Tag: music strategy

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Online Marketing

Why Influencer Marketing DOES NOT Work – How To Fix It

Let me break it down start back. Historically, most of the time people say a a good influencer is not just someone who had a lot of followers. That’s right. It’s somebody who also has this engagement.

Don’t just look and see if they have a lot of followers. Do they have engagement? Now you know they don’t have fake followers now you know that their followers actually cares about them and those are the people that you want to follow up with. That’s pretty much become the agreed-upon thing, but there’s one step further people. I swear it’s one step further, that a lot of folks are missing. Straight-Up engagement does not equal influence, that’s pretty much it engagement does not equal influence.

What do I mean by that? Well, you know what first, let’s rewind back for a little bit of story time. Yeah I had his homegirl his home girl who’s, throwing an event and she was so excited. She had this host. That was a IG and no one, sir, when I say IG influencer, I’m talking about this person had a hundred and fifty some thousand followers Real Talk. Real followers, because these people were engaged matter of fact she was super excited because person was so cool that they start posting her event pretty early and then she says Shawn.

I really want you to come to this event like for real for real. Come to this event check it out, and I said: okay, okay, I come out to the event and I get there late mind you – and this is what I see I see about 15 people in the whole venue, including myself, including the probably about five artists that Were performing and their friends and the host, why was nobody that interested in coming to see this person, because that person was not an influencer, at least not in that way, being an influencer means being able to actually influence people in their decision making having a certain Level of trust, this person – I believe, if I remember correctly, was basically like a local media and they had got them scared going if people were going there to their page to laugh, but they weren’t going to really see what this person was about.

There was no buy-in as much as people hate them Kardashian a lot of people hate on her there’s a lot of people that look to her for influence. Alright, they look at what she’s wearing they looked at the lips, the button, all them things so keep this. In mind, when you pick your influencers for your campaigns who you’re trying to pay, because you can end up wasting a lot of money, paying somebody who has views and engagement but zero influence, there’s a lot of people that I know that I’m cool with or I Might even pick up the phone if they call, but I’m not really checking to them for what shoes they’re wearing right jay-z has a lot of influence right, but nobody’s really looking at his sneakers, at least not on the level that they might be looking at Kanye’s Sneakers right, this is just one specific category, and this is very important for you guys to consider for your music as well.

Jay-Z is obviously the influential person but they’re not looking at him for fashion as much or looking at Calle for fashion. As a matter of fact, people are now looking at some pretty ugly sneakers, just because this Kanye, like the ladies, I know some people might disagree, but the ladies TV collection type stuff mmm, but people are buying. So a great example is a homeboy is a rapper. I’r not going to mention his name or anything like that.

He went to the page of a very popular dancer named kid. It agreat that kid is that Nick, like kid, it can dance his butt off he’s dope. However, I told him Brett, don’t pay buddy to put your music on his page and dance to your music, and I tried to explain it beforehand why it would not work. This is why I said yo people go to his page to see him dance. I know. There’s a lot of views on his articles, but they’re going through his page to see him dance they’re, not really listening or caring too much about the music.

That’s in the background, they’re just reading his dance to the beat, so his influence is more so dance based. There’s probably a lot of dancers, they love him and can be influenced by him. Read his moves, but because he’s dancing all the time and that’s what’s on his page, no one’s really going to hear the music they’re just want to see him dance again. The same thing for a lot of these pages, where they’re twerking all the time, I’m sure people throw money at him all the time.

However, people are not really checking the twerk pages. It’s work they go on for the booty. We know what people are going for. Well, they’re also people who actually like twerking study and they wonder damn you know, twerk do sales and then looking at work move whatever. But point is people are not going to those pages for the music? That’s being listening to. You might have some people who drizzle over and actually want to listen to your song and they really get caught by it.

But it’s nowhere near as impactful as going to a different page where someone actually has influence and they’re not diluting their brand. In a sense of the music that they might listen to now, the same artists that I told to not use kids agree also saw amazing results, and this other campaign that I mentioned right in there’s these girls he got posted on the girls page, had nothing to Do with them actually dancing to the song or anything like that, they were just kind of listening to it.

In the background more so, however, these girls do not post music all the time. So now the people who are following them – and I have some – were influenced by him when that song is played by then they think they actually liked that song. So now these people that I like liked this song, I want to know more about that song. What makes them think that’s so great, but if I’m just dancing the songs all the time, that’s nothing to do with whether I like the song or not.

You don’t really think that I love this song, just cuz, I’m dancing to it. But if I did a song on one of my pages – and I was just like yo – this is the best song ever and people never see me. Talk about music y’all are going to probably listen to the song, because I’m usually talking about artists campaigns. I’r not really talking about this. Is my favorite song on this blog. It’s the same way, you should look at everything there’s context.

So not only is it followers engagement, but then you want to look at influence and influence has multiple categories. Right influence has first, two people actually look to this person and actually make decisions or see value in this person’s opinion, and then the other layer is when you analyze these people and their pages. What likely is their influence faced towards like? Are they influencing other people to dance or are they influencing other people to dance to specific songs? They just making people laugh and if they are making people laugh and they can they do a article in a unique way where the song seems so enjoyable.

They want to check that song too, like there’s so many ways, and so a little bit more nuance than just saying this person has followers and engagement. I had to put that out there. Maybe one day I might go deeper with very specific examples or some things like that. I don’t know, I think, that’s specific enough, because there’s a wide range of you guys who have a different scenario. So you kind of use it for your own situation.

But I would like to know what you guys think. I hope that was helpful, but other than that be like the article go ahead like button if it like he might as well share it and if you’re not subscribe, you know what to do. He dare subscribe.

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Get Your Music Played with Feature.FM

From now on, and today I got a music resource, slash tool called feature FM. Some of you guys might have heard of this I’ve heard of a good minute ago, actually through a lot of clients having success through it, which made me want to look into it.

More didn’t want to do a article until I had personal time to go in and do my own campaigns in the back end, which I will be showing you in this article, and I also have a cool way for you guys to get 500 free plays on The platform, but I’m not going to talk about that to the end of the article either, because I want to make sure I go through basically what it is, what I think the best ways to use it are.

Let you guys decide whether or not you’re using the platform from there, but first, let’s talk about what feature FM is now the way they describe themselves is, basically, they say: they’re reaching music fans while they’re discovering music and that’s super important. What I love about the platform actually, but what I’m going to go over in this particular article is two different versions of something that they call sponsored song campaigns and, in my mind, is so powerful because it should be the future of streaming campaign marketing.

