them lower yeah, now give it a pitch envelope. Maybe you make it less.

Harmonic doesn’t do very, very big changes. Okay, let’s make it started with max, so we have a click on the beginning. However, I can hardly hear the difference right now made this shorter and louder yeah and now, maybe even at the bandwidth envelope. It kind of sounds like a snare, so maybe I should pitch it down yeah and make it shorter, because now it’s so long, okay, I just going to disable the stretch.

The envelope stretch so lower notes make longer envelopes by disable the stretch which here means. I turn it all the way the left we get the same envelope length for every note. Okay, now, the key to making an explosion sound is distortion. Once you get the noise, let’s make it low, give it the full width. Let’s try another passive Distortion and see some reverb of tail and type bandwidth, but on a very shorter huh.

I see that I also want this to be very much shorter. I’m going to convert this envelope to a free mode, because then I can add some points and I want shorter attack and then it’s very very slightly release, but I don’t want this to actually be so classic you see. I don’t want this over long distorted here at the beginning, but that would be too long yeah. This is great and finally, I’m going to insert an EQ and maybe is a high-pass with resonance to boost some hellos.

Maybe that’s not a usual user of Lopez, but I use that very little often because it cuts off what you don’t need and accentuate what you need. Yeah. I think adding these highs make it more punchy. It’s I think it’s a little too loud. Let’s see how it sounds with that: hey it’s a little bit too quiet, though I think I’ll, try you some Accession say. I think I could make it more punchy still, so I will lower the threshold and give it a longer attack.

So the initial hit of the explosion can go through the compression and then a shorter release without with not much difference. Let’s kick up the ratio and lower the threshold. It makes it kind of bit shorter, so I’m going to try to make it really so sure that it’s even working like a distortion and finally, I want to automate the release of the let’s set it to touch or no, let’s say to write. Well, I don’t know if that was good.

Oh it’s going to sound good. Let’s hear it let’s see! Well, I think the fade outs are a little bit too too loud and last is too loud. I’m going to also to mate its lease, so we have yeah. Maybe make the releases shorter, yeah, it’s very short and has some of the tail left behind, which is nice. I really like it. I think I want to do something else with the with the noise, because it’s kind of boring and I would like to maybe automate the bender to change the pitch a little bit throughout the note.

So I’m going to just draw an automation. Oh, I forgot that it doesn’t it wouldn’t have. It won’t have an effect because I’m using AA filter for that pitch, so I’m NEET to make it automate the filter. Cutoff. Let’s write down. No just, let’s see what happens okay, but this is way way too aggressive. I just want just a very, very subtle, I’m just going to yeah it’s it’s more lively, there’s something happening! This sound, it’s kind of a little bit of emotion, maybe a little bit more! Even that’s here now! That’s alright, too much because it’s! I don’t want this to be so lively, okay, I think we’re done with this.

Actually, what what is left is some mixing like balancing the levels which I’m going to try to do now. However, it’s good to let your work rest for a little while before you call it finished, because sometimes when you’re working on it straight for an hour or a few hours, you can really hear the differences and you can’t really hear the balance of the thing. So the next day you might play this and he will instantly hear that the bass like is way too much or there is no treble at all or there is no mid and all right, but for now I’m going to call this a day.

Oh oh wait. Wait wait, wait, wait, wait. We need to set the final levels. Okay, this is not done. You can’t really just use it right now. So I’m going to do is add a call. Flim etre, like their levels right now very low, and this might be good, but probably we’re going to need them higher. So I’m going to use the limit and we’re hitting like the limit just with the finally hit it, which is nice. I like this.

I usually disable the ASC because it does something that I don’t really understand right now and it something a little like the sound of it and it messes like with the release. I don’t know, I’m not sure how it works. Still, I read the documentation on the Caliph website, but I don’t really know what it does. So I disable it it’s on my default also what you might want to do, which is kind of I it’s hard to hear a difference, but I really might want to kick the oversampling up because get some math sounds, and this might round the sphinx a bit.

Also, I’m going to lower the output gain just a notch, maybe too much, maybe with control yeah, I’m just going to track this like negative 3 DB so or negative half. So we don’t hit the zero DB level because that’s Distortion and it come. You can’t really hear this, but it might behave a little bit unexpected. It might be some other surahs, so let’s keep it undistorted. Okay, so this is it okay? This is it for this article.

I hope you’ve learned something useful. If you have any questions about what I did about the tools I use, if you have any suggestions for what I should focus on in the next articles, please leave them in the comments and I will see you in the next article bye,

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