So what that basically is is when they say that you reach music fans while they’re discovering music. Imagine you’re listening to music on soundcloud or listen to music on Spotify in particular, something like that, while you’re listening in songs, maybe an album finishes, they usually go into other songs right. They can make your song one of those songs that on Spotify will get it to that, but that’s basically how it works.

It’s organic is natural just how these music stations are basically like radio stations like Pandora, and things like that. Your songs will be one of those songs that begins to play and it’s the full song – it’s not a snippet, so it plays just like any other song. Maybe that’s why they call it feature FM, because it’s like a regular song on a radio station. I don’t know that maybe that’s where it came from, but it’s super powerful, because when someone hears the song, their interaction from there is based solely on the music, as opposed to maybe a Facebook campaign, or something like that.

Where you battling all this other stuff, you got means you got so many articles, you got people’s Facebook statuses same on Instagram and these other websites, it’s just the music, is auditory and your song is actually the only song playing just like the any streaming service right. They play one song at a time, so those of you decide to use something like this. I hope their music is on point now.

Let’s hop right into the back end of me doing one of my campaigns, I’m going to switch to the screen share of you for this all right everybody. This is basically what the back end a feature looks like I’m after you at an artist or two. Now me, I am NOT an artist obviously, and I’m not going to be running campaigns trying to advertise the you know: YouTube advice, articles on a playlist, so what I did was basically say: hey, I’m going to put about $ 160 into this, which artist do I Want to get, I got an artist that I work with many on emo I’ll.

Tell you guys more about that situation later, haven’t done anything as far as big campaigns, yet so it’s a little irrelevant now. So, let’s stop into this, though, and I want to show you two specific type of types of campaigns. The first campaign I want to show you is a campaign that runs on a website called eight tracks. We just want to feature that famous partners. I don’t like this one as much and I’ll tell you why, but I want to show it everybody and then I’ll you know, show you the other results for the second type of campaign as well.

So the first song, let’s say: f it up this song right here: okay, twenty-four dollars put into this campaign, 0.49 % engagement rate in three engagements out of six hundred and eleven plays pretty low, and it’s not worth my time. In my opinion, you know I got three engagements twenty dollars and granting six hundred plays and then most of the plays like Canada, ten work in the United States, which is not ideal when this artist is in the United States, a big benefit of this campaign.

If it’s a, I got us about six hundred eleven plays on that song. These plays are actually working on your SoundCloud. So what feature FM does is, while it’s running on this website, eight tracks, which is basically a website where people just make playlist after playlist, and it runs that campaign you can actually use the URL from your soundcloud song. So all the plays. Actually, you add it to the plays in your sounds, so only about half of these are organic.

Soundcloud plays the rest of them are for an ads, which can be a beneficial thing for those people who are just trying to get their plays up on soundcloud, especially the people who say yeah. I want to get a decent amount just for social proof, so people don’t think hey nobody likes this song. Well, it’s better to at least do eggs where you have real people do plays, especially since it’s relatively inexpensive, as opposed to paying somebody for completely fake, plays and then having the same number.

If you’re going to pay $ 20 to get, let’s just say six hundred or a thousand plays, it might as well pay for real people to hear it, even though, on the back end, in my opinion, it’s not as effective as worth it. When you look at the engagement rate, but I’m going to go ahead and show you the second type of campaign, so there’s other campaign that runs on a website called beaser, which is basically Spotify.

But it’s a lot more prevalent in Europe in other countries than the US, but it’s actually moving and growing into the u.S. They’ll be I’ll show you proof that in my results, so look at these plays for one twenty two dollars I got me 1128 plays versus Twenty dollars only getting me about six hundred plays for the 8tracks campaign, so that means it’s actually less expensive to do a Deezer campaign. But on top of that, this is what I really like the engagements.

I got. Sixty nine engagements six point: twelve percent engagement rate versus a point, forty nine percent engagement rates and a lot of that from what I’m seeing is, in my opinion, also just from how the campaigns are set up on the website. There’s no way for somebody to really natively interact with the song on eight tracks. Since the song is actually playing for a SoundCloud, they can’t add it to platelets and things like that, whereas on Deezer I could move it around just so you can get a better idea and see it.

This is these: are it’s playing on Deezer because it had got added on to be there. So now it’s a song on Deezer. When the ad runs on it, people can actually add it to their playlists. They can actually put press the favorite button and say I love this song and I’ll get to show you the results of that right here. So look this engagement breakdown. Remember the other. One only had three engagements period: the 8tracks campaign, the Deezer campaign.

This is off of what $ 27. If I remember correctly – and I got 35 add to the favorites playlist, then I got 27 adds to people’s playlist additions. If you’re wondering what the difference between these two types of playlists is, the favorites playlist is basically you being on Deezer. You press the heart button when the song plays, because you like it, and that means whatever someone wants to go, listen to a playlist of everything that they push the heart button on, that song will be there.

The playlist addition is somebody saying I love this song. I want to add it to a playlist so like a listen to it later, and I want to put it on a specific playlist. So that’s great for $ 27 you’re talking about thirty five favorites playlist and 27 regular playlist additions, and then you have album page views. So if you go look at these results, this album ended up getting five fans and her as an artist.

She has 13 fans, and this is only in a week, week-and-a-half being on his website. That’s why this the avatar is not even there, and I just ran these campaigns from these campaigns. 13 fans, 5 fans of the actual project. So right off the back. You already know that the campaign on Deezer is a lot better than the 8tracks campaign, but you know rub that point in you can look right here. Ciccone 500 plays engagements right and that was for $ 20.

I maybe was thinking spent seven more dollars on the Deezer version of the saucony, but seven more dollars to have 800 more plays that doesn’t add up so that lets me know for one these, our campaigns are cheaper than eight-track campaigns. Also, the engagements going to be better. I got 105 engagements for this Kony song for $ 27. All right, that’s crazy! Click on these results and what I like about them is all right: 7.

5 percent engagement rate. But on top of that, what I love about the playlist Editions. It means that people are going to listen to it again and again when they go back to these playlists 42. Regular playlist editions. This one got me one artist page view. So that means someone looked at the actual artist page. Remember I showed you. She had 13 fans of our artist page and then I got one out of 12 16 out on page views and then what’s really cool here is this is letting you know.

There’s people 76 people skip the song at 69 seconds. One person skipped that 56 seconds. You can see these results all throughout the songs and then you can also look at engagements all right. Let me get rid of the skips, so you’re, seeing one person engaged at one minute 56 seconds. Three people engaged at that period of time. 245. This kind of stuff can help you figure out, what’s the best part of a song, to run a commercial on as well.

So I love the data today give, but even more than that, I love the playlists editions and that’s why this part and this kind of campaign is way better than running the eight tracks campaign. Also, I mentioned that traditionally Deezer is more popular in other countries, but you can look at this because I did targeted towards the United States. I just targeted two United Kingdom and United States. I don’t know how that one, Israel plate slipped in there, but it did somebody judge me.

You see five hundred and thirty six people in the United States. That’s still a pretty solid number. Considering I got thirty engagements, we’ll just I’ll show you the epitope campaign, one more time. Oh, and actually I forgot once the song did pretty well around twenty dollars. I decided to keep going all the way to eighty two dollars and 82 cents, and these are the full results. So what that got me was 4141 plays 297 engagements, seven point one four: seven point: 17 percent engagement rate.

Of course, these results are not necessarily equivalent to what everybody would get some people who might have a song – that’s just better than this, for whatever reason or people like it more so they might have a higher engagement rate and some people. They might have a song that nobody likes and they might have a 0 % or a point for a non-person and, like the other 8tracks website, who knows, I can’t guarantee those, but what I do like is for one course.

This website is legitimate spent plenty of time making sure that and then has several clients get good results from it so really quickly. I want to go ahead and run through one of these campaigns as far as setup, just to show you guys what it looks like you got to name the campaign upload. The song it’ll have options where you chose to do it on something like a Deezer, where the song will kind of pop up automatically.

You can advertise the song, but then you also have the target audience right. I chose United Kingdom and United States for this to age genres. That stuff is all kind of straightforward. The interesting part is you’re, choosing these people and your targets by similar artists, as opposed to doing some of the other types of demographics, and then, lastly, you choose your budget. What do you spend daily and that’s pretty much it for the campaigns it’s pretty straight forward, but still want to show you guys.

They also do show you an estimate that you’ll get from running the campaign before it rhymes. This number has been pretty accurate. I’r so far, alright guys, I should give you a pretty decent idea of feature FM what it is I’ll be going over one of their other tools later in another article. I did tell you that I do have a way for you guys to get a 500 free place on the platform I reached out to them.

I had to talk with some of their reps really to help me through and walk through some of this information and really to one us remember. I said I was testing the credibility of the platform and things like that I reached out to them, but I also was able to get a code for you guys to get $ 10 free and from my calculations and the campaign, if I did, it amounts to About 500 plays, so all you have to do is look at the link in the description below.

If you use that link to create an account, it will give you $ 10 free. It is featured IFM, slash brand man shine. Ask me you guys, alright other than that. I hope this article was helpful for you guys. I definitely have more resources and tools coming in the future, but for now you know what to do hit that subscribe button.

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How To Build A Fanbase In 3 Months! | $5 Music Marketing Strategy

It’s how a mere used a combination of cover, songs and original songs, a unique $ 5 a day. Facebook strategy and distro kid to build a fanbase of over 30,000 monthly listeners on Spotify is actually well above that I just can’t remember the number check this out so tell me more about because one of the things that baffled me, I wouldn’t say baffled, but what I loved because I didn’t hear other artists talk about doing something like this and once again just speaks to the assistants II was you’re a $ 5 a day, Facebook strategy.

I did that in the early days so like I, I think I when I when I when I spoke to a year ago. I think that’s what I was doing bad. So I did that for about three months yeah and I’m like you know what I’m just going to, let it run like people like the song, I’m just going to just let it run and see what happens and honestly, like I kind of forgot about it, and I just let it run in the background and then after three months like I did build up when I looked back, I’m like wow and actually built me up a little bit of an audience and a fanbase and people were checking as I was dropping those songs.

Every Monday, my streams on Spotify were starting to slowly creep up and then I dropped a cover. A sorry, a mash-up I did of to me a song into you, ya know, and I mashed it with russa song, wife, you loved, like really exploded. You know so like people like that one just hit all the algorithms. It went crazy and I think it’s almost at half a million streams now on Spotify. Oh that brings a question to my head.

So that’s essentially a remix cover I’ve been axed before, and this isn’t really something I get into as far as some of the legality type things, but I’ve been eggs when you put a cover on a platform like Spotify, what does that do for you? Like? Can you do that? Have you gotten any kind of strikes or anything like that? No, I haven’t because well with district kid, the good thing is, and I would use just her kid for any artists reading they acquire the cover license for you, so you’re covered and keep in mind like there’s two licenses right, you have master recording and you have Song and you have the copyright, which is the the writing of the song.

So I don’t own the writing of the song, but I own my master, which is the version of the song that I created. So I’m allowed to use that and put it like. I’r only getting master revenue, so Spotify also pays publishing royalties to the to the songwriters that wrote the song right, so they would be getting the backend royalties that way which don’t come to me because it’s a cover. I didn’t write the song, but I created that arrangement of it and I created that recording.

So both sides, like just a songwriter and everybody who’s covering my song, is yeah. Oh there’s tons of covers on Spotify like yeah, like there’s artists, who only have covers on Spotify. It’s just you just have to buy the license right. You can do it through district head and there’s a company called louder. You can do it through them. Boom cool has their service too, or you can use it. I don’t use to incur.

The reason for me is not because they’re not a good company, but because I release so much music that it was cost prohibitive. Like I like, I would have been paying what five thousand dollars a year just a tune core and it just didn’t make any sense, gachi so um, just to hone in on my process a little bit when it comes to district kid and how they kind of Obtained the rights for you so you’re saying once you submit a song, their algorithms, pretty much picks up on the fact that it’s a cover and they obtain it or do you submit and let them know that it’s a cover.

So when you, when you choose the option, they ask you district ritas is a cover and then you click. Yes, it’s a cover and then they ask you who the original songwriter is then sorry who the original artist is and then they go and obtain the license for you. So I like that better because it’s less work for me now I don’t have to use a third party to go, get a license. You can buy a license yourself.

You can just go to louder, comm and buy one but hey anything extra. They just handle the money. No, you do have to pay, so you have to pay. I think it’s a dollar a month to have the cover license, so it can’t add up if you’re going to keep it up there. It’s not bad. It’s twelve bucks a year. You know so well, then, for the service they’re providing like now, you have peace of mind right. You don’t have to worry about getting a license and worrying about all that.

I’d rather just pay the twelve bucks and not worry you’re sure, especially as an artist I mean primarily I’m already doing too much work. Um and that’s like one less thing for me to do. You know yeah all right, as you guys can see that consistency. First of all and foremost, is what I want you guys to focus on when it comes to his $ 5, a day, Facebook strategy. That’s so much better than just doing one week right and just going really hard on some Facebook Ads.

He did $ 5 a day that allows him to stay consistent and you have to do one dollar a day. It’s something just worth trying out over time and you have to do one dollar a day over 60 days or 90 days. Do whatever you can. So you can only collect the data over time within your budget, so you can get that information and learn how to make even more specific ads for yourself to utilize. But then, of course, a big part of his strategy, which is huge when it comes to the peace of mind that district 8 offered by making it so easy for him to leverage covers, because we all know how to do YouTube covers right.

A lot of people can make that happen quickly, but when it comes to covers on Spotify, I always got a lot of questions about it. Not it necessarily know how to answer that question, and I didn’t necessarily have time to figure it out or ask somebody. So not only is it dope, they they make it super easy, because a lot of artists need peace of mind. They don’t want to town a bit like focus on all this stuff when you’re, just trying to you know being Indian grind your way up into a better situation, but it’s also relatively inexpensive.

But Mary you’re going to mention that in his interview saying you know if he was using chunk or it would have been cost prohibitive for his particular strategy and with all that being said, a lot of people have been telling me for a minute. Your brain way. You should do a podcast, you should do a podcast and I’m strongly considering it in some form of fashion, and I decided that if it happens, it will definitely happen on distro kid.

I actually already have an account, and I’m filling my way through the system and with all of the good things I’ve heard about it when knowing so many people who are using it, I felt comfortable go ahead and get a discount code for you guys and offer It up to you at all for 7 % off your first year of membership with district kid. Now, if you already have district kid great on well and fine, I will actually love if you provide your commentary and experience with it in the description below.

But if you’re something you want to check out, then you can check it through the link in the description below to get that seven percent off district kid calm, /bi, p, / brand man, but other than that. As always, if you like, this article go hit the like button and you like, you, might as well share it and if you’re not subscribed, you know what to do. He dare subscribe. You

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FREE Music Marketing Strategy To Get REAL Fans Using YouTube | How To Build a Music Fanbase

Now this is one of five cheap growth strategies. I listed in my guide that free guide is in the description below I’ll, also put in the top comment, so check that out after the article, if you’re interested and a great thing about this article right here is a lot of you guys have been looking for A system to use marketing wise because everybody needs a system, but you haven’t had one.

This article will show you a system for growing a fan base and if you can’t use this particular one, you at least understand what that looks. Like here’s, the things that you got to do to use this strategy, one you have to upload a content mix. This requires two types of content at minimum, but three would be even better. Those two types of content are your original music that could be a music article or just a audio track, upload it to YouTube, and then there’s cover songs.

Now I know a lot of you guys are familiar with using cover music on YouTube. Some people have tried it and haven’t had much success, but a lot of it comes from not completely understanding so listen to this entire article, so you can really get an understanding how best to use cover music and also to actually make sure you maximize this. You have to upload your cover: music, your remixes or your free styles, one of the others in the right way.

So read the article that I did on how to properly do that and I’ll also provide that in the link description below the third type of content. You can do is really just regular vlog type articles where you’re engaging your audience and different ways, or just giving them peers and peeks into your lifestyle. There’s plenty of youtubers out there that you know are just succeeding as just youtubers, no music at all figure out.

What you might be able to do in that type of category to give fans additional ways to connect with you? The second thing you need to do is manage your proportions. Now. What I mean by that is you have those two or three types of content that you’re dropping. You want your original music to be a decent portion of that, and your original articles to be a decent portion of that if you’re doing vlog type articles covers, can be some, but not all of your posts.

There’s some people who use a cover, type strategy or a remix type strategy, but that’s all they’re doing and then there’s some people who rarely ever do covers or any kind of remixes or freestyles. You want to create some form of regular schedule, even if you’re not dropping this music regularly, it doesn’t necessarily matter what your proportion is as long as you stay consistent over the long term, but just for those of you, my ex, if you do at least one Cover song or one freestyle, every four articles you drop, that could be pretty good for you, but on the other end, if you aren’t able to record quality original music, you might want to flip that and drop only one original song.

Every four articles you have to figure out what works best for you, but if you can do this at least weekly, then that should be a nice pace to work with. If you want to slow that down and do four articles every month, just realize you’ll be taking more time to get out more content and you’re working at a slower pace so expect success or certain numbers to come at a slower pace. Now. The third thing you got to do is links in promo.

It’s the equivalent of letting people know where your other music is in this article right here. I could have text pop up that says: follow brain man, Sean on soundcloud or follow brain man, Sean on Spotify or Apple music, if they’re not going to also have that in my description links. I can also have that in my top comment link now, if you don’t know what I mean by top comment, if you look at the comment section of this article, you’ll notice, that my comment is at the top, because I pinned it to the top and now Any links that I want people to see people will always see.

My comment first be sure to do this with relevant links for your articles. Now it’s extremely important that these links lead to places where it’s only your original content, if you haven’t realized it, yet we’ve been walking through pieces of the system. The reason a lot of people fail when it comes to covers is they’re thinking about it directly as creating fans as opposed to realizing that covers are marketing.

So now, when I talked about that marketing funnel remember, we’ve talked about this in articles before read my article on that, if you haven’t, this is how the system would play out. The top of the marketing funnel always has the most people your covers, because they’ll get views and organically are usually going to be the first thing people see, that’s just them becoming aware of you initially, the next step in the consideration phase.

That means they saw whatever cover article that they saw of you and now they’re saying. Let me look at this other cover article, or maybe they run into your original content. That’s what’s happening in the consideration phase, because they’re discovering more of you next is conversion. This is when they’re really saying yeah. Oh, this person’s original content is awesome and if you did the third type of content, that is the more youtuber, maybe blog type content, they’re discovering – maybe some of this in the consideration phase as well, but once they get down to the conversion phase.

They really like your original music and they really like your other articles. That is just you and your personality, not necessarily the covers. So now. At this point, you have people who are discovering you on your YouTube page and then some of your subscribers are probably casual fans and real fans. You don’t know what that number percentage is, but with the links, the people who follow you, because they see your link in your YouTube article or they see it in your description or your top comments and follow you on other platforms, whereas only your original music.

You now know that the people who went there through that route really love you for you. These are some of your true fans, and that is a system and the way these systems work is now once everything is in place. All you have to do is stay consistent with it, and on top of that, give it more and more exposure, because now, after you have let’s say a hundred articles of this combination, if article number 101, all of a sudden goes viral, all the new people that Come in and will go to the top of the funnel and be able to follow that exact same route, and now for those of you who get all discouraged like yo.

My original music doesn’t get anywhere near as many views as the covers. That’s how it’s supposed to be it’s the top of the funnel that’s people discovering you in the first place. Naturally, less people are going to even find out about your original music at first. But if you stay consistent with this system, you’re going to have more casual fans and more real fans and you’ll have more people who aren’t fans at all, but at least have been exposed to you.

Everybody has this there’s an artist out there that you can think of that. You know, has a pretty strong fan base, but you don’t really know their music like that, because you’re, the top of the funnel for them. This system could be a strong foundation for you and if you follow the criteria and follow these instruction and you’re, not finding any kind of progress in the content probably needs to improve whether that means your music isn’t good or whether that means the quality of the Audio and articles is just straight-up messed up, you’ll have to figure that out, but there’s no way you shouldn’t find some progress, even if it’s not as fast as other people.

Now again, this was just one of five cheap growth strategies to build a music fan bits. The rest of that guide is in the link in the description below go ahead and have at it would love to know you guys thoughts only when you get a chance to go through it go ahead and hit me up at brandman Shawn on Instagram. To give me your thoughts other than that, if you like this article, go ahead, the like button, if you like it, you might as well share it and if you’re not subscribed, you know what to do hit that subscribe.

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Why SoundCloud WON’T Die!!!

That’s the Homer anyway yeah artists like the leads and gives condolences if it sounds loud, our sixty underneath in get it’s great. So many other artists making comments.

But what I want to get across in this article is the fact that I do not believe SoundCloud is going to die, and I want to talk about how we should say about this situation so far. We got to think about why people even believe this earlier. This year, SoundCloud actually reported that they lost fifty two million dollars in 2015. It was kind of arming for a company that raised over under ninety million dollars and is ten years old.

They tried to frame it infamous people that don’t bad days or behind them. Until this week, when SoundCloud reported a 40 percent lay off that’s a lot of people, just gone no job now, there’s a more specific rumor that they only have enough money to get them to queue for basically they’re earning more money than they are speaking and are About to run out after rumor and in my mind, there’s two out number one: SoundCloud doesn’t have any money and they’re about to death.

Number two sound flower doesn’t have any money, but killing off forty percent of their staff will position them to be forgiven of their sins and saved by an angel. In other words, investors do understand the value of the assets that SoundCloud pad, which were the most part of the user base of the data, but they don’t want to hop on a sinking ship, so SoundCloud by cutting their employment. Cutting their cost in return increases their probability, even if that’s from like new negative fifty million to these negatives, 1 million even filled a healthier company, which increases investor comedy basically like when Ashley gets hurt in the rest of their career, depends on it.

They in turn around, like Adrian Peterson, came back and had a record-breaking season. Active ACL injury for is they’ll kind of fizzle out and only be a shell of what it used to be kind of like a Derrick Rose situation. These investors need to evaluate that. I strongly believe it is that second situation SoundCloud giving in a healthier position to be bought out or to increase investor confidence, because the value of their access is extremely that valuable.

Yes, yeah things like Apple, music, Spotify and tidal, who have increased the competition in that market, but really they still haven’t kind of touched completely on that court that balance loud has created. There is a little bit of goodwill of it. It’s out loud. Not only has a user base and some sort of revenue coming in also there are a lot more unique compared to the other streaming services, because they have this culture that is developed within this system and what they mean right now in the assembly line is how Artists are getting discovered, and this is so much extra there, which might be hard to argue to investors.

They just want to see their bottom line but, like I said, the data alone is very valuable. If I can say valuable, because I can put the number on it, I don’t know enough of the details, but what I can say if they aren’t required by some investors that allow them to act independently, they might just be acquired by some bigger companies that data Size Esquire than before, but is looking a little bit more bullish on them after they’re available for discount.

Once again, I know those other streaming. Services has created a lot of competition, but they really had it fully stepped over into South our market. Actually, an amazing title: Spotify those are really built: distribution networks that are geared a lot more towards curation for the consumer, we’re SoundCloud census. Birth has been more for being people who are uploading, the sound it’s a DJ, the person who has a podcast, an artist, a producer whatever so again, we’ll SoundCloud, I I don’t think so.

Will it drive and come this stronger than ever? That’s left anything that if you know what to do hit the subscribe button,

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SoundCloud Makes a Power Move: Monetize Your Music!

Now, those of you who don’t know who I am. I am a digital marketing that specialize in helping artists, like you, guys get their songs hired through platforms like Spotify, Instagram, YouTube and bunch of others. Now what I want to talk to you guys about today is a recent Power Move that the streaming platform SoundCloud has made.

I want to get you guys to start to take advantage of this power move, what exactly it is and how I think it will affect you guys as artists in the near future. So with that being said, let’s get right into it. So what exactly is this power move that SoundCloud has made? If you keep up with SoundCloud in any way, shape or form, then you’ve probably heard that they now allowed monetization of the music on their platforms, meaning that you can now make some money because of SoundCloud before the only way to just stuff will get monetize from Them was if you were invited to their SoundCloud premier program or if you knew someone like your distributor, who can help you get your stuff monetize through whatever other means that they may have so like.

I was saying before SoundCloud premier program used to be invite-only, meaning that some flower pretty much had to ask you to come, try it out. That was the only way that you can make money through SoundCloud through them. But now the SoundCloud premier program is open to all creators who use the platform as long as you meet their basic bare minimum requirements. So what exactly does this mean for you guys? It pretty much means that now you have another way to put some money back into your pockets now before.

One of the main arguments that I used to hear against SoundCloud is that you were literally giving your music away for free, and why would you do that? Now I know technically on platforms like Spotify and like title you’re, not charging your fans for your music, but at least those platforms were attempting to pay you guys for your streams. I always thought it was kind of weird that, with SoundCloud the main source of traffic, which is you guys, was not being compensated for the amount of work that they put in unless SoundCloud deemed you worthy to be so.

To be honest with you guys, I think the SoundCloud opening up its premiere program is an attempt for them to keep their core consumer base happy, which is music artists. You guys, I think that SoundCloud has finally realized that they have been driving you all the way to their competitors, to Spotify, to Apple music, to title to Pandora, all of their competing services, and they aren’t you guys back.

I think they want you all to at least seriously consider SoundCloud as a platform that you need to really work and drive traffic to, and they knew that. The best way to do so was to finally start paying you guys for the work that you’ve been putting in and finally the part of the article that I’m sure you guys have been waiting for. How can you join SoundCloud premiere program so that you can start to monetize your music and make some money well, like I was saying earlier in the article, you must first meet their basic criteria, which are pretty much as follows.

First, you have to have at least a SoundCloud Pro or SoundCloud Pro and limited account, meaning that you can’t monetize your music. If you only use their free account, you also can only monetize original music, meaning no remixes, no cover songs. None of that guys. You also can’t have any copyright claims against your account. So if you ever uploaded something that didn’t belong to you and you got a claim against it, this may be something that causes you a little trouble.

I would definitely look more deeply into it if this applies to you and lastly, you must have at least 5,000 strings within the last month from countries that SoundCloud Dean’s eligible I’ll make sure to leave the article about that in the description below, so that you can Dig a little bit more deeply into it. There’s always guys if you feel, like you learned anything today, please like and share this article hit those post notifications as well as I wouldn’t want you guys to miss anything once again.

My name is Corey and I’ll see. Y’All next time,

 

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How to Grow On Soundcloud [Digital Dash w/ Kohrey]

Now, for those of you who don’t know who I am digital marketing myself, I specialize in helping artists, like you, guys, get their songs heard through platforms like Spotify, Instagram, YouTube and a bunch of others. What I want to talk to you guys about today is how to run up your place on soundcloud, and this isn’t a platform that I necessarily will recommend you guys to work.

I do personally have my own beliefs about SoundCloud and trust me I’ll be doing a article on that in the future. But I haven’t gotten a lot of questions from you, guys asking me how you can start to build your place up on soundcloud how you can start to get your songs out there so on and so forth. So I want to give you guys a couple of tips, some that I’ve noticed and kind of seen in my recent past working with SoundCloud and some they have come directly from SoundCloud themselves.

They recently put out a blog article talking about ways that you can optimize your soundcloud page, so that your songs are spread a lot more, so I’ll be digging into that as well. So with that being said, let’s get right into it all right now. The first tip comes directly from SoundCloud itself and it’s make sure that you’re as discoverable as possible, meaning that you want to have your titles and your descriptions in order.

Don’t have anything like track number one. The track number two and don’t add any unnecessary and extra characters or symbols that will make it hard for people to find you. So whatever your name is on Instagram or Twitter or whatever other profiles, you use make sure that it’s as close to it as possible within the track description and the track title for your song, so that people can easily lift you up and find you.

You also want to make sure that your album art is the highest quality and resolution, as you can possibly get. Soundcloud doesn’t really like to work with low res photos and I’ll make it a little harder for you to be discovered and for people to want to actually come and check you out when they do stumble upon your profile. The main thing here, guys is consistency. Consistency across your track descriptions, consistency across your titles and consistency across your album art will make you very discoverable on soundcloud, giving you a better chance of being picked up by the platform’s algorithm and having your songs actually spread out within the platform, and the second thing That you guys want to make sure that you’re doing is taking the advantage of sound clouds genre and mood now, just like all the other streaming platforms.

Soundcloud does in fact have its own algorithm that they used to determine how other people are hearing songs and what songs come up next after this song and so forth and so forth. So SoundCloud uses their algorithm based on the tax and the genres that you guys are using. So you want to use as many as you possibly can. That relates to your song and relate to your audience. So if you’re a rapper, your manager, I’m attack may be hip hop.

You may have a chilled mood or a sleepy mood, or something like that tagging it with as many relevant tags as possible, increases your chance of being picked up by the algorithm being spread to these people, who are looking for songs based on these types of tags. In these types of genres and increasing your chance that you actually hit the audience that you want to hit and that’s the best way to make sure that your music spreads on soundcloud, honestly so before each song release make sure that you have a list of tags.

And subgenres listed out that you can use with each song time and time again. This way, you’ll make sure to hit the same niche over and over spreading your music out amongst the people, who really care about the types of songs that you’re making and putting you in front of a relevant audience anyway. Now the next thing that you’ll want to make sure that you’re doing is taking advantage of repost networks and the repost function on soundcloud in general.

Now, in my opinion, they don’t work as well as they did. I would say two or three years ago, but they’re still the most effective way for you to grow your song on SoundCloud itself. You can either reach out to people who are bigger than you and see how much they’re charging for repost I’ve seen a couple of popular DJs and even like smaller lesser-known artists, who still have large fan bases who offer repost as well or you can take advantage Of repost network, which is a website that actually sales repost from different large SoundCloud accounts, just go in there and make a profile dig through the ones that make the most sense.

For you see how much they cost and get those guys to repost as long as well or if you guys, are trying to stay more inside of your budget or if you don’t really want to spend money on repost at all. What you can do is start the build your own repost network, using friends, artists, DJs and producers, who are all in similar size and demographic as you as well. This would make it easier because your starter kind of associate brands with people who are also trying to build themselves up and pretty much be sharing fan bases with other people who can pretty much pitch it into yours and you’ll be helping a lot.

By doing the same now on SoundCloud, your repost network is like gold, so they’re stronger, vennett way that you build the better chances that you have of spreading your song out outside of your own network, increasing its views, increasing its reach and increasing your chance of picking Up new fans, so just to give you guys a little recap. The first thing that you want to do is make sure that you’re as discoverable within the platform itself, meaning that you want to make sure that your titles are order, that your descriptions are in order and that you’re using the same name on soundcloud as the one That you’re, using on all your other social media platforms like Instagram and Twitter or whatever it is that you guys are using the second thing that you’ll want to do is make sure that you’re using SoundCloud genre and mood tags, like I said, SoundCloud has its own Algorithm that it uses to determine songs that played next with in other people’s on Play, listing and their track efforts, and things like that.

So, the more that you tag your songs or there’s many relevant tags as possible, the better chance that you have of SoundCloud algorithm, picking you up and spreading your songs in the platform without you even having to do much work. And the third thing that you guys want to do is make sure that you build a strong repost network. You can do this by hitting up DJ’s or rappers or other artists who are offering repost for whatever price.

It is that they offer make sure that you’re getting the best bang for your buck and it actually helps to spread your song or you can always tap into artists who have a similar genre and niche and same size following as you two start, the build you Guys it’s on repost network of similar style artists, or you can always use a website like repost Network, just go in make an account find pages that are actually offering repost and figure out, which ones make the most sense for you, your style of music and your Budget now make sure to leave their link to the original SoundCloud blog post in the description below, so that you guys can check out some of the other tips that they had.

I didn’t feel like really needed that much of a real description, but you can always go through it, read through it yourself and get from it. What you need now, as always guys if you feel like you, learned me pain today, please make sure you like to share this article, hit those post notifications so that you guys don’t miss anything. I want you guys to learn everything and anything that you possibly can with.

That being said, my name is Corey and I’ll see y’all next time.

 

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ARTISTS…Do You Think This Will Ruin Your Career?

All these other types of things before you can be a musician before you can blow as an artist.

It’s just not true people. Let me put this out here plain and clear: not only do we have people like Queen Nyjah, who recently, who was a youtuber and blew up with her song medicine, I did a article on her dropped. It just recently, there’s also so many other examples right here. Let’s just look at the fact that Drake was a TV star before he blew up as an artist long before he blew up as an artist on the grassy.

You have people, like Will Smith, who was a rapper actor, then movie star by the time that he was a movie star and next generation came a lot of people, even though he was a rapper first, they got introduced to him as a rapper. First, look at Donald Glover Donald Glover was a skit writer. Then he was a screenwriter for TV. Then he was a comedian. Then he was an artist that blew up and not only was he a rapper that he became a singer.

All of these things are possible. There’s so many examples of people doing one thing before the other and then changing careers completely and rebranding. I can’t tell you how many people that I might discover and say: hey Dad. You know that guy from such-and-such and then he’ll be like I mean that person that was a singer back in a day or this person, who was an actor back in the day, but I know them for something completely different than what they used to be.

Or what they blew up is all about getting attention at first, the only thing that’s preventing your music for not blowing up. If you already have a big platform like a big YouTube following big Instagram following is two things one in music, it’s just not good enough to your music is good enough, but you don’t have the ability to make enough people here, your music and I’m not just Talking about your YouTube father and who might be following you largely for one thing, but then a decent proportion of them actually listen to the music.

I mean to spread that music for real for real beyond that following now, if their song is strong enough, those people should organically spread it. When we even look at people who get record deals, those record deals usually allow people to easily spread their music pass. Their own social, following it’s honestly, not that complicated again and again and again, I can show you a billion examples of just people who have one career.

Then they get another career people who didn’t start off this on rappers or musicians, and then they got other careers and vice versa, do not let people convince you that shoot should not start a YouTube page or an Instagram page as a part of your brand to Blow up, unless you just don’t think that fits into the brand of who you want to be that just isn’t your personality. That makes sense. It’s all cool, it’s all good if it just doesn’t make sense for your particular path, but if you’ve got the talent to – and you are actually willing to – why not do it? It’s going to give you an unbelievable control of your audience and your own platform.

It becomes your own media platform to market yourself again and again and again and might get you to money a little bit quicker than it would take for a lot of artists to get something sustainable. Those are just my two cents. Please keep that in mind. Other than that, I would love to know, you guys comments, your thoughts go ahead and put them in the comment section below and if you like, this article go ahead, he did like letting me be like you.

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My favorite musician as of right now.

 

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Is World Star A Rippoff? Should I Pay To Promo Music On WSHH?

Y’All can like this article jibiji hope I said that right because he acts. He talked about article platforms like world star, hip, hop and promoting sounds. Do you think paying 500 to 1000 dollars to get your article? Seen on these platforms is the way to go.

First, you have to ask yourself the obvious question: do the users of WorldStarHipHop appreciate your type of music? Think about it? Generally speaking, street music is the type of music that successful own world star hiphop you’re talking about the money, the drugs and the winning? That’s pretty much the type of music people WorldStarHipHop aren’t really going there to listen to Drake type music, unless maybe it’s Drake himself, and even then, if it’s the right type of music is really hard to receive great positive feedback because of the environment that they create.

Is so conducive to negativity when you look at so many of the posts is really about seeing something we’re seeing something crazy, saying somebody you beat up just setting up situations for people to roast on whatever the content is now, if the demographic for your type of Music is world start hip. Hop’s community prices can range from as low as 750 to 5,000 plus dollars, but if you do have 50,000 views on a article in the last 11 months now this has to be legitimate.

Then you do have the opportunity to possibly get on world star hip hop for free now they say they check rigorously. They can tell you better, have legitimate comments. There needs to not be any kind of big name on your project. Hood have boosted the views they want to make sure that you are the star that other people are looking for and they made this null in a while ago. So I’m not completely sure this stance completely.

They might have upped the amount of views that are necessary to get on for free, so you would have to email world star for that yourself miss now. If you do decide to pay to get a article posting on world star hip hop, I suggest that you wait until you have multiple projects released, or at least some kind of catalogue of content that what people actually mess with you in your article and they decide To check to see more about you, you actually have some more for them to check out.

Remember having somebody’s attention is a gift so that moment that you finally get their attention. If they decide they like what you got going on, I wanted to look deeper into you as an artist. You better have something for them to galvanize and consume so that you can keep their attention for a good period of time. They can really become a fan of you as an artist. If that one article is all you got, then good luck getting that attention again, you don’t want to have to pay $ 750,000 just to get somebody’s attention every single time.

Another thing is, I suggest you promote a song, a world star that it’s already getting traction by itself. If you already have a project or you just have a single out that has been moving by itself has been doing better than your other tracks. Make a article on that one and promote that article on worldstar. You want to put all your efforts behind something that is showing promise, especially when you talk about putting that money bond.

Also, within your music article figure out ways to promote other songs of yours, whether that might be showing links to your social media for doing the preview of one of your other songs at the end, maybe a little snippet into the next music article. Just remember once again: you want to maximize this attention that you have when you have it, especially when you’re paying for it. I know I’m drilling down on that point, but it’s really how I operate.

Personally, I got money, but I don’t got no money to waste and, while we’re on this subject, we might as well talk about the most popular, well-known worldstar campaign, which was by chaotic what he did was basically the very first worldstar takeover. Not only did he pay to get a song on worldstar, he actually got almost the entire personal page. Really, like the first three roles, he basically made each individual track of his project, a cover for his mixtape, and then he had all of those tracks posted on worldstar.

This goes back to that concept of being remarkable that I talked about recently. If you haven’t seen that article is really the concept of making sure your marketing and your product is something worth talking about the fact he took up so much room and it was showing so many of his articles in a row and made people. Think of who is this guy? How much did this do pay to get on his face? Look at all these articles, this guy’s ass and, at the very least, is going to make people click, because now they wonder who caotic is there’s a article, some djay small eyes, if I’m talking about it, I’ll put it in the link.

Description below point is, if you can think of a creative approach for yourself. You want to do that not only when you market on worldstar, but when you market anywhere, because it makes your money or your efforts go farther, and once you get other people talking about it, then seeing it is one thing but then actually talking about that junk. It’s a whole nother ballgame, so it’s we’re all starting to pop a ripoff, oh and really say that, but will it give you the best return on your investment? Well, I would say that either in here’s.

Why well start if I really exist, as my eyelid Nuggets own, it’s really a glorified blog, doesn’t really have any algorithms or ranking systems that truly automate and ensure that people get to see the best content, which means when things get posted, it’s pretty much a lot More chronological than ranking systems, so what your content is up is being moved further and further back if it was on a YouTube or something like that, it’s going to really work to help the users, whoever those users are best fit for your content.

To ultimately find your content, especially as you get more likes and get more views, you’ll constantly be rising up in rankings. Let me stop and answer this because I forgot to do at the beginning a perfect example of this island. I’m talking about is, if you look at a few of these articles, I’ll flash some up on the screen. You’ll see that there are a lot of cases where there are a lot more views on world star than they are on the YouTube, however, they’re providing the youtube link within world star.

It doesn’t matter if you’re reading on YouTube world star or whatever website. If the YouTube article is there, you too will be recording your views. So how does the world star show so many more views than YouTube? One possible theory is a lot of haters exist on world star natives, like the ones of the articles and clowning on people in the comments and stuff like that. Probably a lot of them are reading the comments before they even read the article.

I know a lot of people do that on YouTube, and this is just me skimming through the articles, but it seems like the only time that the actual article on YouTube has far more abused and on a world. Star is when there were big stars involved. Who were probably getting their views from somewhere else, so the world star, probably just put it on themselves for free to see what the comments will be like, but back to the point with going on, it seems to be a real gap between actually getting views from Your page on worldstar and they’re actually translating to legitimate views on youtube.

So if worlds start offering a paid way to get on their YouTube page, I think there will be a lot more valuable for the up-and-coming rapper personally, but I’m not exactly sure that they do. That you’d have to ask them directly and see what they say as far as I can see, doesn’t look like it, but they’re capitalist. So if you got a lot of money, I’m pretty sure they willing to make a little budge. But if you look on their page, everybody up, there is pretty much well-known and there seems to be a much higher standard for getting on their YouTube.

Page then big getting on the world started by website. So what could be an alternative, an even better option and getting on worldstar? Well one? You have just actually posting your music through influencers, but everybody knows a lot about influencers. Am I going to get deep into that? A lot of people have trouble getting in contact with them. I’m going to come up with something as far as a document at a later time to provide for you guys to help you guys out with that, but the other option is using YouTube blogs, like the other platform that your bigger acts about promoting sounds: there’s trap Nations there’s so many YouTube pages out there, where they’re, basically just posting other people’s music – a lot of time, it’s popular artists, but they also do sell spots to up-and-coming artists who are willing to pay.

Of course, it’s always going to be up to you to analyze whether or not their following is best suit for your type of music, but at the end of the day, you’re automatically being embedded and inserted into the YouTube, algorithm and ranking system. On top of that, their subscribers are going to get a notification when your articles posted – because you know that’s how YouTube works, is it completely work? The money invested? The answer to that is: really.

There is becoming more and more more difficult, particularly for only a single payment of getting one article posted up there, kanai’s just added 15 seconds at the beginning and then into the article yeah. I could’ve, but I think it’s a lot more important for you guys to have a perspective on how to think about these type of deals, so you can think about the various situations that pop up for your particular situation yourself.

That’s it y’all know what to do. He did subscribe.

My favorite musician as of right now.

 

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Can Artists Do More Than One Thing At Once? [Artist Branding Part 1]

Some boxes are bigger than others, but a brand is a box. Nonetheless, a lot of people. A lot of artists don’t like to be boxed in, but trust me.

You have to have a box in any relationship, think about it. This way and every single relationship you have with somebody there’s a brand at place and they primarily look at you. Do that brand. Your mother looks at you as son first and then you might be a rapper. Your fans will think of you, have a rapper first or whatever you do. They might have not even fit that your son, daughter, wife, whatever.

So when you look at somebody like Donald Glover, somebody who’s done all these different things. Acting rapping he’s done all these things. On a high level, even still she spent years in just writing first and he slowly slowly but surely started to amplify others. He focuses kind of individually on one at a time, and only now is he getting to the point where he’d do all the things and people can kind of just accept all of the things I want, and still I guarantee you when you talking to Fox, then I’m going to carry in the wrapper, they only care of him as far as a director and writer of a TV showing can they create success in that when you listen into one of his albums, you don’t really get it down, that you wrote Atlanta or any Of that other stuff, all you want at that time is you’ll, be the best rapper.

You can be create the better music for me right now so understanding. That is this understanding that you can brand and sell multiple things to the same people and once at least not in the beginning, at first fill this over here to that crowd, because the 30 rock probably was running a little bit different than his comedy crowd, which Is way different than his music crap, a lot of people listen to music, I’ve never seen or even heard of 30 rock one more quick example.

Little yachty in the article that I did about him and all his marketing and branding as routine even talked about how hey I got this here, and this is my brand right now. I start off with my image before I even came out with my music, but I understand that when I want to become an actor sometime in the future, is my brand at the moment doesn’t necessarily fit where I want to go? But for now this works because I’m showing to this particular crowd right now.

I don’t have to transfer until ready to sell to this crack by the way that often where this whole idea of a sellout comes from, because people just don’t understand that hey, I’m selling to somebody different right now and all these are really just being fitted to Really just point out one simple thing, but you create a brand. It makes you more attractive to certain opportunities, but it also can restrict and limit you from others and that’s not a problem.

Nobody can have it all, particularly it’s not at the same time. That’s it. Y’All know what to do hit that subscribe button.

My favorite musician as of right now.